The Christmas Angel

A lost film. Georges Méliès also directed a film entitled Faust aux enfers in 1903 that is frequently confused with this one, but it has little to do with the story of Faust.

When a guardian angel – who invisibly watches over the citizens of Los Angeles – becomes captivated by a strong-willed heart surgeon, he ponders trading in his pure, otherworldly existence for a mortal life with his beloved. The couple embarks on a tender but forbidden romance spanning heaven and Earth.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

A holiday favourite for generations... George Bailey has spent his entire life giving to the people of Bedford Falls. All that prevents rich skinflint Mr. Potter from taking over the entire town is George's modest building and loan company. But on Christmas Eve the business's $8,000 is lost and George's troubles begin.

A man wishes he could turn back time to correct the mistakes he made in his relationship. The timing, destiny and the meaning we give to love are the subject of this dramatic film that intends to involve the audience in a unique way, since the story will not be able to complete without their intervention.

In the span of five years, pioneering director D.W. Griffith delivered some 450 films for the Biograph Company at a rate of two or three films per week. One and two reels in length, these works showed the filmmaker inventing, borrowing, and perfecting techniques he later used to memorable effect in "The Birth of a Nation," "Intolerance," "Way Down East" and "Orphans of the Storm." Including Lillian and Dorothy Gish, Mary Pickford, Mack Sennett, Lionel Barrymore, Henry Walthall, and Mae Marsh. Among the 22 titles included on this landmark release are such widely recognized masterworks as "The Musketeers of Pig Alley," "The Battle at Elderbush Gulch," "The New York Hat," and "A Corner in Wheat."

The story of the rise of Alexander Stravisky, a brilliant and seductive crook, in Paris of the roaring twenties. But unchecked greed and corruption does not go unpunished. The political decadence he feeds off will also cause his downfall.

An attorney's wife is determined to fight the evils of addictive substances.

After a man dons a pair of fake vampire teeth for a Halloween party, he soon comes to find that he can't take them off again.

Harvard Law student Oliver Barrett IV and music student Jennifer Cavilleri share a chemistry they cannot deny - and a love they cannot ignore. Despite their opposite backgrounds, the young couple put their hearts on the line for each other. When they marry, Oliver's wealthy father threatens to disown him. Jenny tries to reconcile the Barrett men, but to no avail.

Julien is 10 years old. He pretends to go to school but then hides out under a bridge, his backpack filled with clothes. A few kilometers away, 15-year-old Joséphine does the same and waits for the bus.

Part 10 of Alexandre Promio's Passion Play, in which Jesus is nailed to the Cross.

Four tales about unfaithfulness. The story takes, almost completely, the form of theatre and rations the action in four acts perfectly divided one from the other, which build an effective reflection about unfaithfulness. However, as it is usual in Jaime Humberto Hermosillo’s cinema, where on many times the sexual tension defines the characters’ psyche who become more complex and multidimensional, the approach is not subject to the moral margins, already outworn by the melodrama.

Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese's style.

Marco and Lisa are in love. Online, they fight together against dreadful monsters. Sometimes they die on their mission, but there’s always one life to spare. Yet, Lisa refuses to meet Marco for real. One day she stops showing up for the game, Marco decides to go searching for her.

Scars of Jealousy is a 1923 American silent drama film directed by Lambert Hillyer and starring Lloyd Hughes and Frank Keenan. It was produced by Thomas H. Ince and distributed through Associated First National, later First National.

The lovely orphan Annie is wandering St Tropez when she meets a mysterious photo-journalist, who convinces her to pose nude for him on the luscious beaches. Proud of her work as the photographer’s muse, Annie agrees to travel to Brazil with him to model nude. After her swarthy companion tries to force himself upon her, Annie flees into the arms of Hugo: another photographer, but one with a more gentle spirit. Hugo takes Annie on a fateful trip into the heart of the Amazon, where the danger and the passion heat up.

A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

The Beast in Man