The Flower Girl

The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.

A lottery win of $5,000 forever changes the lives of a miner turned dentist and his wife.

On the South Pacific island of Bora Bora, a young couple's love is threatened when the tribal chief declares the girl a sacred virgin.

The film is about poor children and 'The Kids' Diner', a place where they can go to get free or cheap food.

Despondent over a painful estrangement from his daughter, trainer Frankie Dunn isn't prepared for boxer Maggie Fitzgerald to enter his life. But Maggie's determined to go pro and to convince Dunn and his cohort to help her.

An ill Central American single mother risks her life in order to give her son a stable future in the United States.

After Dr. Bill Harford's wife, Alice, admits to having sexual fantasies about a man she met, Bill becomes obsessed with having a sexual encounter. He discovers an underground sexual group and attends one of their meetings -- and quickly discovers that he is in over his head.

Left penniless by her vengeful ex-husband, Madeline is forced to become a pickpocket to pay for a new wardrobe. One of her victims is a Mr. Finlay, who threatens to turn her over to the police -- until he hears Madeline's woeful tale of her cruel, possessive husband.

In 1847, when Ireland is in the grip of the Great Famine that has ravaged the country for two long years, Feeney, a hardened Irish Ranger who has been fighting for the British Army abroad, returns home to reunite with his estranged family, only to discover the cruelest reality, a black land where death reigns.

The Greek army is about to set sail to a great battle, but the winds refuse to blow. Their leader, King Agamemnon, seeks to provide better food, but accidentally slays a sacred deer. His punishment from the gods, the sacrifice of his daughter Iphigenia.

A teenaged girl witnesses her widowed mother's attempt to sustain her family.

Son confesses to his mother, Ana, that he does not feel like a girl; he is a boy. Confused and blocked, Ana will decide to stop in order to observe and understand him and, in the same way, to understand herself. Ana and Son are two sides of the same coin: a mother who does not take care of herself, of her own identity, and a boy in search of his identity with all his strength.

Stuck in a mining town near Vladivostok in 1947 amongst Soviet exiles and Japanese POWs (Japanese prisoners remained in Siberia for years after the war had ended), the kids have to come up with something to keep them busy. Two friends, Valerka and Galia, play some peculiar, very dangerous games of their own amid the man-made wasteland of Suchan.

Trash is a coming of age drama set amongst the poverty stricken trailer parks of the deep South. In a spiraling tale of hatred, love and loyalty, two teenage friends realize that the only way for each of them to escape their miserable futures is by forever sacrificing the other.

A small town comes under the thumb of Martha, a ghost who returns to haunt the children who witnessed her death during a "game" of Ghost in the Graveyard as young children.

A modern retelling of Louisa May Alcott's classic novel, we follow the lives of four sisters - Meg, Jo, Beth, and Amy March - detailing their passage from childhood to womanhood. Despite harsh times, they cling to optimism, and as they mature, they face blossoming ambitions and relationships, as well as tragedy, while maintaining their unbreakable bond as sisters.

Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako's optimism and belief in dreams is able to lift Yuzo from his realistic despair.

Sanda spends all her time working in a plastic factory, raising her two small children and catering to an indifferent husband, leaving little room for herself. A chance encounter with another man may offer her an escape from her daily chores.

The film gets under the skin of a very marginalized group: recent immigrants to Hong Kong from Mainland China. Belying the expectation that they will belong in a territory now returned to China's sovereignty, they find themselves lonely, frustrated, poor, and employable only in the most menial jobs, from elevator service staff to prostitution.

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.