"We're the Marvels" follows a young woman preparing a Thanksgiving dinner for a group of friends as a practice run before making actual Thanksgiving dinner for her family. As we see the prep, the dinner, and the aftermath, out of order, we start to see that she and her friends similarly struggle with feelings of over-reliance on others - a feeling that’s just waiting to burst.
A chain of harshness. Brother’s divorce brings ceaseless conflict to the family. Disputes over custody of his kid and alimony constantly plague him, but I can neither help him nor ignore his troubles. Boyfriend seems to be selfish and makes me nervous. There are always anxieties lurking below the surface of any human relationships. This anxiety becomes incarnated in the shadowy face of a pervert hiding in the alley, and darkness has its metaphorical meaning in the entire film.
A couple confronts the cracks in the foundation of their marriage after reading their son's letter to Santa Claus.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
A close-knit group of gay friends share the emotional roller coster of life, relationships, the death of friends, new beginnings, jealousy, fatherhood and professional success. At various stages of life's disarray, these young men share humorous and tragic relationships and always have each other to rely on.
Alicia and Enrique are a young married couple somewhat distanced from each other. Their relationship is threatened when Carlota, a friend of Alicia's from long ago, comes to visit and stays with them for a while.
Days before his birthday and weeks before his wedding, Tate Bradley, a twenty-five year old, African-American man attempts to commit suicide. He survives the ordeal, but from his actions, it is obvious that "Something is Killing Tate." The question is: "What?" Tate attempts to isolate himself to his apartment - hiding from the world.
Kazuhiko seizes the opportunity of his mother's illness to quit work and return to his parents' home. He begins working at senior citizens' home, performing his duties despite having doubts about the facility's policies even as he listens to his mother's grumblings at home. Then he meets a rebellious woman, Aiko, who begins to have an influence on him.
Emma has a wonderful job: she is a registrar and marries couples who want to get married. However, she is not happy because her own marriage to Thomas is now on shaky ground. She has become estranged from her husband and couples therapy doesn't seem to be working. When she meets her childhood crush Ben again, she is faced with a big decision. However, Ben is about to marry Julia and Emma is supposed to marry him and his fiancée.
When a son and mother move to Seattle in hopes for a better life, the mother meets a seemingly polite man. Things go south when the man turns out to be abusive, endangering their lives. As the mother struggles to maintain hope in an impossible situation, the son has plans to escape.
17-year-old Guido suffers since his early childhood from neurodermatitis. After being taken to the hospital due to a heavy attack, he starts to question his personal and familiar environment and discovers that his parents’ relationship – which he assumed to be happy and sound – is built on lies. Unable to deal with this disappointment, he flees from it and moves in with his older brother and his roommates...
An old man named Zivojin Markovic, living in a remote village prays for his grandson Cane to go to the city, sell his cow and bring back a wife. In the city he is supposed to meet up with his grandfather's stepbrother, but this man is dead. Instead, he meets this man's two grandsons, two good-natured brothers who are nevertheless small-time criminals and experts in demolition. Cane soon clicks with these men, and also falls in love with a schoolgirl (Jasna), who he wants to marry as part of his testament with his grandfather. He gets involved in this girl's family affairs, rescuing both her and her mother from prostitution and gangsters headed by a man called Bajo, and the new group of people return to the small village in time to celebrate Zivojin's wedding to his neighbor, despite the gangsters' best efforts to stop the celebration, which results in a double wedding.
Treyvon has everything, well almost everything. He's got the fast car, good city job, model looks - even a good sense of humor, and yep - a body to die for. The only thing missing is that one special somebody. Ever since he embarrassed a young woman who asked him for a date, his love life has been cursed. Now, over 15 years later, he is trying to break the spell.
Oskar Roehler's drama Der Alte Affe Angst (Angst) is about the dissolution of a couple. Robert (Andre Hennicke) and Marie (Marie Baumer) have little in common other than their sex life. Since Robert is going through a bout with impotency, they are having a very rocky time. Robert learns that his father, whom he is estranged from, has died. This disturbs Robert so much that he visits a prostitute, and is able to engage in sex with her. Marie discovers the infidelity, and the prostitute has a surprise of her own. Angst was screened at the 2003 Berlin Film Festival.
Jerry Falk, an aspiring writer in New York, falls in love at first sight with a free-spirited young woman named Amanda. He has heard the phrase that life is like "anything else," but soon he finds that life with the unpredictable Amanda isn't like anything else at all.
For Jip, Lulu, Koop, Nina and Moff, the dead-end jobs they endure during the week just kill the time until Friday night. That's when they cut very loose and get on the rollercoaster ride that takes them right through to Monday morning.
While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006).
Two young brothers in contemporary Russia are reunited with a father they know only from an old photograph after his sudden return from a long absence. With their mother’s reluctant consent, they set out on a remote trip that quickly becomes an uneasy test of authority, trust, and masculinity. As the journey moves deeper into the wilderness, the fragile bonds between father and sons are pushed to their limits.
A frustrated and unemployed architect experiences flashbacks of his youth and 1968 protests while the life passes by. Unable to adapt and to accept the reality, he’s constantly getting into conflicts with the people around him.
Silvester Home Run