The Mechanical Butcher

A quartet of girls from a prep high school are recruited by a secret paramilitary academy to conduct cloak-and-dagger missions. Short film later expanded into a feature film with the same name.

Mickey is driving a taxi. His first fare is a very large gentleman. Mickey stops traffic and gets a tongue-lashing from the officer. The cab runs into some bad road, bounces the fare down to almost nothing, then bounces the customer right out of the cab. Mickey pulls up to the curb and picks up his second passenger, Minnie. She plays her accordion while they ride. The cab gets a flat tire, and Mickey uses a pig to pump it up.

A wartime cartoon that satirizes the Axis leaders of World War II.

In this early short Harold Lloyd sneaks into a movie studio in order to locate an attractive young lady he's just met at a snack bar. He's retrieved a letter she dropped and wants to return it to her, but it's pretty clear that his interest extends beyond mere politeness. (She's the adorable young Bebe Daniels, so this is easy to understand.) The movie studio setting provides Harold with lots of opportunities to do what comedians do in comedies like this one: flirt with actresses, anger the studio brass, and dash through sets disrupting everything.

A young girl, stifling on her father's backwoods farm, is reinvigorated by the arrival of an army regiment, come to train in the area.

M'liss, a feisty young girl in a mining camp, falls for Charles Gray, the school teacher. Charles is implicated in a murder of which he is innocent, and the two must fight to save him from a lynching.

Sally Meyer, a young Berliner, persuades his Doctor to convince his wife that he is ill, so that he is able to take a holiday in the Austrian Alps in order to pursue women. Meyer dresses up in what he considers Tyrolean attire. However, he mistakenly travels to the Bavarian Alps rather than Austria. Meyer becomes infatuated with Kitty, a young, attractive woman at the hotel where he is staying. His pursuit of her angers many of her other suitors who are also staying at the hotel. In order to impress Kitty, Meyer agrees rather reluctantly to climb Mount Watzmann. While they are approaching the summit, both Meyer's wife and Kitty's fiancee unexepectedly arrive from Berlin.

A bumbling American soldier saves a girl from a bunch of Cossacks.

To impress the girl he loves, a naive country boy tries to capture a group of local bootleggers.

A motley crew of British characters ride The San Ferry Ann to the shores of France where they embark on a weekend of calamity. The campervan family led by Dad and Mum (David Lodge and Joan Sims) create chaos from the moment they set their tires on the shore resulting in frequent run-ins with the Gendarme, while Lewd Grandad (Wilfred Brambell) finds his own misadventures with a newly acquainted friend, a mad German ex-soldier (Ron Moody). Also aboard for the ride is a saucy hitchhiker (Barbara Windsor) who causes a few heads to turn including that of a fellow traveller (Ronnie Stevens) who pursues her affection with comic results. By the end of this weekend the French may well be wishing to say 'au revoir' to these trouble-making tourists. San Ferry Ann is a humorous take on the tradition of the British get-away. A classic sound effect comedy that sits with the likes of similarly praised titles such as 'The Plank', 'Futtock's End' and 'Rhubarb Rhubarb'.

A doctor, very much in love with his beautiful wife, comes to suspect that her visiting childhood friend Jack is more than just a friend. Jack's intentions are honorable, but everything he does tends to show his actions in a suspicious light, especially when burglars invade the house and Jack and the wife are caught together in their nightclothes.

Harold and his rival fight over Bebe on her birthday, first at her home and then at a nearby skating rink.

A salesman takes a job at a department store to impress a girl and winds up stopping a kidnapping.

Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside.

A serving girl receives a telegram that she has come into an inheritance. The family she works for suddenly starts to treat her well, and several young men come to court her. Then she receives another telegram telling her the inheritances is only $25. All her new 'friends' desert her, except her poor boyfriend.

In front of a flour mill, two men fight. One is the miller, and he's swinging a bag of flour in the scuffle. The other is a chimney sweep, and he's swinging what may be a bag of flour, but when it breaks open, it's clearly something else. Well into the havoc, spectators gather and give chase to the flour-covered sweep and the "well-sooted" miller.

Mabel has just gotten engaged during a housewarming party of which her mother is the hostess. When an annoying party guest persuades Mabel to dance with him, Mabel hurries through the dance and then goes to look for her fiancé, only to discover him caressing another woman. Her fiancé finds not only Mabel, but also her mother, very displeased, and not inclined to believe his explanation.

Mabel, in the park with her mother, sees her boyfriend and asks him to join them.

A scientist develops a powder that he believes will have the effect of distorting reality for those who take it. To test its effect tries it out on his assistant, a dog, himself and two young couples.

When a woman's husband leaves town, she begins to see odd things happening in her house. Afraid that gangsters are after her, she becomes increasingly anxious.