New Desk

A red ball bounces past a cafe and a couple folks’ houses and then goes to the beach.

Harold and Snub are self-proclaimed big-game hunters who stop at a remote outpost. They hire two native guides to lead them into the woods, but the guides run in terror when they see a rather tame bear in the distance. Harold is annoyed that he cannot find any bears to hunt--unaware that two timid bears are closely following him. Meanwhile Snub encounters an equally tame wildcat who eats his picnic lunch. Snub sprints away. Back at the outpost, Harold twice rescues Jeanne--once from the clutches of an unwanted suitor and once from one of the bears. The grateful, gun-toting Jeanne tells Harold she wants him to be her "sweetie."

Successful middle-aged farmer Samuel Sweetland becomes widowed, then his daughter marries and leaves home. Deciding he wishes to remarry, Sweetland pursues some local women he considers prospects.

Doctor Henck is having bad day, and borrows a fur from a friend. It gives him new confidence, and his day immediately gets better. Hjalmar Söderberg's rejected 1911 movie script, filmed in 1966 for TV as a silent film with a piano soundtrack, to match the time in which it was written for.

A spoiled heiress defies her millionaire father by running off to France to pursue her lover. Things don't go entirely as planned.

A group of young boys develops a crush on a girl, leading to jealousy toward her boyfriend. They scheme to disrupt their relationship, and when the boyfriend catches one of them spying, he punishes him harshly. In retaliation, the boys attempt to make the girl doubt her boyfriend's love.

Anna works at a bookstore. Lucas is suddenly very interested in books. A romantic comedy in which Chaplin meets the Nouvelle Vague.

A series of family entanglements develop around the changing will of Roger Bernhuses de Sars (Karl Mantzius), who wants his heritage to go to his illegitimate daughter Blenda (Greta Almroth). But love and fate also plays their cards. One of the most surprising films of Sjöström, close to Stroheim and some of the silent comedies of Lubitsch. Belonging to the golden age of Swedish film, this comedy offers one of the earliest explorations of the relationship between masters and servants on the screen, later developed by French masters like Renoir and Guitry. After acting in the diptych of Thomas Graal, Sjöström shows that he also dominates the “light genre” as director.

Mr. and Mrs. Hilton throw a New Year's Eve party. They agree not to drink the punch themselves, but as guests begin to arrive their resolve weakens, and soon they are both cavorting drunkenly. Next morning Mr. Hilton, feeling very sick, is conscience-stricken over his drunkenness and his behavior with another woman. He fears to face his wife until he discovers that she feels just as guilty herself.

John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.

With script and direction by Pablo Villaça and starring the comedian Geraldo Magela, Morte Cega has as main character a failed filmmaker named Francis (Maurício Canguçu, producer and one of the main actors of the theatrical success "Believe, a Spirit Downloaded Me"). One night, Francis has a frightening dream about Magela, known throughout the country for playing the character O Ceguinho. Determined to make a short film based on this dream, Francis uses his producer friend, Martinho (Carlos Magno Ribeiro, who acted in Villaça's first short, A_ética), to get to the comedian. From then on, the meeting brings unexpected results for everyone involved.

Thelma and Patsy find themselves in a spooky house inhabited by a nut who is a mechanical genius and has made a robot who does everything. The inventor manipulates the robot's control board from a hidden room. The girls are soon in a panic. Patsy gets into an argument with the robot and loses the match of wits. Blackie Burke, an escaped convict, is using the house as a hideout, and this adds to the problems the girls already have.

Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.

At Thanksgiving, a tramp arrives in a homeless-hostile town.

A tramp tries to earn money by playing the violin, but he’s soon facing off against the jealous competition.

An erotic horror film about a boy who sleeps naked on a hot summer night and suddenly discovers that he's not alone.

Follow a day of the life of Big Buck Bunny when he meets three bullying rodents: Frank, Rinky, and Gamera. The rodents amuse themselves by harassing helpless creatures by throwing fruits, nuts and rocks at them. After the deaths of two of Bunny's favorite butterflies, and an offensive attack on Bunny himself, Bunny sets aside his gentle nature and orchestrates a complex plan for revenge.

After hearing that her boyfriend lacks the courage to break up with her, plucky Elena decides she’d be less humiliated if Arturo was ensnared by a man rather than a woman.

Out of the three-part burlesque, the only surviving one is the one called Pufi would buy a pair of shoes, with Hungarian inserts. The film is shot on a real-life location, in a Budapest shoe shop, and it portrays the mutual efforts of a puny sales assistant and Pufi, the bladder-of-lard customer, to find him a suitable pair of shoes. The content of the other two parts is not known.

After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.