Attila 74: The Rape of Cyprus

Make Turkey Great Again

A short documentary examining the consequence of time within the fragility of memory, exposing a sense of self, trapped within materiality and fantasy. We observe Chrystalla in her safe place, her home, reflecting on her childhood, her successful beauty business in 70s Cyprus and her deeply troubled marriage. Loneliness, abandonment and regret are prevailing themes within cycles of reflection, jest and contradiction.

On March 29, 1947, peasants armed with sticks and knives attacked the French garrisons in Madagascar. The revolt would end twenty months later with the death of the last insurgents, shot down by the expeditionary force. France, accustomed to memory lapses, knew nothing of this insurrection and its trail of torture and abuses. In Madagascar, well after independence, the events of 1947 were never discussed. For more than a generation, parents refused to speak of them to their children. It wasn't until the 1980s that the silence was broken.

This traditionally ethnographic sequence film focuses on the negotiations betwen representatives of two families during a payment of bridewealth. In the past the husband's group would carry a spear and a sword to hang in the wife's house. Now, a payment is made as a substitute for the spear and sword. The payment of bridewealth is a long and complex ceremony in which representatives from the husband and wife's family engage in a heated negotiation process. The bride and groom are completely excluded from the negotiations and never appear in the film.

[Here] Pollet made a work that is the very definition of what French critics like to call an ovni or ufo (as in ‘unidentified filmic object’). [It] has been described as being ‘like a comet in the sky of French cinema,’ an ‘unknown masterpiece,’ and an ‘unprecedented’ work that refuses interpretation even as it has provoked reams of critical writing. Its rhythmic collage of images – a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida – is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel’s score holds the film’s elements together. At first viewing, you fear that [it] might fly apart into incoherent fragments. Instead, over the course of its 45 minutes it invents its own rules, and you realize you’re watching something like the filmic channeling of an ancient ritual.

THE EARTHQUAKE

Located ten miles off the coast of mainland New England, the Oceanic Hotel is the grand, yet far-from-modern home to the thousands of guests who brave the choppy seas to visit during the warmer spring and summer months. Off-season, the hotel and the 43-acre Star Island on which it sits is home to one woman - its winter caretaker who braves the colder, darker months of inclement weather by embracing the solitude and finding inspiration, and life, in what would otherwise be considered the 'bones' of winter.

'Afghanistan 1979: the war that changed the world', is a French documentary about the Sovjet invasion in Afghanistan in 1979. It was one of the most crucial events of the 20th century, and changed the world forever. This documentary gives a good insight in the Afghan-Russian war ; the alliance between the Russian and Afghan communist governments ; Islamic resistance ; the support of America for the resistance and its consequences on the war.

Between 1960 and 1962 more than 14,000 cuban children were sent alone by their parents to the USA. This clandestine operation -with the participation of the CIA and the Catholic Church- became known as "Operation Peter Pan". Many of the parents had expected to follow their children, who had been granted visa waivers by the US government, but the Missile Crisis terminated the flights between the two countries and the children found themselves stranded in the USA. In 2009, for the first time a group of the Peter Pan children, now adults visited Cuba to give "closure and make peace with the land where they were born".

Echoes of Lamu tells the story of Alpha ODH, a painter from Nairobi, who travels to Ubunfiu Lamu art center to inspire local children through art. His goal is to help them “cut” through reality to imagine and build their own world through painting. Alpha becomes a guide and creative companion. While the children decorate symbolic Aknuloonk sculptures with local patterns and stories, Alpha paints his own AKNEYE sculpture, slowly shifting from urban imagery to the colorful spirit of Lamu. Scenes of the village, its people, and the children’s hopes reveal a place full of contrast daily life and dreams, city and island, past and future. Step by step, Alpha’s artwork becomes a mirror of the journey they’ve all shared.

This is a detailed personal account of one of the worst incidents to take place during Israel's 2009 invasion of Gaza. Ten-year old Amal Samouni lost her father, brother and 48 members of her extended family. She spent three days trapped under the rubble and still suffers from fifteen pieces of shrapnel imbedded in her head. Her shocking story is brought vividly to the screen by director Anne Tsoulis who examines the events and the cost to those affected.

As the forces of ISIS and Assad tear through villages and society in Syria and Northern Iraq, a group of brave and idealistic women are taking up arms against them—and winning inspiring victories. Members of “The Free Women’s Party” come from Paris, Turkish Kurdistan, and other parts of the world. Their dream: To create a Democratic Syria, and a society based on gender equality. Guns in hand, these women are carrying on a movement with roots that run 40 years deep in the Kurdish Workers’ Party (PKK) in Turkey. GIRL’S WAR honors the legacy of Sakine Cansiz, co-founder of the PKK who was assassinated in Paris in 2013, and reflects on the sacrifices made by all of the women in the movement, who have endured jail, rape, war, and persecution in their quest to liberate their lives and sisters from male dominance. With scenes of solidarity, strength, and love amongst these brave women soldiers, GIRL'S WAR is a surprising story of Middle Eastern feminism on the front lines.

Documentary encouraging the inter-generational dialogue about political event's impact on family lives in Czechoslovakia over the 20th century where the regime changed over four times in a hundred years. This film focuses on the Warsaw Pact invasion of Czechoslovakia in August 1968, which has many similarities with the Russian invasion of Ukraine.

This documentary picks up after the horror has ended. Almost 500 teens are in grief as 69 of their friends have fallen. They've been shot dead. How could this island ever become a safe place again? Here, we see how Utøya was first the safest place on Earth to the most terrible and how it was restored and stands as a beacon of hope for the survivors and the Norwegian people.

Thomas Pesquet : Objectif France

February 28 is Deniz Gezmiş's birthday… He would have been 75 years old today; but it only lived for 25 years, and in those 25 years, it had an impact that spanned 75 years. When you have a 25-year-old son, one feels better, what was done to him...

A documentary tragicomedy of a father-daughter relationship, told by the subjective perspective of the young director. She tries to understand how a revolutionary could have become a criminal and an alcoholic, and why he abandoned his family. Freely juggling between documentary, fiction and animation, the director takes us on a journey around the world. The daughter of a former communists visits the ports of the revolt, where communities are trying to realize the concrete utopia.

An historical overview of the tragic circumstances during the Gallipoli campaign in 1915. The Straits of the Dardanelles, a strategic key to the battle for Constantinople proved to be a watery graveyard for many Allied naval ships and cost the lives of over 500,000 soldiers from both the Allies and the Turks. A thread running through the documentary is the battleships lost at sea. Underwater photography of the remains of many of these ships is included. Also includes stills, newsreel and archival film footage, and a detailed retelling through the words of historians, experts and the actual soldiers who fought in the Gallipoli campaign. Suitable for middle secondary level. (English version narrated by David Ritchie and produced by SBS Australia in 2001).

A short history of the island is followed by views of the countryside and people in town and village.

This delightful short film documents a trip by ferryboat to the Maidens lighthouse on the little island of Magee, Co. Antrim, to deliver essential supplies to the lighthouse crew. Shortly after this movie was shot, the lighthouse became fully automated and the need for this service disappeared.