Beginning

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Bad Boy of Bonsai is an experimental art-house documentary that focuses on Guy Guidry, a Louisiana local, and his passion for bonsai.

A Tibetan woman collects water near her family's yak farm and brings it back home 80-pounds full, in a ritual that takes her an hour to complete. A selection from Peabody Award-winning documentarian Bari Pearlman’s Nangchen Shorts series.

One year after the death of Simone de Beauvoir (14 april 1986) Delphine Seyrig pays homage by visiting her grave. which she finds still covered with flowers and letters from all over the world.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

This thirty minute documentary features interviews with Giovinazzo's key contemporaries discussing the continued impact and influence of Combat Shock twenty-five years later.

A portrait of the daily life of Zé de Sabino, a fisherman who works and lives in the breathtaking village of Regência, Espirito Santo (located near the Rio Doce, which suffered one of the greatest environmental tragedy in Brazil's history). The vastness of man is a place suspended in time, bordered by sky, land, river, and sea.

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.

Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

A written testimony by co-director Jin Ryoo on his experience preparing for Korean compulsory military service is juxtaposed with images of an empty UCSD campus, the desolate construction sites sprawling off of it, and the Mt. Soledad Veterans Memorial.

Edith and Eddie, ages 96 and 95, are America's oldest interracial newlyweds. Their unusual and idyllic love story is threatened by a family feud that triggers a devastating abuse of the legal guardianship system.

In a small town of 1960's India, where cinema is forbidden for women, a 14-year-old embarks on a quest to watch her first film.

As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.

An insight into the creative process of photographer Brigitte Lacombe, exploring her obsession with taking pictures and how her lens defines her relationship with her subjects and the world.

Spain, 1953. Pedro Zaragoza, mayor of the city of Benidorm, in the province of Alicante, by the Mediterranean Sea, visits the Palacio del Pardo, General Franco's residence in Madrid, to ask him for help, in the hope of solving a very delicate problem.

This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.

Promotion reel/souvenir of a 1939-40 meeting of the Paramount Studios sales people.