I Don't Know What Your Eyes Have Done to Me

A film that brings together ten of the fifteen shorts that Carlos Gardel filmed in 1930 under the direction of Eduardo Morera, in the film studios of the pioneer Federico Valle.

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

A career officer and his wife work with a police detective to uncover the truth behind their son's disappearance following his return from a tour of duty in Iraq.

Coffee Masters is a documentary by Miguel Kohan, produced by Lita Stantic, Gustavo Santaolalla and Walter Salles. It tells the story of great tango of the old guard who, summoned by a rock musician, proposing a record to demonstrate its validity. This adventure, full of memories, humor and poignant moments, culminating with a presentation of the Masters at the Teatro Colon.

A documentary about Medellín's historic and continued connection to tango and its most iconic figure.

When a Hollywood star mysteriously disappears in the middle of filming, the studio sends their fixer to get him back.

Malena, a young photographer, finds a box of family memories while helping clean her parents' house. Among the objects, she discovers some old VHS tapes that belonged to her grandfather, whom she never met. Through these recordings, Malena delves into her grandfather's passions for tango, embarking on an intimate journey that also leads her to self-discovery.

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

A chronicle of Bob Dylan's strange evolution between 1961 and 1966 from folk singer to protest singer to "voice of a generation" to rock star.

25 year old estate agent Suzy Lamplugh was reported missing at 18:45 on 28th July 1986. Investigations have so far not identified any evidence and although leads have been followed, some as recently as 2019, her disappearance remains a mystery. She is presumed murdered and was declared legally dead in 1994. No body has ever been found. The last clue to Lamplugh's whereabouts was an appointment to show a house in Shorrolds Road to someone she referred to as "Mr Kipper".

Hugo Santiago and writers Juan José Saer and Jorge Semprún move back and forth between Paris and the city of Aquilea in a shadowy fable about exile. The frontier between one city and the other begins to blur after Bandoneonist Rodolfo Mederos is visited by his sister, a member of a guerrilla organization.

After the mysterious disappearance of an oil well owner, one of his workers, Gerardo assumes the business management. Soon, the owner's sister arrives from Argentina, and, believing that Gerardo killed her brother to keep the wells for himself, she starts working as a singer under a false name in the same casino her brother disappeared, in order to find out what exactly happened.

Santiago Maldonado disappeared in the midst of repression against a Mapuche community that claimed to Luciano Benetton for his land. His body was found 78 days later. The need for truth and justice continues

The members of a Buenos Aires family have three hobbies — "berretines" in Buenos Aires slang — that keep them apart of their duties. Because of that, the family business is going down, and the only one who is concerned is the father, who hopes for his fourth son, an architect, to save the situation.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

One day, in Savigny, an 18-year-old boy left his house in the middle of the war, saying: "I'm leaving, I'm going to kill Hitler." His name was Joseph, he was Jewish, he was my great-uncle. He disappeared during the night of the Occupation, and his existence became a family secret. He disappeared from history, the small as well as the big: he is not on any deportation list, and the only archive where he appears is a family photo of him as a child. It disappeared like a stone at the bottom of the water, instead of going up in smoke in the sky of Poland. What did he become? And why didn't anyone mention his name anymore?

A musical tour through the work of Aníbal "Pichuco" Troilo, one of the defining figures of tango and Argentinian music.

Part documentary/part dramatization, this film details several of the highest-profile unsolved cases of disappearances, mysterious changes in personality and other strange occurrences related to the Bermuda Triangle.

Lila, a famous retired singer, loses her memory after suffering an accident, just as she planned her return to the stage.

A portrait of union leader James R. Hoffa, as seen through the eyes of his friend, Bobby Ciaro. The film follows Hoffa through his countless battles with the RTA and President Roosevelt.