Gandhinagar 2nd Street

Lügen haben hübsche Beine

A mild-mannered professor moonlighting as a fake hit man in police stings ignites a chain reaction of trouble when he falls for a potential client.

Two escaped cons' only prayer to escape is to pass themselves off as priests and pass by the police blockade at the border into the safety of Canada.

Jack's lavish, fast-paced lifestyle changes one Christmas night when he stumbles into a grocery store holdup and disarms the gunman. The next morning he wakes up in bed lying next to Kate, his college sweetheart he left in order to pursue his career, and to the horrifying discovery that his former life no longer exists. As he stumbles through this alternate suburban universe, Jack finds himself at a crossroad where he must choose between his high-power career and the woman he loves.

Driving instructor Carola "Charley" can no longer stand the constant advances of her pupils and quits her job without further ado. To gain some distance, she takes the opportunity to look after her friend Lilo's dog, the two parrots and her apartment while Lilo is on vacation. But even here she has to fend off unloved admirers, as Lilo earns her living as a playgirl. However, "Charley" has received a good tip from her friend: As soon as a man becomes too pushy, janitor Pinkus pretends to be "Captain Tressblekken" on cue and quickly chases the visitors away. But when the real Uncle Tressblekken turns up at "Charley's" house, chaos can no longer be averted...

The down-and-out private detectives Rudi and Moritz join Karin and Gerda on the hunt for an inheritance million. According to the testator's will - Aunt Trude from Buxtehude - the money must be received by Gerda within a week.

A gang of thieves calling themselves the Santa Claus Gang are wreaking havoc, and the police can't keep up. Police Captain Gilbert is distracted by a Chinese reporter writing a story on his squad, and taxi driver Daniel is in the midst of a relationship crisis. After a string of mistakes in which the thieves outsmart the police time and time again, Daniel and his super-taxi pitch in.

Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance.

David Aames has it all: wealth, good looks and gorgeous women on his arm. But just as he begins falling for the warmhearted Sofia, his face is horribly disfigured in a car accident. That's just the beginning of his troubles as the lines between illusion and reality, between life and death, are blurred.

Cecilia Bartoli stars in this ebullient Zurich Opera House production of Rossini’s first French-language comedy opera described by the international press as “pure, unadulterated fun” and reminds us of her comic gifts and her naturalness as a stage actor — as well as her total sympathy with the music of Rossini.

Hubert de Tartas' life becomes a complete muddle when his wife's grandfather is unearthed after having spent 65 years in frozen hibernation in the polar circle. After being de-frosted, the Hibernating Man believes it is still the beginning of the century. Nothing is spared to keep that illusion alive. At the end of his rope, Hubert blurts out the truth and takes the man from Edwardian times on a crazy spree through an ultramodern Twentieth Century.

Christopher Gill is a psychotic killer who uses various disguises to trick and strangle his victims. Moe Brummel is a single and harassed New York City police detective who starts to get phone calls from the strangler and builds a strange alliance as a result. Kate Palmer is a swinging, hip tour guide who witnesses the strangler leaving her dead neighbor's apartment and sets her sights on the detective. Moe's live-in mother wishes her son would be a successful Jewish doctor like his big brother.

Because the muse doesn't want to kiss them in the city, musicians Theo and Bert jet out into the countryside. A bell-like voice from the stables promptly catches their attention. But instead of a fair beauty, they find a dirty stable boy. Amused, they choose him as their servant. The boys have no idea that the boy is Liesel, the charcoal-burner's daughter in disguise.

Eddy and Patsy prepare to go on a skiing holiday to hopefully indulge in the jet-setting lifestyle of the international celebrity elite when Saffy is proposed to by her stuffy, upper-class boyfriend, Paolo. Eddy hits the slopes and has a near death experience where God appears to her and tells her it's not yet her time. When Eddy comes to, she waits for a sign that she should get involved in Saffy's wedding. As she returns to the house, it appears all hell has broken loose- relatives piling up, practically squatting, and Saffy about to lose her mind. Eddy calms her by throwing money at her as they bond together, planning Saffy's dream wedding. What could go wrong?

Cruchot's police office moves into a new building. They do not only get high tech equipment, but also four young female police officers to educate. All of them scramble to work with them -- and cause pure chaos while being distracted by the fine ladies. Then they get into real trouble when one after the other of their female colleagues is kidnapped.

When a wandering mercenary named Hogan rescues a nun called Sister Sara from the unwanted attentions of a band of rogues on the Mexican plains, he has no idea what he has let himself in for. Their chance encounter results in the blowing up of a train and a French garrison, as well as igniting a spark between them that survives a shocking discovery.

The Baronet of Ruddigore, Sir Despard Murgatroyd, has inherited a family curse which forces him to commit a crime every day — or die in agony. He hates the curse, doing his heinous misdeeds as early as possible and good works for the rest of the day to compensate!

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

Circumstances arise that result in a man impersonating his uncle. As the "uncle", he finds himself pursued by his girlfriend's aunt, who does not approve of their relationship.

A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…