It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.
The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.
After a group of friends graduate from Delhi University, they listlessly haunt their old campus, until a British filmmaker casts them in a film she's making about freedom fighters under British rule. Although the group is largely apolitical, the tragic death of a friend owing to local government corruption awakens their patriotism. Inspired by the freedom fighters they represent in the film, the friends collectively decide to avenge the killing.
Rahul Khanna (Vinay Anand) and Sonia Chopra (Pooja Batra) are in love, they seek the blessings of their elders, Mahendra Pratap Khanna (Kiran Kumar), Mr. Chopra (Sadashiv Amrapurkar) and Mrs. Chopra (Kunika), and get married. During their honeymoon, Sonia, who is very ambitious, tells Rahul that he should start his own business, away from his father, and stand on his own feet. Rahul does so, and starts a modelling agency. His immediate rival is Sanjeev Verma (Faraaz Khan), who is very successful.
A love triangle where everybody is blackmailing the other two gets a nasty upset when one of them is suddenly found murdered.
The plot revolves around Jeevan Thakur's fight against the local cunning money lender Lala & his ally Inspector Dushant Singh with revenge for killing his parents.
Uncredited remake of "Ghost". Dead man's spirit, unable to bear separation from his wife, communicates to her through a wacky medium.
Shikara is the untold story of Kashmiri Pandits' forced exodus. It is the story of resilience in the face of insurmountable odds. It is also the story of a love that remains unextinguished through 30 years of exile. A timeless love story in the worst of times.
Advait visits Goa where he meets Sara, a free-spirited girl who lives life unshackled. Opposites attract and all goes well until life turns upside down. Years later, Advait is on a killing spree with cops Aghase and Michael in his way.
Professor Jay Verma finds himself in a precarious situation amidst his failing career and crumbling marital relationship. Struggling to make his way out, he seeks help from Ronnie, a student in lieu of his help to complete Ronnie's thesis. The two strike a deal, however, soon things go awry and the professor begins to question his own sanity.
This is a dramatic chain of events in the most glamorous ,swinging era of Hindi films... the 1960s. It was a decade when film stars tasted success and carried their larger than life screen image on to real life with unbridled pomp and splendour. It was during this time that two ambitious films were made... Ujwal Nirmal Sheetal and Reena Mera Naam. The latter became a runaway hit while the former was struggling at the box office.
Salaam Namaste is about two Indians who have left their houses to make a life on their own, and how they meet and how they tackle their own relationships and problems and overcome them themselves without their families
Two souls arrive in a small town, one on vacation, the other to meet a lover. They spend the most magical dream-like days of their lives in that town... with each other.
Not wanting the same fate as befell her sisters, Sona Mishra re-locates to Mumbai to try to make a living making movies, but she soon finds that the path she has chosen is not an easy one.
Madan Mohan Khullar, a lover of old Hindi films and music, has decided to start his life afresh. However, to begin a new day, one has to pass through a long night, and so must he.
A man sells movie tickets on the black market, but starts to have a change of heart after he falls in love.
After his boss, Jai Singh, commits suicide, Subhash, a chauffeur, hatches a plan to win his insurance money. He teams up with Jai's wife, Mallika, to make the suicide look like a well-planned murder.
When her cheating husband dies in an accident, childless widow Gayetri tricks her husband's pregnant lover into giving up her baby, then raises the child, Sunny, as her own son.
Diwan and Bhagail Singh kill Kanwar for his property. In the confusion that follows Kanwar's wife Laajvanti and her sons, Shankar and Ravi are separated. Shankar drifts around in search of his mother and Ravi. Ravi works for Diwan and loves his daughter Reeta. Shankar and Ravi are friends. Diwan and Bhagail Singh drive a wedge between them and have Shankar sent to jail on a false charge of theft.
Kunal and Riwa's lives crumble after a tragic accident, leaving Kunal paralyzed. Both feeling helpless and distant, seek solace elsewhere, raising the question: can helplessness justify betrayal in a relationship?