Benny's Video

A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.

A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.

Two men answer the call of the ocean in this romantic fantasy-adventure. Jacques and Enzo are a pair of friends who have been close since childhood, and who share a passion for the dangerous sport of free diving. Professional diver Jacques opted to follow in the footsteps of his father, who died at sea when Jacques was a boy; to the bewilderment of scientists, Jacques harbors a remarkable ability to adjust his heart rate and breathing pattern in the water, so that his vital signs more closely resemble that of dolphins than men. As Enzo persuades a reluctant Jacques to compete against him in a free diving contest -- determining who can dive deeper and longer without scuba gear -- Jacques meets Johana, a beautiful insurance investigator from America, and he finds that he must choose between his love for her and his love of the sea.

In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?

Clara and Hans are left-wing terrorists who have been sought by police for almost fifteen years. Their increasingly rebellious daughter Jeanne begins to pose a threat to their security when she falls in love with a boy she meets on the beach.

Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.

When Martin, a former GDR citizen, is released from jail, he lately becomes confronted with the consequences of the German re-unification.

Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.

Three generations of women survive the east wind, fire, insanity, superstition and even death by means of goodness, lies and boundless vitality.

After moving to a new town, troublemaking teen Jim Stark is supposed to have a clean slate, although being the new kid in town brings its own problems. While searching for some stability, Stark forms a bond with a disturbed classmate, Plato, and falls for local girl Judy. However, Judy is the girlfriend of neighborhood tough, Buzz. When Buzz violently confronts Jim and challenges him to a drag race, the new kid's real troubles begin.

After a young man is murdered, his spirit stays behind to warn his lover of impending danger, with the help of a reluctant psychic.

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

An unlikely love story between a lonely collections agent and his elderly neighbor.

Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster's growing attraction - forbidden in his neighborhood - for a beautiful black girl.

Bored and restless, Alice spends much of her time lusting after Jim, a local sawmill worker. When not lusting after him, Alice fills the hours with such pursuits as writing her name on a mirror with vaginal secretions and wandering the fields with her underwear around her ankles. And, in true teenaged tradition, she spends a lot of time writing in her diary.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

The life and struggles of a notorious rock musician seeping into a pit of loneliness whose everyday life involves friends and family seeking financial aid and favors, inspired by rock music legend Kurt Cobain and his final hours.

As Constance (Natasha Richardson) and Nina (Toni Collette) gather at the deathbed of their mother, Ann (Vanessa Redgrave), they learn for the first time that their mother lived an entire other lifetime during one evening 50 years ago. In vivid flashbacks, the young Ann (Claire Daines) spends one night with a man named Harris (Patrick Wilson), who was the love of her life.

Jane Marple solves the mystery when a local woman is poisoned and a visiting movie star seems to have been the intended victim.