Gino Chouinard - Îles de Guadeloupe

L'Afrique rêvée Senegal

Cap-Vert, l'archipel créole

People have always been fascinated by the tropics. Explorers from Europe were among the first to travel to the equatorial region centuries ago. Modern scientists are continuing what began with these pioneers. The documentary traces the historical exploration of the paradise belt at latitude 0 and looks at modern research at the equator.

L'Algarve, côte enchanteresse

L’Art du Bigidi is a short documentary exploring the world of Gwoka — a Guadeloupean tradition of dance, music, and resistance, rooted in the island’s colonial history and natural upheavals. At the heart of the film is dancer Lena Blou’s philosophy of the bigidi, a Creole term evoking unstable balance; the precarious state of slipping without falling. It’s a way of moving in a place where the ground literally and figuratively shifts - a metaphor for life in Guadeloupe, shaped by slavery, colonisation, earthquakes, tornadoes, and droughts. Two dancers - Lena Blou and Ovide Carindo - embody this principle. Their bodies tremble, almost fall, then recover, improvising in response to the surroundings. Sonny Troupé, a contemporary Gwoka musician, composes to their movements, echoing the traditional drum-dancer dialogue in which the dancer dictates the musical score. Together they weave the mesmerising vision of a radical philosophy from a land that knows how to dance with uncertainty.

Les Zozos Migrateurs en Inde

Lucie : mission Brésil

Antilles, la mer en héritage

Follows the defiance of two art institutions in the Caribbean: one closed but squatted by artists, the other fighting to stay open. Against the backdrop of political strife, Haitian and Guadeloupean artists grapple with the concept of freedom in their battle to preserve their spaces.

Actor Errol Flynn takes a group of scientists from the California Institute of Oceanography on an expedition to the South Seas aboard his schooner, The Zaca.

Werner Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave.

Navigating the Indian Ocean in a reconstruction of a 1,200-year-old Arab ship, held together by 100km of rope and 127,000 hand-sewn stitches. The Jewel will sail more than five thousand kilometres across the Indian Ocean and do battle with the Monsoon – but for sailors it can spell danger and even death. It took a year to build: the Jewel of Muscat – a reconstruction of a 1200 year old Arab ship, based on an ancient shipwreck. Built from more than 18 tonnes of wood, the ship is held together entirely by 100 km of rope in over 127,000 hand-sewn stitches. Now the Jewel will sail more than five thousand kilometres across the Indian Ocean and do battle with the Monsoon – the mighty rain soaked wind that turns the arid land it touches green. But for sailors it can spell danger and even death.

Le chant des roças

Apartment blocks with no future are being torn down in Pointe-à-Pitre, Guadeloupe. Malaury Eloi-Paisley follows those lost in the city through the empty streets. Their accounts form a valuable commodity, circulating in carefully developed relationships.

L'Avenir est ailleurs

Ma traversée is a personal quest, filmed over 20 years, recounting the racial issues and privileges that have punctuated the filmmaker’s life in three French-speaking societies: Guadeloupe, France and Quebec. From her own story emerges the broader narrative of colonization, colorism, assimilation, integration and the social benefits of “race” and their impact even today. Brutalized by police officers in Montreal in December 2017 in front of witnesses, the filmmaker takes a step back to understand this gesture, which speaks to the social interpretation of skin color.

Gwoka drums have resonated in Guadeloupe since the arrival of the first enslaved people. Rooted in the island's rural history and long marginalized, this tradition—encompassing vocals, music, and dance—symbolizes the local population's reclamation of its profound identity. For the first time, a documentary film captures the social and historical dynamics of Gwoka; moving from one "léwoz" gathering to the next and through various encounters, it reveals the art form's power and richness.

De Charles de Gaulle à Emmanuel Macron, les gardiens de l'empire

Mauritanie, le train du désert

Mémoires enfouies