The Jump

Fragonard: Lessons in Love

When Anna, a twenty-eight-year-old photographer, is put in charge of a report on the restoration works at The Ostend Museum of Modern Art, she discovers by chance five paintings signed Constant Permeke, whose power and mystery move and fascinate her.She decides to embark on a quest to find out about who Permeke actually was, the places where he lived, how he worked, what experiences he went through.

When the clock strikes twelve in a toy store a bunch of paint tubes come to life.

This is a compilation of Assume Vivid Astro Focus' video work. Born anytime between the 20th and 21st century in various parts of the world, nomads, AVAF is the combined name for the New York based Brazilian artist Eli Sudbrack and his ongoing 21st century aesthetic research project. AVAF is splashing in the interstices between art and entertainment, converting these gaps into mental pools of sensorial joy and/or sensorial pools of mental joy.

A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.

A high-speed drive through the streets of Paris.

Nine artists—dancers, musicians, and visual artists—in recovery from drug and alcohol addiction are transformed by creativity in their search for identity and freedom. Their stories reveal how art has been a ballast while confronting old addictive habits and finding a portal into the aliveness and spiritual connection of art-making from a unique San Francisco perspective.

Disappearing Man is an intimate film portrait of TriBeCa artist Robert Janz - whose ephemeral, streetscape water paintings reflect on the impermanence of the artist’s own life. Robert Janz’s unique artistic medium is water on brick, stone or concrete. He paints totemic words on New York City façades and sidewalks. Janz’s self-erasing word paintings challenge the serendipitous viewer to reflect on the contradictory nature of artistic practices that often capture and immortalize both a fleeting moment in time and the mortal artist that captured it. In capturing this story of the artist at work, the film evokes Janz’s philosophical musings on practicing an art form that is very much a metaphor for his own mortality. Both the filmmaker and the viewer clearly become not just observers but students of Janz and his art.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

Born in Portugal, Paula Rego is one of Britain's leading artists. This intimate film follows the artist from her retrospective in Madrid to the privacy of her studio in London while she talks with humor and candor about her compulsion to produce works that, though accessible, deal with the most private themes.

A look into the unique and rich friendship between pop art legend Andy Warhol and neo-expressionist icon Jean-Michel Basquiat, exploring their extraordinary creative partnership during the 1980s, and how their work together was propelled by their contrasting beliefs.

The Renaissance master Botticelli spent over a decade painting and drawing hell as the poet Dante described it. The film takes us on a journey through hell with fascinating and exciting insights into Botticelli's art and its hidden story.

Hannah

Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

What happened to painter Beatriz González, who made us laugh with the irony of her works, to get to the point of making a self-portrait that shows her crying naked? The path of the artist is intimately linked with the history of Colombia during the past fifty years.

Considered to be artist Martin Blaszko's only incursion into film. Through the experimentation with various film techniques, the artist speaks of the laws of geometry which are an important part of his work, and other obsessions of his, such as, bipolarity, the monumental, and the city as a source of aesthetic emotion.

A short film that transforms the chat-room of a porn-forum into a techno-feudal court.