After the sudden break up of a relationship, a young man tries to make a film using the images of his ex-girlfriend that he had on his camera.
A girl is mourning a loved one, as a spirit guides her through the grief.
What once used to be his everlasting dream, only fills the vacant atmosphere of the resounding theater as Frank tells a story about how he met his love; Cecelia. Reminiscing through dances shared for two, Frank is raptured and beguiled into the fragment of his life.
Eros, a renowned business motivator, leads a brilliant career despite his lonely personal life. One day, he gets the chance to try an Artificial Intelligence machine coded A.G.N.E.S., which promises to perform any task given to it. Eros makes a request to A.G.N.E.S., something that should be impossible to fulfill. Will A.G.N.E.S. be able to make it happen?
Unable to strike up a conversation with anyone at a party, a young man takes desperate measures to get attention.
Tweezaam
Ça va aller
A hobo played by Barnard Hughes decides it's time to go home. Drifting from place to place, Hughes finds himself in his hometown of Salt Lake City at Christmas time. Here he hopes to close old wounds and be reunited with his unforgiving son played by Gerald McRaney, and get to know the grandchildren he has never met. McRaney, still resenting the fact that Hughes ran out on his family 25 years earlier, gives his father only one day with his grandkids; after that, he's expected to leave and never come back. All the while Hughes' friends warn him that his son and the past are memories that are best left alone, and should leave, but he has to find out for himself.
Two best friends who haven't seen each other in a couple years get together to see if they can pick up where they left off.
In his stroll through the streets of Paris, Gaby, a tired homeless man, wonders about the notion of freedom, about social conventions, and finally about his condition through the people who meet him...
Thirteen-year-old Daniel lives with his older brother and terminally ill father in a village plagued by rural exodus. There, the young people live their lives between rare bus stops, xenophobia, unemployment, illegal dog fights and chemical intoxicants, among other things. Daniel stands between childhood and adolescence, and in the face of the indifference and stagnation of his surroundings, he becomes the victim of inhuman conditions that force him into a painful loneliness.
After finishing his MA in Anthropology, Hugo spends his days giving his brain a rest from the endless reading of texts by unknown authors. His only company is Luisa, the cleaning lady, with whom he plays cat and mouse. To escape the sleep of reason – which creates monsters -, Hugo exercises his lyrical vein by writing, with his friend Manuel, songs about their neighbourhood. The quiet dilettantism of our protagonist is shaken by Catarina, a young and beautiful translator who’s starting her professional life as a freelancer. Hugo is hooked and wavers. High above, a kestrel falcon hovers. It’s not the only bird of prey that can do it.
A young woman wandering around meets a young man going to a casting call for a pornographic film.
In the not so distant future, Theodore, a lonely writer, purchases a newly developed operating system designed to meet the user's every need. To Theodore's surprise, a romantic relationship develops between him and his operating system. This unconventional love story blends science fiction and romance in a sweet tale that explores the nature of love and the ways that technology isolates and connects us all.
A dispossessed, violent man's life is a disastrous attempt to exist outside the social order. Successively deprived of parents and homes and with few other ties, he descends to the level of a cave dweller and falls deeper into crime and degradation.
Like ghosts, the temporarily shut down cruise ships lie in the port of Hamburg. A young man comes into town and is stranded on the riverbank, waiting for a message. He watches couples strolling along in the sunset and gets himself some sweets. In a moment of collective pause, ISLANDS IN THE CITY captures a fragile romance. There is a departure in the air, the destination of which no one seems to know.
A single tree that has witnessed events, a girl who loves Forough, and a boy who reads Sohrab.
Suzie, a 58 year old depressed taxi driver on the night shift. On Halloween, she finds a 10 year old autistic boy in the back seat of her taxi with 50$ and an address. As Suzie arrived at the father's address, she realizes the mess this family is in. This child and her own troubled past lead her down a surprising road.
Two men bond as one recovers from an attack and the other deals with the impending death of his grandmother.
They are everywhere without us observing them. These ‘invisibles’ can only be seen on camera and only heard thanks to a microphone. Footage shot in public spaces shows people who seem non-existent to everyone else in the frame.