The Making of 'The Last Laugh'

An indie film crew throw caution to the wind when they attempt to shoot a completely improvised drama where the film's big twist is being kept secret from their lead actress, while also navigating on-set mishaps, bizarre twists of fate, and the first year of a global pandemic.

The subject is a group of women bathing in a public swimming pool. The camera was placed on the edge of the pool and the full extent of the film shows the women in the pool. Only the heads and shoulders of most of the women are visible but it is possible to see they are wearing rented bathing attire.

In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.

Chronicles the making of director Werner Herzog’s 2009 feature, My Son, My Son, What Have Ye Done, providing profound insight into the director and his craft. My Son, My Son, What Have Ye Done was inspired by the true story of an actor who committed in reality the crime he was supposed to enact on stage: murdering his mother. With longtime friend Herbert Golder behind the lens, Herzog reveals the privacy and deep solitude that defines the director and his art.

Cabin Fever 2: Spring Fever - Behind the Scenes

From the inner workings of the RAF. Former RAF-member Peter-Jürgen Boock reveal the many secrets and myths about the Baader-Meinhof gang a.k.a. RAF - Rote Armee Fraktion.

Agriculture and its perspective in modern times. The change from farmers to energy supplier raise questions. Are we doing the right thing?

Un día por Málaga

A documentary about the making of Jia Zhangke's film the World.

"The Making of Avenged Sevenfold" is an exclusive DVD included as an MVI (Music Video Interactive) feature on the band's self-titled album. This behind-the-scenes documentary provides an intimate look into the creative process of Avenged Sevenfold as they craft their critically acclaimed record. Fans get a rare glimpse of the band in the studio, capturing raw and unfiltered moments of songwriting, recording sessions, and candid discussions. The DVD showcases the band's dedication, camaraderie, and the intense effort that goes into producing their signature sound.

An account of the journey that King Alfonso XIII of Spain made to the impoverished shire of Las Hurdes, in the province of Cáceres, in the region of Extremadura, in 1922.

A behind the scenes look at the background and making of the 2008 TV mini-series

Behind-the-scenes documentary about the making of Klaus Kinski's "Paganini".

The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.

The origin story behind one of Broadway's most beloved musicals, Fiddler on The Roof, and its creative roots in early 1960s New York, when "tradition" was on the wane as gender roles, sexuality, race relations and religion were evolving.

A look at the unusual process used in the making of the film Shortbus (2006) featuring interviews, behind the scenes footage and clips from the feature film. Director John Cameron Mitchell starts with the concept of using real sex in a film with a positive message. The cast of unknowns is selected from homemade audition tapes and then a callback audition workshop. More acting workshops are used to develop the characters and script. The project overcomes a number of obstacles and the rest of the film's development is followed up until its premiere at the Cannes Film Festival.

Directed by Ren Jingfeng.

Renouer avec le vivant

Cabin Fever: Beneath the Skin

"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)