Dewars Scotch Whisky

Shows a tramp enter and try to ride a wheel, from which he makes some very ludicrous falls and gives up in despair, after which an artist enters and jumps rope on a wheel. A very laughable subject.

As an older man and a youth are eating at the table, the older man decides to amuse himself by using pepper to make the boy sneeze. Later, the boy retaliates by sneaking into the older man's room and putting pepper in his handkerchief, hairbrush, and clothing. But things quickly get out of hand when the sneezing that results begins to disrupt the whole town.

A young man at the University of Southern California, called only Mr. Aaines, goes to a job interview at a television studio, where he is told over that phone that he seems like a fine candidate for taking over the management. Unfortunately, when he gets to the "studio" (more like a castle fit for a deranged scientist), all he finds are two mysterious videotape reels who seem to have a life of their own, and a hunger for human flesh.

A quartet of girls from a prep high school are recruited by a secret paramilitary academy to conduct cloak-and-dagger missions. Short film later expanded into a feature film with the same name.

A lad from a butcher shop is carrying a tray laden with a roast or a leg of lamb. A hobo grabs it and runs. The boy gives chase, joined by dogs, as neighbors watch the spectacle. The hobo jumps into a large rain barrel, followed by the dogs.

Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside.

A satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated (and stereotypical) country yokel is alternately baffled and terrified, in the latter case by the apparent approach of a steam train.

In front of a flour mill, two men fight. One is the miller, and he's swinging a bag of flour in the scuffle. The other is a chimney sweep, and he's swinging what may be a bag of flour, but when it breaks open, it's clearly something else. Well into the havoc, spectators gather and give chase to the flour-covered sweep and the "well-sooted" miller.

Possibly the first film to utilize the technique of focus pulling. A man kisses a beautiful and lively woman, then the image blurs and dissolves into a clear image of the man waking up to his nagging wife.

A photographer has his camera all set up to take a gentleman's picture. The subject checks his face in a hand mirror, and the photographer poses him. Just as the photographer is about to take the picture, the subject gets up to look at the camera more closely. The frustrated photographer soon becomes quite impatient.

The story of the meeting and falling in love of a man and a woman. The story is told by showing the characters from below the knees only. A man in smart shoes prepares to go out. His maid gives him his coat, he dusts off his shoes and leaves. As he leaves the building an elegant woman drops her purse. He returns it to her and follows her home.

Daisy and her husband both go in for a face-pulling contest, but when the big day comes she is unable to attend the competition, and her husband wins instead. When the next opportunity comes around, she is determined to win -- but gets a little over-enthusiastic on the way to the contest and finds herself in trouble! She is most ungrateful for her rescue; fate, however, catches up with her that night…

Ham fears he has accidentally killed his landlady so he and Bud go on the run, disguised as a missionary and a cannibal.

A domestic comedy about the McGinis family--husband Aloysius, wife Clarice, daughter Julie, and housemaid Belladonna. Pa is appalled at the latest fashionable dresses worn by the women in his household.

Mabel has just gotten engaged during a housewarming party of which her mother is the hostess. When an annoying party guest persuades Mabel to dance with him, Mabel hurries through the dance and then goes to look for her fiancé, only to discover him caressing another woman. Her fiancé finds not only Mabel, but also her mother, very displeased, and not inclined to believe his explanation.

Mabel, in the park with her mother, sees her boyfriend and asks him to join them.

The unexpected arrival of his mother-in-law causes uncontrollable hysteria in Kri-Kri's home. Determined to scare her off, indeed get rid of her, he starts developing Machiavellian plans. Trying to poison, sabotage and beat her up, Kri-Kri stops at nothing to attempt to frighten his terrible mother-in-law, to the great displeasure of his sweet wife.

A scientist develops a powder that he believes will have the effect of distorting reality for those who take it. To test its effect tries it out on his assistant, a dog, himself and two young couples.

A happy young couple become engaged, and soon afterwards they are married. But after their marriage, the husband begins to stay out carousing with his friends, leaving his wife at home with her mother. Then, when the three of them go to the opera together, the husband spots one of his friends in another box. Soon the domestic difficulties reach their peak.

A man with a huge hooked nose enters the Fleischer studios to have his bust sculpted. Meanwhile, across the studio, Max is animating Koko. When he's called over to consult on the too-accurate bust, Koko gets mischievous and creates his own drawings. He then escapes and crawls inside the clay bust, eventually wriggling off like an inchworm. He gets into a fight with the man being modelled, both of them flinging wads of clay.