South of St. Louis

A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.

In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.

It's Wild Bill Elliot as Wild Bill Hickok in the Columbia B-western Lone Star Vigilantes. Returning from Civil War duty, Hickok, Tex Martin and Cannonball find that their Texas home town is under the rule of Colonel Monroe, a bush-league dictator with his own police force. In true Hitlerian fashion, Monroe extorts huge sums of money from the populace, terrorizing them into silence. Our three heroes set about to put an end to Monroe's regime, with time out for Tex Ritter's musical interludes.

A protegee of notorious outlaw Montana (Beery), young Tom Benton decides to stay on the good side of the Law upon reaching maturity. Montana, however, has no such inclination to reform, the result being a climactic gun duel between the ageing gunman and his former pupil.

Pinto Kid was one of Charles Starrett's last "formula" westerns before he permanently assumed the screen guise of the Durango Kid. The story takes places just after the Civil War, with hostilities between Yanks and Rebels still in effect between Kansas and Texas. The villain, cattle rustler Vic Landreau (Paul Sutton), intends to play both factions down the middle for his own benefit. But Landreau meets his match in the form of wandering do-gooder Jud Calvert (Charles Starrett).

After moving to Pasadena, Texas, country boy Bud Davis starts hanging around a bar called Gilley's, where he falls in love with Sissy, a cowgirl who believes the sexes are equal. They eventually marry, but their relationship is turbulent due to Bud's traditional view of gender roles. Jealousy over his rival leads to their separation, but Bud attempts to win Sissy back by triumphing at Gilley's mechanical bull-riding competition.

A singing rodeo rider hires on at an expensive all-women dude ranch and beauty spa. He falls for a pretty fitness trainer who is constantly threatened by a gang who wants her late grandfather's cache of gold hidden in a ghost town.

On vacation at his ranch, western actor Roy quickly finds himself involved with a horse rustling operation and a boy ward of one of the rustlers, leading to the kidnapping of Roy's trick horse Trigger by the gang with a demand for ransom.

Directed by the legendary Walter Hill, this gritty, modern Western is regarded as a classic and features an all-star cast with Nick Nolte, Powers Boothe, Maria Conchita Alonso, Rip Torn, and Michael Ironside. Lean, mean Texas Ranger Jack Benteen (Nolte) locks horns with a former friend, Cash Bailey (Boothe), now a ruthless drug kingpin. Though they're on opposite sides of the law, they share a love interest in the sensual Sarita (Alonso). When a crew of rogue soldiers descends upon the border town for an off-the-books mission, all roads lead to a bloody, to-the-death showdown, as loyalties shift and the lines between good and evil are blurred.

The romance of a rancher's niece and a rival rancher's son parallels that of a stallion and a mare.

Ken McLaughlin is a precocious 10-year-old who lives with his family on a remote Wyoming ranch. When Ken returns home from school with failing grades, his father, Rob, blames the boy's lack of personal responsibility. At the suggestion of his wife, Nell, Rob allows Ken to choose a single colt from the herd to raise as his own. Much to his father's dismay, Ken chooses a fiery mustang filly -- but the two soon become fast friends.

The year is 1949. A young Texan named John Grady finds himself without a home after his mother sells the ranch where he has spent his entire life. Lured south of the border by the romance of cowboy life and the promise of a fresh start, Cole and his pal embark on an adventure that will test their resilience, define their maturity, and change their lives forever.

Two friends hired to police a small town that is suffering under the rule of a rancher find their job complicated by the arrival of a young widow.

Johnny Mack Brown is sent to the badlands to round up an elusive outlaw gang.

Ten years after the Civil War has ended, the Governor of Texas asks Leander McNelly to form a company of Rangers to help uphold the law along the Mexican border. With a few veterans of the war, most of the recruits are young men who have little or no experience with guns or policing crime.

Ageing, wealthy, rancher and self-made man, George Washington McLintock is forced to deal with numerous personal and professional problems. Seemingly everyone wants a piece of his enormous farmstead, including high-ranking government men and nearby Native Americans. As McLintock tries to juggle his various adversaries, his wife—who left him two years previously—suddenly returns. But she isn't interested in George; she wants custody of their daughter.

When Rocklin arrives in a western town he finds that the rancher who hired him as a foreman has been murdered. He is out to solve the murder and thwart the scheming to take the ranch from its rightful owner.

In the Oklahoma territory at the turn of the twentieth century, two young cowboys vie with a violent ranch hand and a traveling peddler for the hearts of the women they love.

After a few years trying to earn money to marry Jessica Harrison, Jim Craig returns to Snowy River. But he finds that a lot of things have changed.

As Bruce Lanning posts a "no trespassing" sign at a watering hole on his Circle A ranch, his sister Jane rides up with news that Wes Caven, the hired gun of the Elwood brothers, is looking for him. Soon after, Wes appears and kicks over the sign. Later, Sunset Carson, Wes's boyhood friend, rides into town to invite Wes to become a partner in his new ranch. Just as Wes declines the offer and offers Sunset a job working for the Elwoods instead, Bruce bursts into the saloon, demanding to see Frank Elwood. Not to be confused with the 1950 John Wayne film of the same name