Tar Angel

In Algiers in 1993, while the civil war is starting, Mrs Osmane's tenants have to endure her bad temper. Her husband left her and the fear to lose her respectability haunt her. The former member of the Resistance during the Independence War persists in controlling the slightest moves of the households rather than struggle against her own frustrations. Learning her daughter is in love, the possibility of finding herself alone will push her to the limit: The symbolical Mrs Osmane "harem" is about to collapse.

Wyn arrives in Seoul searching for her missing boyfriend, Dani, and meets Rey, an Indonesian worker who helps her. As they grow close, Rey uncovers Dani's secret new identity but keeps it hidden. When Wyn reunites with Dani, she disappears soon after, leaving Rey to embark on a desperate search to find her.

A snowboarder, whose career was interrupted by an injury, meets a determined pianist who inspires him to pursue his Olympic dreams.

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

Chronicling one harrowing day in the life of Luciana, a young woman struggling to make ends meet while striving to escape her past. As Luciana’s day unfolds, she is whisked, physically and emotionally, through a series of troublesome, unforeseeable extremes.

Tensions rise between an immigrant father and his first generation son as they try to connect with each other and deal with the weight of cultural expectations

Two roommates discover that the family of one of their girlfriends is populated with vampires.

Kameda, who has been in an asylum on Okinawa, travels to Hokkaido. There he becomes involved with two women, Taeko and Ayako. Taeko comes to love Kameda, but is loved in turn by Akama. When Akama realizes that he will never have Taeko, his thoughts turn to murder, and great tragedy ensues.

Aisha thought she had found happiness with Arif, a figure who perfectly complemented her life. Making her not hesitate to remove all obstacles, even the most difficult ones, to prove how great her love was. In fact, the love that Aisha believed in not only gave her wings to fly high, but also dropped her from the highest place, taking her to wander the jungle without a clear goal. Making her ask, Have the decisions she has made so far been right? Where will her love find its estuary? Truly God is All-Good, the journey through Ningxia made Aisha realize that time is another form of His goodness. And the most important part is not the beginning, but the end. Always the end.

Two deaf and dumb children. She is the daughter of an American Oil engineer. He is the son of an Algerian farmer. They meet and manage to communicate, transcending all the cultural barriers that separate them.

The quiet family life of Nels Coxman, a snowplow driver, is upended after his son's murder. Nels begins a vengeful hunt for Viking, the drug lord he holds responsible for the killing, eliminating Viking's associates one by one. As Nels draws closer to Viking, his actions bring even more unexpected and violent consequences, as he proves that revenge is all in the execution.

The secret US abduction of a suspected terrorist from his Middle East homeland leads to a wave of terrorist attacks in New York. An FBI senior agent and his team attempt to locate and decommission the enemy cells, but must also deal with an Army General gone rogue and a female CIA agent of uncertain loyalties.

Behrani, an Iranian immigrant buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send his son to college. However, the house is the legal property of former drug addict Kathy. After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer and befriends a police officer. Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.

Set amidst the civil war of Algeria in the 1990s, Enough! is the story of two women. Emel is a Westerner whose husband, a journalist, is missing - perhaps kidnapped or even killed for articles he's written.

In California, a Mexican-American laborer is falsely accused of shooting the racist farmer he was working for after the farmer stiffed him with a bad check.

Accused of killing his brother during adolescence, Salvador lives alone in the middle of Patagonia. Several decades later, his brother Marcos and his sister-in-law Laura, come to convince him to sell the lands they share by inheritance.

El Fidayoune

A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province. He has already hired Turkmen tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diegetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.

Four ordinary women, inflicted by silly societal norms, have to steal, lie, cheat and hide in order to lead the lives that they rightfully deserve.

A queer Arab boy, Nazeem, looks up to his Muslim mother with awe. Later in life, it is only through being a drag queen that he holds on to their lost and fraught connection.