To Fly!

The Veterans of Foreign Wars as a fraternal and social organization, with emphasis on their projects that benefit community life and cohesion.

For detained immigrants who can’t pay their bond, for-profit companies like Libre by Nexus offer a path to reunite with their families. But for many, the reality is much more complicated. “Libre” sheds light on one of many hidden costs of reunification for immigrant families.

A parallel montage of the construction of a dam in Galicia and the architecture of a small Roman-style church.

Elem Klimov's tribute to his late wife, director Larisa Shepitko, killed in a car accident a year earlier. Features excerpts from all of her films, and archival audio of her discussing life and art.

Three years in the making in conjunction with the BBC. Using never seen before home movies, photos and eye witness accounts - this is the inside story of the world's biggest motorsport disaster.

Lost Heroes is the story of Canada's forgotten comic book superheroes and their legendary creators. A ninety-minute journey to recover a forgotten part of Canada's pop culture and a national treasure few have ever heard about. This is the tale of a small country striving to create its own heroes, but finding itself constantly out muscled by better-funded and better-marketed superheroes from the media empire next door.

An elderly stunt performer travels to The Arctic Circle to meet the real Santa Claus. Filmed in 1997.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).

Go head-to-head with an icebreaker. Plunge down a twisting mountain gorge. Soar through the clouds in the nosecone of a jet, then speed along with a dog team as it races across a frozen Arctic lake. A sweeping, moving tribute to Canada's stunning geography and rich cultural heritage, Momentum leaps off your screen--and touches your heart. Momentum wowed audiences from around the world when it premiered at Seville, the greatest world's fair of the last quarter century.

A portrait of the American artist Ray Johnson (1927-1995), based on a personal interpretation of Johnson’s avant-garde strategies, using the telephone and the internet as primary sources for sound and image.

A Place of Our Own

A regular Wednesday night in Tokyo's subway. The train is filled with more and more people...

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

A day and night in the life of three alcoholic derelicts: "and the meek shall inherit the earth - six feet of it".

A film documenting the landscapes of northern Iceland.

A family portrait in which the director profiles his grandmother, Odette Robert. Eustache includes in the film the conditions of its production — he is seated at the table with her, pours her some whiskey, speaks with the camera operator, manipulates the clapboard at the head and tail of the reels, and even takes a phone call. Robert, who was seventy-one, speaks rapidly and tells the story of her life, starting from her early childhood in villages in the Bordeaux region of France. A shorter version of the film ("Odette Robert") was edited in 1980 to be broadcast on television on TF1. The complete film only gained exposure in 2002, when it was salvaged by Boris Eustache, Thierry Lounas, João Bénard da Costa, Jean-Marie Straub, and Pedro Costa.

Robert Altman's first film was this 26-minute short, which has a football coach explaining how to play the sport. This is basically an educational short where the viewer learns about the various rules of the sport as the narrator explains them while we see reenactments.

Chris Marker and François Reichenbach document the massive anti–Vietnam War protest held in Washington, D.C., on October 21, 1967, where more than 100,000 demonstrators gathered at the Lincoln Memorial before marching on the Pentagon. Filmed amid the crowd, the short captures the tension, idealism, and growing radicalism of the American peace movement.

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.