Pina Bausch created and performed Café Müller for her dance company Tanztheater Wuppertal. The dance was inspired by and based on her childhood memories of watching her father work at his café in Germany during and immediately following World War II. In this silent style featurette, Bausch shows a restaurant after closing, in which the ghosts of the departed customers stumble blindly into walls and onto chairs but fail to find one another.
A display of flower bouquets, rotating to show the Kinemacolour process.
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
Pouce, on tourne
Narrated by Terence Stamp, this TV program documents the life and career of famed ballet dancer Rudolf Nureyev, through interviews with friends and colleagues and archive footage.
Lao Zha’s film examines rural life in Haiyuan County, in Ningxia Province. Unlike the rapidly globalizing urban centres, here life remains largely unchanged for the Hui people, a Muslim ethnic group, whose diverse cultural roots incorporate Arabic and Persian influences that arose out of the Hui’s proximity to the Silk Road. In a remote Hui village, a little boy named Huhu is growing up under the watchful eye of his grandparents, and, occasionally, his less-than-reliable mother. (Dorothy Woodend, DOXA Documentary Film Festival)
Rumba Rules, New Genealogies offers an enjoyable, rough-edged glimpse into the music scene of Kinshasa, with impromptu shots drawing the viewer into jam sessions on plastic chairs, and the quest for perfection at the studio.
The "cueca" is Chile's national dance. Marveled by this form of dancing, the narrator reflects on the meaning of dance in our lives and how it has been portrayed in the history of cinema.
Welcome to CRUNCH Fitness! If you're on a mission to flatten your belly, firm your thighs, lift your butt and get your body fighting fit then it's time for Belly, Butt & Thighs Bootcamp.
A documentary following the conscious evolution of electronic music culture and the spiritual movement that has awakened within.
Two eighth graders doing an assembly on cleanliness and neatness seek underclassmen. A look into Don and Mildred's hygienic endeavors.
Directed by Ren Jingfeng.
In 1966, John Harlin II died while attempting Europe's most difficult climb, the North Face of the Eiger in Switzerland. 40 years later, his son John Harlin III, an expert mountaineer and the editor of the American Alpine Journal, returns to attempt the same climb.
Actors from Warsaw's garden theatres dance a traditional Polish dance, cracovienne.
A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
Dance for All
From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.
In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.
This observational documentary was realized by filmmakers at the State University of Paraná. It follows the Federal University of Paraná’s Téssera Dance Company in black-and-white images as the group’s members prepare the dance piece “Black Dog”, a work about confronting depression, in June of 2017. The film’s story, structured in chapters, presents archetypal characters overcoming individual crises for the sake of collective expression. “The pack must walk together”, says the company’s stern but compassionate leader, within the context of a pedagogical work about the importance of a show going on.