A look a the life of 19th century Indian painter Raja Ravi Varma.
Based on the true stories of families, politics and tribes in Nagpur, India. Growing crime and military-style gangs have created chaos in local communities. This musical action film pits Dr. Kanna's allegiance to his childhood love, Rupi, against his increasingly militaristic brother Ghisu.
Coming from a country like India that is still in denial, where being HIV+ is still a curse, '68 Pages' rips open the underbelly of its society to reveal how it stigmatizes and shuns those who are HIV+ or even those who just want to be what they are. Through 68 Pages of a counselors diary, we see the stories of Paayal, a sex worker; Nishit, an ID user; Kiran, a gay man and Umrao, a transsexual bar dancer - their stories of pain and fear, humiliation and rejection - not only by the society, but even by their loved ones.
A thirty-year-old city-dweller compelled to spend ten-day mourning of his father in the rugged countryside of Western India tenderly bonds with a local farmer struggling to stay unmarried. As the mourning ends, forcing his return, he must decide the fate of his relationship born under duress.
Set in the meditative quietude of a Himalayan village, Tathagat is a poetically shot tale of guilt. Following the journey of a monk questioning his renunciation, this philosophical drama takes a thought-provoking look at the relationship between our childhood memories and adulthood perplexities.
Cultural mistrust and false accusations doom a friendship in British colonial India between an Indian doctor, an Englishwoman engaged to marry a city magistrate, and an English educator.
A group of Anglican nuns, led by Sister Clodagh, are sent to a mountain in the Himalayas. The climate in the region is hostile and the nuns are housed in an odd old palace. They work to establish a school and a hospital, but slowly their focus shifts. Sister Ruth falls for a government worker, Mr. Dean, and begins to question her vow of celibacy. As Sister Ruth obsesses over Mr. Dean, Sister Clodagh becomes immersed in her own memories of love.
The American-born son of Indian immigrants strives to fit in among his fellow New Yorkers despite his family's unwillingness to let go of their traditional ways.
When a famous Bollywood actor visits a small village for a film's shoot, a poor hairdresser's claim that they were once childhood friends soon makes him the centre of attention.
In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.
One of a four-film series on the AIDS epidemic in India, this film examines the virus as Indian society's great class leveler, following its transmission through interweaving stories that link urban and rural India.
This short film follows the story of two gay men in Mumbai who meet and fall in love in regular train journeys. Burdened with the larger social (and legal) scorn the two are unable to say anything to each other.
Chanel, Dorinda, and Aqua are off to India to star in a Bollywood movie. But when they discover that they will have to compete against each other to get the role in the movie, will the Cheetahs break up again?
College freshman Krishna Reddy, who has never cared for his Indian-American cultural heritage, looks forward to a new life on campus but is surprised to find that he has been assigned Indian roommates.
Jack Holt plays Sam Sandell, an American engineer working in India who rescues a pretty half-caste girl (Aileen Pringle) from a tiger's attack, but is badly wounded himself. The girl, Chameli Brentwood, nurses him back to health and out of gratitude he marries her, ignoring the fact that he has a fiancée, Harriet Halehurst (Eva Novak), back home.
As seen today 'Money' is an integral part of everyone's life, the idea behind making this film was to portray the complexities between the multiple characters (Chetan, his mother & father) in a very realistic way regards to their point of view on money. The film shows us three different perspectives of how money makes one feel.
Barry Craven meets former sweetheart Gillian Locke, who is visiting India with her father. Craven's love for Gillian is revived, but he already has a wife, Lolaire, a native. In a jealous rage, Lolaire kills herself, freeing Craven, who returns to England and marries Gillian. His Indian servant, Kunwar Singh, casts a spell on Craven, causing him to leave Gillian and to go into the Algerian desert. There he joins Said, an old university friend who is the son of an Algerian sheik. Gillian follows, the servant is killed, and with him dies the spell, "The Shadow of the East."
Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.
Mr. Bhalla (Anupam Kher), a hyper-vibrant Punjabi lives in US along with his wife, daughter and nephew Aman (Anubhav Anand). Aman is in love with Neha (Nandana Sen), daughter of Mr. Patel (Boman Irani), a conventional Gujarati. Although the two are in love, their families have huge differences due to drastically different lifestyles. In the end, it's up to Aman and Neha to not only bring their families together but to live up to their expectations.
The film begins in 1857, when India was ruled by the British East India Company. Mangal Pandey is a sepoy, a soldier of Indian origin, in the army of the East India Company. Pandey is fighting in the Anglo-Afghan Wars and saves the life of his British commanding officer, William Gordon. Gordon is indebted to Pandey and a strong friendship develops between them, transcending both rank and race.