Pleasant Nights

Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.

Italian nunsploitation movie from 1972

The wise and experienced maestro in the arts of love imparting his knowledge and techniques to a younger man before he dies.

A group of rogues steal a scroll granting its bearer the property of the land of Aurocastro in Apulia, a province in the south of Italy. They elect a shaggy knight, Brancaleone from Norcia, as their leader, and decide to get possession of this supposedly wealthy land. Many adventures will occurr during the journey.

Three guys on the verge of forty begin to realize all the best things in their lives happened before they were twenty. A spontaneous road trip adventure gives them a chance to balance the ledger

A man and woman meet by chance at a romantic inn over dinner and, although both are married to others, they find themselves in the same bed the next morning questioning how this could have happened. They agree to meet on the same weekend each year—in the same hotel room—and the years pass each has some personal crisis that the other helps them through, often without both of them understanding what is going on.

Middle-aged Late is building a fence in his family home for a summer break, but he falls in love with his daughter's new friend, 16-year old flirtatious Saija.

Martin Lawrence plays Jamal, an employee in Medieval World amusement park. After nearly drowning in the moat, he awakens to find himself in 14th century England.

The sequel to The Visitors reunites us with those lovable ruffians from the French Medieval ages who - through magic - are transported into the present, with often drastic consequences. Godefroy de Montmirail travels to today to recover the missing family jewels and a sacred relic, guarantor of his wife-to-be's fertility. The confrontation between Godefroy's repellent servant Jack the Crack and his descendent, the effete Jacquart, present-day owner of the chateau, further complicates the matter.

After a wizard's spell goes awry, 12th-century Gallic knight Godefroy de Papincourt, Count of Montmirail finds himself transported to 1993, along with his dimwitted servant, Jacquouille la Fripouille. Startled and perplexed by modern technology, the duo run amok, destroying cars and causing chaos until they meet Beatrice de Montmirail, an aristocratic descendant of the nobleman, who may be able to help them get back to 1123.

Agilulfo is a righteous, perfectionist, faithful and pious knight with only one shortcoming: he doesn't exist. Inside his empty armor is an echoing voice that reverberates through the metal. Nevertheless, he serves the army of a Christian king out of goodwill and faith in the holy cause.

Two 20th-century friends accidentally stumble into the year 1492, where they meet a charming teen and try to alter history.

Whilst King Gros Pif I amuses himself at debauched banquets, his musketeers pursue their tax-collecting duties with a malicious zeal. Goaded by the court jester (who is also the Queen’s lover), the ministers decide to put an end to this regime and have the King locked up. Hearing the news, the famous Chevalier Blanc comes to his rescue. Aided by the knight and his cousin Lucienne, the King flees to Flanders, where he devises a scheme to win him back the throne of France...

King's Dagobert I intestinal and sexual problems loom large as he survives an attack on his royal caravan then barely makes it to Rome to personally give thanks to the Pope. After he arrives at the Vatican, he becomes involved in the battle between two contenders for the papacy and has to face the machinations of a ruthless Byzantine princess.

After spending three years in captivity in Tunis, Bartolomé returns home Extremadura with the only hope to eat his favorite dish: the pork. Along the way he meets a deserter who is traveling with a sow.

Phyllis Diller’s brand of comedy is as timeless today as it was in the 1960s, when she became a regular on popular variety and talk shows. From her outrageous costumes to wildly teased hair, Diller was a pioneer among female comediennes, paving the way for future stars. Who can forget her hilarious housekeeping and marriage tips, her beleaguered husband Fang, her cackling laugh and self-deprecating sense of humor? Phyllis Diller: Not Just Another Pretty Face highlights some of her best routines. Special guest stars such as Don Rickles and Dean Martin make this a fun trip back in time.

"Cilantro y perejil" is a comedy about couples from the same family, hit by the economic crisis in Mexico. The plot turns around the eternal question of whether it is worth it to live as a couple. The conclusions are fun, unpredictable and very human. After ending a ten-year marriage, Carlos and Susana try to fall in love with other people without success. As the days go by, Carlos realizes that without Susana he is unable to do many things, including distinguishing cilantro from parsley.

Mr. Pelletan's rascal son Bébert son got another F for playing in class. His punishment is an essay on the Merovingian king Dagobert. All they know is he had eight wives and reunited Francia. The ignorant knave's irreverent imagination turns that into a harem and a ludicrous war without armies, loaded with anachronisms, in a race against rival king Charibert for the crown of Reims. The king's right hand, archbishop Eloi, the later patrons saint of carpentry, is portrayed as an inventor.

No Woman is allowed into Karlstejn Castle! Yet the enamoured Daniele Kolářová and the equally enamoured Jana Brejchová manage to spend one night in disguise in the Castle despite the strict royal ban.

Alfie Byrne is a middle-aged bus conductor in Dublin in 1963. He would appear to live a life of quiet desperation: he's gay, but firmly closeted, and his sister is always trying to find him "the right girl". His passion is Oscar Wilde, his hobby is putting on amateur theatre productions in the local church hall. We follow him as he struggles with temptation, friendship, disapproval, and the conservative yet oddly lyrical world of Ireland in the early 1960s.