On an African safari with his friend Grant, Clyde Beatty plans to buy some black-maned Numbian lions from Jo Carter but her animals are wiped out by a fire. Despite interference by rival dealer Gorman, who hopes to ruin Jo, Beatty saves her business by helping her to capture an adult gorilla. (2nd story) When Grant is bitten by a tsetse fly and falls ill, Beatty heads for the nearest hospital through the territory of the dangerous Matabeles tribe. They are captured and condemned to death by Grubbs, a white man living with the tribe and stealing their gold. Using the Matabele Boy King as a shield, Beatty and Grant make an escape and Grubbs is forced to accompany them, leaving his loot behind.
From a boy on the streets of the Congo to becoming an NBA champion, Serge Ibaka has risen to a level even he can hardly believe. Watch as he brings the Larry O'Brien Championship Trophy back to Africa for the first time, and re-visits all the places he used to go as a young man in this emotional journey.
Innerer Kongo
A rare documentary made in Brussels in the early nineties collecting witnesses on how local and Congolese musicians enriched each other including internationally known stars such as Manu Dibango, Toots Tielemans, Vaya Con Dios, Phillippe Catherine, Victor Laszlo, Zap Mama...
In Brussels, Belgium, the Royal Museum of Central Africa is undertaking a radical renovation, both physical and ethical, to show with sincerity, crudeness and open-mindedness the reality of the atrocities perpetrated against the inhabitants of the Belgian colonies in Africa, still haunted and traumatized by the ghost of King Leopold II of Belgium, a racist and genocidal tyrant.
Presents a dramatization of the life and death of Isidore Bakanja who was born in the Belgian Congo around 1885. He was converted to Christianity by Catholic missionaries but later was persecuted by an athiest employer who treated him mercilessly because he refused to remove his scapular.
Children play amidst cycles of thunder and violence.
The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. Using newly discovered historical evidence, Haitian-born and later Congo-raised writer and director Raoul Peck renders an emotional and tautly woven account of the mail clerk and beer salesman with a flair for oratory and an uncompromising belief in the capacity of his homeland to build a prosperous nation independent of its former Belgian overlords. Lumumba emerges here as the heroic sacrificial lamb dubiously portrayed by the international media and led to slaughter by commercial and political interests in Belgium, the United States, the international community, and Lumumba's own administration; a true story of political intrigue and murder where political entities, captains of commerce, and the military dovetail in their quest for economic and political hegemony.
After crossing 11 countries irregularly to seek asylum in Canada, Peggy, Simon and their three children are waiting for the hearing that will determine whether they get refugee status or not. Having fled political repression in the Democratic Republic of the Congo, the family tries to rebuild a peaceful life in Montreal, in spite of the constant threat of deportation. Between ghosts from the past, hopes for the future, a complex legal maze and seemingly endless trial, the film delves into the struggle of the Nkunga Mbala family to remain in Canada. Offering unprecedented access to their hearing before the Immigration and Refugee Board, the film unveils the opaque process of claiming asylum in Canada.
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
A thinly-disguised biography of African leader Patrice Lumumba, here called Lalubi. Lalubi, a Christ-like leader determined to save his people, by passive resistance, from the dictatorial regime propped up by European colonialists, is imprisoned and tortured, along with a thief who comes to a greater understanding through his contact with Lalubi.
Rumba Rules, New Genealogies offers an enjoyable, rough-edged glimpse into the music scene of Kinshasa, with impromptu shots drawing the viewer into jam sessions on plastic chairs, and the quest for perfection at the studio.
Sexual violence against women is a very effective weapon in modern warfare: instills fear and spreads the seed of the victorious side, an outrageous method that is useful to exterminate the defeated side by other means. This use of women, both their bodies and their minds, as a battleground, was crucial for international criminal tribunals to begin to judge rape as a crime against humanity.
After numerous military operations, Major Müller can't find a way back into civilian life. Following his urge to communicate, the Major is looking for listeners and encouragement. He doesn't find either. Instead, the repeated monological memory of his own heroic deeds determines his present – with all the consequences. This 30-minute short film is based on the statements made by the mercenary Siegfried Müller in the documentary “The Laughing Man” (Walter Heynowski and Gerhard Scheumann, DEFA studio for newsreels and documentaries, 1966), as well as records from the German colonial period in Africa. An intensive contribution to the necessary public debate about the consequences of military operations.
In the center of Equator Province, Democratic Republic of the Congo, the Ilima community remains one of the most isolated in the world. They have coexisted with endangered wildlife in their surrounding forest for generations, but as the pace of development has increased, this fragile ecosystem has suffered. They partnered with the African Wildlife Foundation and our architecture firm, MASS Design Group, in 2012 to create a new conservation focused primary school and community center. This film documents our collective building process - one aimed at leveraging local craft and ecological knowledge towards education, preservation, and beauty.
Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War.
Lao Yang is head of logistics of the group. He is responsible for the equipment, building materials and food (mainly chickens) to arrive in the isolated Chinese prefab camp. The Congolese government was supposed to deliver these things but so far the team hasn't received anything. With Eddy (a Congolese man who speaks Mandarin fluently) as an intermediate, Lao Yang is forced to leave the camp and deal with local Congolese entrepreneurs, because without the construction materials the road works will cease. What follows is an endless, harsh, but absurdly funny roller coaster of negotiations and misunderstandings, as Lao Yang learns about the Congolese way of making deals.
In the northeast corner of the Democratic Republic of the Congo, a ‘red zone’ remains, designated as such since the second war of the Congo, (1998–2002), where no foreigners have entered since 1999. The biologist Anne Laudisoit and her team of Congolese scientists embark upon a scientific exploration to identify species that dwell in one of the last virgin territories of Central Africa. In the lush yet inaccessible valleys of the Blue Mountains thrives an amazing startling biodiversity. Rumor has it that there are even chimpanzees.
A behind-the-scenes documentary about the gorillas featured in the film Virunga.
In the cobalt mining areas of Katanga in the Democratic Republic of the Congo (DRC), babies are being born with horrific birth defects. Scientists and doctors are finding increasing evidence of environmental pollution from industrial mining which, they believe, may be the cause of a range of malformations from cleft palate to some so serious the baby is stillborn. More than 60% of the world’s reserves of cobalt are in the DRC and this mineral is essential for the production of electric car batteries, which may be the key to reducing carbon emissions and to slowing climate change. In The Cost of Cobalt we meet the doctors treating the children affected and the scientists who are measuring the pollution. Cobalt may be part of the global solution to climate change, but is it right that Congo’s next generation pay the price with their health? Many are hoping that the more the world understands their plight, the more pressure will be put on the industry here to clean up its act.