Memories of a Mexican

A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

Short film in support of the Red Cross showing civilian volunteers'work, radio and movie personalities at a fund-raising gala and encouraging recruitment. Deanna Durbin performs a song dedicated to the nurses. Preserved by the Academy Film Archive in 2012.

Every school day, African-American teenagers William Gates and Arthur Agee travel 90 minutes each way from inner-city Chicago to St. Joseph High School in Westchester, Illinois, a predominately white suburban school well-known for the excellence of its basketball program. Gates and Agee dream of NBA stardom, and with the support of their close-knit families, they battle the social and physical obstacles that stand in their way. This acclaimed documentary was shot over the course of five years.

Thomas Becket, Henry II's longtime advisor, finds his friendship with the debauched king corroding when he is unwillingly appointed as Archbishop of Canterbury in an attempt to gain absolute loyalty from the Church.

This short focuses on the job of the costume designer in the production of motion pictures. The costume designer must design clothing that is correct for the film historically and geographically, and must be appropriate for the mood of the individual scene. We see famed costume designer Edith Head at work on a production. The Costume Designer was part of The Industry Film Project, a twelve-part series produced by the film studios and the Academy. Each series episode was produced to inform the public on a specific facet of the motion picture industry. Preserved by the Academy Film Archive in 2012.

Revoltoso | Set on 1913. Jabalito, a small one-eyed wild boar is on the scene of one of the first filmed wars in history: the Mexican Revolution. In the midst of the war he discovers cinema. Revoltoso is a stop-motion short film. The look and feel is inspired by Cubism.

Using rare historical footage, vintage musical recordings, and interviews with 88-year-old Pedro J. Gonzalez and his wife, this film chronicles Gonzalez’s long and colorful life, from his early days with Pancho Villa during the Mexican Revolution, to his career as a popular radio personality in Los Angeles in the 1930s, to the controversial court case that sent him to San Prison, a victim of the repressive forces operating against the Chicano/Mexicano community during that period.

Robert Drew shows the sights and sounds from the funeral of President John F. Kennedy in November, 1963. Preserved by the Academy Film Archive in 2002.

During the Mexican Agrarian Reform, an engineer travels to a town to distribute the land of the landowners among the peasants.

Documentary examining the steel industry in Youngstown, Ohio during World War II. Focuses on steel production, including the smelting process, slagging and the blast furnace. Workers reflect upon their lives and the importance of their jobs. Emphasizes the importance of teamwork in the mills and on the plant's labor relations committee to help win the war. Preserved by the Academy Film Archive in 2012.

A portrait of artist, actress, poet and occultist Marjorie Cameron, it shows images of her paintings and recitations of her poems. Preserved by the Academy Film Archive in 2006.

NO NO NOOKY TV posits sexuality to be a social construct in a "sex-text" of satiric graphic representation of "dirty pictures." Made on an Amiga Computer and shot in 16mm film, NO NO NOOKY TV confronts the feminist controversy around sexuality with electronic language, pixels and interface. Even the monitor is eroticized in this film/video hybrid that points fun at romance, sexuality, and love in our post-industrial age. Preserved by the Academy Film Archive in 2017.

Drunk and disillusioned Roman, Marcellus Gallio, wins Jesus' robe in a dice game after the crucifixion. Marcellus has never been a man of faith like his slave, Demetrius, but when Demetrius escapes with the robe, Marcellus experiences disturbing visions and feels guilty for his actions. Convinced that destroying the robe will cure him, Marcellus sets out to find Demetrius — and discovers his Christian faith along the way.

This Oscar-winning documentary tells the story behind Japanese daredevil Yuichiro Miura's 1970 effort to ski down the world's tallest mountain.

Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism". Preserved by the Academy Film Archive in 2005.

In 1914, the Mexican revolutionary Pancho Villa invites studios to shoot his actual battles against Porfírio Diaz army to raise funds for financing guns and ammunition. The Mutual Film Corporation, through producer D.W. Griffith, interests for the proposition and sends the filmmaker Frank Thayer to negotiate a contract with Pancho Villa himself.

During the Mexican Revolution, the people tired of living in poverty and enduring the atrocities committed by the federals, decide to follow one of their own, General Demetrio Macias, a thief with tricks he learned in jail and who along with "La Pintada" decides to take his people to victory. Led by Captain Anastacio Montañez, the newly formed army fight and honor their code at the same time as they loot houses to spread the wealth.

A look inside the Will Vinton Studio, with specializes in stop-motion animations with clay. Preserved by the Academy Film Archive in 2013.

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.