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Julien is 10 years old. He pretends to go to school but then hides out under a bridge, his backpack filled with clothes. A few kilometers away, 15-year-old Joséphine does the same and waits for the bus.

Marco and Lisa are in love. Online, they fight together against dreadful monsters. Sometimes they die on their mission, but there’s always one life to spare. Yet, Lisa refuses to meet Marco for real. One day she stops showing up for the game, Marco decides to go searching for her.

Monsterlike cranes reign over an inhospitable harbour as prehistorical reptiles. The only human being they accept is a lonesome fisherman. He is to witness a strange encounter between a ship's mate and a mermaid. Imagination or reality?

Mathematics teacher Bernd comes to the conclusion that the youth's morals, values and thoughts (sexuality) are quite different than he thought they were.

Alice Guy's version of Edgar Allan Poe's The Pit and the Pendulum. This film is partially lost.

1952, The Radiant City of Marseille receives its first occupants, eighty civil servants and compensated from war, coming from the four corners of France. Some are led by the promise of Le Corbusier’s ideals. Upon arrival, a couple experiments the location, facilities, and space allotted to them. They each respond to the new habitat. Its uniqueness, its details. The body questions the utopia. New Eden born under the reconstruction, the radiant city floats on the after-war as nothing happened. On board, settled cold, loneliness and sterility.

An unhappy woodcutter is temped by the devil with riches and honors. They visit seven castles, as the man acquires the Seven Capital Sins these castles represent. Pioneering trick effects include multiple exposures and dissolves in this early féerie.

Young lovers separate, she to a career on the stage and he to remain in the small village in which they grew up. Years pass and he is hired to be a porter for a theater company and finds her, a far different woman who does not recognize him.

On a particularly nondescript weekend afternoon, Edison must deal with his exasperated mother, who is bearing down on him like a force of nature; the looming deadline of a paper on the philosophical writings of Immanuel Kant; and a persistent, insidious force that aims to destroy the tranquility of his existence.

Superman's pal Jimmy Olsen gets his own story. Boy meets girl. Boy loses girl. Boy meets boy!

Olhos Pretos, Cabelo Azul

Curious but closeted married man Mr. Jaffee decides to take a walk on the wild side one night over to the local bathhouse located in Times Square. When approached by Thomas, a swinging regular who takes an interest in Mr. Jaffee as the new face 'on the scene', a deep discussion about marriage, connection and loss unexpectedly unfolds. The two become emotionally intimate within a very short time, with no sexual contact of any sort, while everyone around them are screwing like rabbits.

A new skyscraper is being built in New York City, and numerous workmen are busy at hazardous jobs high above the ground. When one of the workers, Dago Pete, deliberately starts a fight, he is immediately fired. But the discharged worker soon comes up with a plan to commit a robbery and get even. His scheme could affect the lives of several others.

Dramatization of the real-life shooting of Stanford White by Harry K. Thaw.

A mother confronts Death as to why he has to take her young boy. And he shows her the future to explain why he need to be eliminated.

Synopsis: A rabbit couple tries to survive in a dying forest...

The first of Peter Tscherkassky's Cinemascope trilogy of short films is a fragmented glimpse of images pulsating with chaotic rhythm as they fight white margins for room in his palette. Mirrored frames being split by white margin and trying to reassemble again like the poles of a magnet, a train approaching station and colliding with itself in white-hot blistering chaos.

The titles tell us this film is based on an incident in the Boxer Rebellion. A man tries to defend a woman and a large house against Chinese attackers. They attack with swords, guns, and paddles. He's over-matched. What will become of the mission, its defenders, and its occupants?

Three hunters surprise two poachers in the act. The hunters take umbrage and give chase over fences and through fields. The hunters fire away, but the poachers have guns as well, and a fight ensues with casualties for the hunters. Two cops appear and so do dogs as the chase continues. Will the poachers escape, or will they, like the game they were after, be trapped?

A tangled network woven with tiny particles of movements broken out of found footage and compiled anew: the elements of the "to the left, to the right, back and forth" grammar of narrative space, discharged from all semantic burden. What remains is a self-sufficient swarm of splinters, fleeting vectors of lost direction, furrowed with the traces of the manual process of production.