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An ambulance heads towards the "crossroads of the crow's feet" in response to an accident. Unable to find the place, the driver stops at an intersection to ask for directions from a dull-eared local.

Animation, also of a new order in the recent series of short works. Mostly on black space, the figures in blue perform a very compact and jewel-like opera in surreal form, again to Satie’s piano music. Ideally, the film should be projected on a 30" wide white card sitting on a music stand, center stage of a large auditorium or music hall, with sound from the projector piped into the big speaker system. The film is most effective this way, but can be shown normal-size also

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

In an alternate universe, the dinosaurs have roared one too many times before the asteroid hits Earth. The consequences that follow could be catastrophic.

This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.

Exploring helplessness, Pyre is an experimental short film which personifies death as a ghoul in a dress, drawing closer and closer until striking.

A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.

We are first presented a cobweb castle, filled with the haunting doubts of the young protagonist. Spirits appear on the screen and are heard on the soundtrack. Gradually a female guide emerges and escorts the young man into an antechamber to another (and possibly higher) world.

A modern reimagining of the trick film, combining the love of spectacle, the artist's process and the dark state of today's politics.

Ancestors is a film about spiritual forefathers and mothers in a purely fanciful sense. These are classical figures, anatomical figures, fairy tale figures and romantic figures all thrown in together - all my creative root-sources, in a kind of playful tribute. Like part 2 of Duo Concertantes, it's a moving single picture, now doubled.

Estranged lovers reconnect through the power of the Magic Conch Shell.

The Visible Compendium constructs bits of unnamed meanings, fragments of light. Photography is, to me, not about things, but about light. Light is our primary reality when we are at the movies. Light which suggests things, the secondary reality, a construct by the mind.

A boy waits in the same street every day with his bags packed. What is he waiting for?

A knight has second thoughts before the coronation of a new king.

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

Forced to confront adulthood, a teenage girl detached from reality prepares to leave her childhood home.

A tale about a kid, a samurai mime, and a stripper who all try to defeat a warlord and an evil clown who have successfully turned a countryside into a never ending nightmare filled with horrible monsters.

A magician’s creation roams free in a city and explores its consciousness.

Animation using cutout animation to craft a bizarre science fiction experiment. Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery.

Five years in the making, Lawrence Jordan's feature-length "alchemical autobiography" Sophie's Place takes as its inspiration the story of the Greek goddess of wisdom, Sophia. Writes Jordan, "I must emphasize that I do not know the exact significance of any of the symbols in the film any more than I know the meaning of my dreams... I hope that the symbols and the episodes set off poetic associations in the viewer. I mean them to be entirely open to the viewer's own interpretation."