The Jump

Graffiti is variegated. As much variety as the styles does have the people doing it. Still one thing connects them all – the love of their art. From illegal street and train graffiti over classical style writing and time-consuming Murals till events, exhibitions, photography and media. Through 15 short profiles you will be introduced to some of the greatest and most outstanding players of the German scene. They give insights into their work and talk about their motivation. Every part represents an important aspect of the scene, while every protagonist was chosen because of its special history, orientation, technique and style. LIFE uses climbing equipment to reach places nobody else can reach.

"Glory Holes" are mostly found in the basements of sex shops, sex clubs, or what are commonly referred to as whore bars. The pleasure is blind, anonymous. He delights in this blindness. "She" is the engine of his fantasies, his fears, his uneasiness and her naive and vain generosity. "He" will be waiting for her every Wednesday. This short film is the first fiction film directed by Guillaume Foirest as part of his graduation thesis at ESRA Nice in 2005. The film was distributed by DVD Pocket and has made many festivals around the world .

A man at the feet of a seated woman, who looks like a big doll, licking her whole body.

Sitting on the floor in a narrow room, a man coughing and spitting blood.

A little girl tricks a nasty boy into thinking that the "rocketship" she built has taken him to the moon.

A competitive game of one-upsmanship between two men, one small and one tall.

An animated adaptation of Poe's famous short story.

A figure wanders through a world of endless stairs, seeking purpose to his monotonous existence.

One boy's chance to turn a quick buck into 'serious cash' at the local market.

Largely due to censorship, many films, especially documentaries and independent films, can't be released in China. But underground cinema clubs are making independent films accessible to Chinese audience despite the all the risks.

As he prepares for a show, fashion designer Giorgio Armani discusses his principles of fashion, his family history and the city of Milan.

Sky and Kim were childhood friends until an unexpected death pushed put their relationship in turmoil. As their friends try to get them to reconcile their differences, an event causes them to fight for their lives, together.

CIA Agent Walter Adams was kidnapped while he was undercover on a secret mission. He wakes up in the middle of nowhere tied to a tree, and tries to escape fighting to stay alive.

When the old fisherman tries to convince his donkey to climb the steep winding road of their Greek island, he finds Mariza to be one suborn ass. But the old man knows that no one can resist Zorba's dance.

The story of an exceptional painter talent, the Belgian-Hungarian Kim Corbisier who left a brilliantly powerful oeuvre behind after her tragically short and intense life. And a camera at her filmmaker friend. The mesmerising and often shocking footage of the camera bear witness to Kim's struggles with methadone addiction and, above all, her identity crisis caused by a series of unfortunate and criminal accidents in her family. After the unfinished attempts, with this film, the filmmaker is realising a project they had planned together 10 years ago.

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical White is part of a trio of video works that are a series of dream-like moving pictures.

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Red is part of a trio of video works that are a series of dream-like moving pictures.

“Convalescing, when you don't have to participate in the world. Time to read, to dream, to look - the blue, the light of the television, the blue, the book, the patterns the light, the blue. Time to appreciate how much that really is.”

A rhythmical montage made from old photographs and films in which past and present merge.

Faces pass by in quickly edited, split-screen recordings. A 'structuralist' film in which the film material itself plays an important role. Grain, scratches and flickering give the film texture. The music is by Steve Reich.