Trypps #7 (Badlands)

"After two years of massive didacticism in black-and-white [Hapax Legomena (1971-72)], I am surprised by Tiger Balm, lyrical, in color, a celebration of generative humors and principles, in homage to the green of England, the light of my dooryard… and consecutive matters." - HF

The Focus is the film about easy death on the Mediterranean sun.

Two men walk agitatedly on a dirt road, between underbrush and large trees. One follows the other: both inspect the place. After a while, they stop in the middle of the foliage.

A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.

To prevent himself from going insane in isolation, a young filmmaker conjures up an idea about a demented experimental director who tries to convince his harshest critic to enjoy his work.

The Function of Cinematographic Orgasm

In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over. Then a drawn lion chases a drawn girl, until it all becomes frightfully serious.

Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.

In Swole I continue to document my commitment to an intensive and transformative gym and diet regimen, as well as the communities that form around such activities, sustaining themselves through texting and sharing videos and photos on social media. I learn the vocabulary of my new community.

A companion piece to Pelourinho: They Don’t Really Care About Us (NYFF57), King of Sanwi continues Akosua Adoma Owusu’s exploration of Michael Jackson as a global pop icon. Here, Michael’s long affinity with the African continent—from the Jackson 5’s arrival in Senegal in 1974 to Michael’s coronation as an Ivorian king in 1992—is captured in vibrant, fuzzy archival video, made visceral by Owusu’s funky audiovisual collage and richly material direct animation effects.

A compilation of non-narrative films shot in the 1970s and 1980s by Phill Niblock concerned with the movement people make when they do menial tasks.

An abstract experimental short film from Jordan Belson.

An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots of the Dutch landscape during a train ride, are cut together to see if a narrative story can be constructed from nothing but randomly shot footage.

Marital Rape Is Real is a short film adapted from several published essays on marital rape by Shanon Lee.

Made for Milton Keynes Gallery's 10th anniversary using images from its archive and language from its press releases and catalogues.

Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.

For a young boy, ordinary facts and things of daily life seem to have great importance.

Within a single space, the director treats the sorrows of two people married to each other.

Heper's 7-minute short "Dawn" follows, in a single space between two windows, a triangular love relationship of three people.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.