The Jump

On a particularly nondescript weekend afternoon, Edison must deal with his exasperated mother, who is bearing down on him like a force of nature; the looming deadline of a paper on the philosophical writings of Immanuel Kant; and a persistent, insidious force that aims to destroy the tranquility of his existence.

The Australian comedian Hannah Gadsby is taking an anti-comedy stance in her newest special.

A man prays before the moonlit sky, a silhouette in the blue night, on his knees. The gently moving trees, the mountains on the horizon.

A short documentary about the work of the National Trust in Great Britain

Claire Blanchet directs this visually stunning stereoscopic animation, adapted from Heather O’Neills eponymous slice of Montreal noir.

A short video documentary on Larry Janiak's time as an instructor at the Institute of Design in Chicago, where he taught undergraduate and graduate students for 12 years. Aaron Siskind hired Larry in 1968 to start an experimental live action and animated film area at the school. A narrator introduces Larry's career and achievements at the school and guides viewers through the animation filmmaking area. The film primarily features footage of a beginning animation course taught by Larry.

A documentary-style capturing of the life of Ab, a young struggling artist trying to find her way, all while dealing with unwanted company.

Jane Doe

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

An expressive short film in which examples of early and modern art are juxtaposed to reveal correspondences.

The Emmy-winning story of how an American treasure hunter and a Mexican artist transformed a dying desert village into a home for world-class art.

The first 3D film tour through the wonders of Florence and the Uffizi Gallery.

October 1982: War is waged between Britain and Argentina over the Falkland Islands. A British soldier stumbles upon an Argentinean soldier. They share a few minutes of uneasy respite before national hostilities re-emerge.

Innocent nature walk leads to a discovery of the morbid nature of humans.

Superman's pal Jimmy Olsen gets his own story. Boy meets girl. Boy loses girl. Boy meets boy!

More than a dozen shots, some less than a second, of people wearing roller skates in various settings: a young man in skates sits on a low guardrail next to a city sidewalk reading, a woman with a child shoots by, a constable skates gingerly, a man skates by in suit and vest, another cleans front steps, children skate into a room where papa and siblings sit, someone slips at the base of stairs, a man in a cowboy hat moves fast, two jovial chubby women shake hands, our man in the hat trips over a wheelbarrow, then falls again as he rounds a corner, then down goes the constable. It's a crazy day on the city sidewalks.

Max is a stage struck youth, and because of a deep-seated desire to go on the stage, refuses to consent to a marriage his father has planned for him. The girl, whom Max has never met, is also stage struck, and entertains no wish of marrying him, though her mother is anxious to see her make the alliance. The parents finally manage to bring the young people together, and they, in turn, exert all their skill in an attempt to disgust each other. An accidental meeting between the two when they are off guard causes them to change their minds.

African animals, including a lookout monkey, await with trepidation the arrival of big-game hunter Theodore Roosevelt.

Woman Draped in Patterned Handkerchiefs is a 1908 British short silent documentary film, directed by George Albert Smith as a showcase his new Kinemacolor system, which features a woman displaying assorted tartan cloths, both draped on her body and waved semaphore-style. The patterned handkerchiefs are, according to Michael Brooke of BFI Screenonline, “presumably the same cloths featured in Tartans of Scottish Clans (1906), this time shown from various angles.”

An art instructor and an English teacher form a rivalry that ends up with a competition at their school in which students decide whether words or pictures are more important.