Lewis, a brilliant young inventor, is keen on creating a time machine to find his mother, who abandoned him in an orphanage. Things take a turn when he meets Wilbur Robinson and his family.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Set in 1944, Valiant is a woodland pigeon who wants to become a great hero someday. When he hears they are hiring recruits for the Royal Homing Pigeon Service, he immediately sets out for London. On the way, he meets a smelly but friendly pigeon named Bugsy, who joins him, mainly to get away from clients he cheated in a game of find-the pebble, and helps him sign up for the war.
Johnny Knoxville, Bam Margera, Steve-O, Wee Man and the rest of their fearless and foolhardy friends take part in another round of outrageous pranks and stunts. In addition to standing in the path of a charging bull, launching themselves into the air and crashing through various objects, the guys perform in segments such as "Sweatsuit Cocktail," "Beehive Tetherball" and "Lamborghini Tooth Pull."
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
Skipper, Kowalski, Rico and Private join forces with undercover organization The North Wind to stop the villainous Dr. Octavius Brine from destroying the world as we know it.
The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".
Times are changing for Manny the moody mammoth, Sid the motor mouthed sloth and Diego the crafty saber-toothed tiger. Life heats up for our heroes when they meet some new and none-too-friendly neighbors – the mighty dinosaurs.
When a professor develops a vaccine that eliminates human allergies to dogs, he unwittingly upsets the fragile balance of power between cats and dogs and touches off an epic battle for pet supremacy. The fur flies as the feline faction, led by Mr. Tinkles, squares off against wide-eyed puppy Lou and his canine cohorts.
Mulan grew up in a martial arts family, has a dream to become a female warrior in the Kingdom. By forced to join the army in her father’s stead, she finds a way to express herself. However, during a mission that she was supposed to assassinate the Crown prince of a hostile kingdom, she never knows that this decision changed her life entirely. They fell in love. From then on, she has a new goal, not to fight for her achievement but to bring peace for the people of both countries. In the end, she triumphed over the villain and also understood the true meaning of being a warrior.
A cartoon with a very loose form, mostly following the very creation of images with the author's hand often in the shot.
A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
The main protagonist is a young fellow who tries to live his life within 30 frames. He's a person suitable for any atmosphere, which makes him different from the rest. He's like a plant that differs from others, an informer who wants to escape out from his skin. This man loves, hates, eats, drinks, lies ill, laughs, cries, kisses, plays... These are agonies of a contemporary man.
A man and woman embark on a sexual journey to detach mind from body. The relationship slowly grows into one of emotional domination, physical disease, abandonment and the creation of personal pornography.
Two young wolves at opposite ends of their pack's social order are thrown together into a foreign land and need each other to return home, but love complicates everything.
Two travelers undertake the construction of a gigantic bridge in order to cross a gulf blocking their way.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.