A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
This 12 minute short was released as part of the Choose Your Own Adventure option on the H&K Guantanamo Bay DVD. The blurb is: "Ever wonder what would have happened if Harold & Kumar had not been sent to Guantanamo and simply made it to Amsterdam? Here's a little something director Jon Hurwitz shot guerrilla-style all over Amsterdam in 3 days."
A young scientist is kidnapped and taken to a house where his former mentor, a professor, is conducting experiments on shrinking humans.
Before Words
Karin, a young girl, gets an hour free from school. She spends it across the street from the school, in the apartment of an older photographer.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
A clueless man finds a bomb on the street and keeps throwing it to the crowd around him. The sketch then moves with the clueless nerd getting involved in all sorts of troubles until he accidentally gets into a hideout from a terrorist group that will complicate things for him more than he ever hoped.
A Harold Lloyd short featuring a young Snooky the chimp
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
Scene 23, Slow pan The wind whistles over the dykes of the Willebroek Canal. Armand sighs. The viewer should feel goose bumps under their thick sweater. Make it clear that at this moment, Armand is craving a cup of Borain coffee. Scene 456, Armand's farm Armand puts down his coffee cup. Through the window, he sees a beautiful Romanian refugee with AIDS playing the cello in the beet field. Behind Armand, his wife, a former RTBF announcer, commits suicide by hitting herself with hot potatoes. Scene 2,347, sublime landscape of Flanders Armand can't take it anymore: will he choose the position of deputy for the Vlaamse Blok or that of puppeteer subsidized by the CUCF? No one can say.
A nervous and unsettling young boy takes a mysterious old suitcase across London... to a twisted and surreal conclusion.
A British army officer refuses to avenge the death of a general who was murdered years earlier. He is awarded three feathers by his officers. When his fiancée fails to defend his stance, he plucks a feather from her fan. He proves his courage by rescuing his comrades in dangerous and life-threatening situations. Later he returns each feather as proof of his redemption and courage.
To please his dying father, Hong Yu, a college student, is forced to abandon his girlfriend, Little Hong, and marry his cousin, with disastrous results.
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
Relatives of the beautiful Mardjan consider Elberd unworthy of her hand. Father, uncle and grandmother keep the girl locked up. And for protection they use a whole pack of dogs. But the cunning Elberd manages to lure the dogs into large baskets, hang them high on the branches of trees, and take his beloved out of the house.
A housewife tires of her husband's annoying behavior and returns to her mother. At first, the husband is quite pleased to have the house all to himself. But he quickly discovers that even the most basic domestic chores can be fraught with difficulty.
In Spain, a girl awaits the return of her lover, an officer in the army.
Silent film from 1915 which draws on the story of Carmen