O Rei da Pilantragem
When Zaza, headliner of a weekly drag show, 'CHERRY POP', refuses to come out of her dressing room, all hell breaks loose backstage. A young newcomer, The Cherry, is hiding a huge secret from the girls while getting ready for his debut performance.
Les Franglaises - Le Viens-Retour
Tristezas Não Pagam Dívidas
Tonya Korovyak dreams of being a superstar. Dreams of fame, fans, applause and a white limousine became her obsession. If at one time ambitious girl mastered the basics of noble manners at the guest house, now to achieve this goal Tonya's going to go to study on "Factory of stars." Her father Korovyak - the owner of a large supermarket chain - he is crazy about the "creative ideas" of his little daughter, that will not tell about the aunt.
Performed at the Pleasance 1 Theatre for the Edinburgh Festival Fringe, 11th August 2009.
A seductive dancer (Marika Rökk) helps her uncle to fight against the closing of his casino. Through her feminine charm she achieves diplomatic success.
Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.
At Salzburg Festival, Cecilia Bartoli shines as Ariodante with her dazzling coloratura in a highly acclaimed new production by the German director Christoph Loy, who is known for his clever psychological stagings. Loy turns Handel's splendid baroque opera into an exciting and differentiated reflection on gender roles.
Stephen Wadsworth’s production of Mussorgsky’s epic masterpiece brilliantly captures the suffering and ambition of the Russian people at a critical time in their nation’s history. René Pape is riveting as the Tsar of the title, giving a commanding and charismatic performance of one of the greatest bass roles in the repertoire—his Boris is dominating, tortured, flawed and utterly unforgettable. The extraordinary cast and the Met Orchestra and Chorus are led by Russian maestro Valery Gergiev, the foremost Mussorgsky interpreter of our time.
A retelling of the classic Dickens tale of Ebenezer Scrooge, miser extraordinaire. He is held accountable for his dastardly ways during night-time visitations by the Ghosts of Christmas Past, Present and Future.
A stage performance of the Shostakovich opera, filmed at the Gran Teatre del Liceu in Barcelona.
Maometto II (or Maometto secondo) is an 1820 opera in two acts by Gioachino Rossini to an Italian libretto by Cesare della Valle. Set in the 1470s during a time of war between the Turks and Venetians, the work was commissioned by the Teatro di San Carlo in Naples. Della Valle based his libretto on his earlier play Anna Erizo. The name of the title character, Maometto II, refers to the real-life Ottoman Sultan and conqueror of Constantinople Mehmed II, who lived from 1432 to 1481.
A musical love story set in an apartment building in Oslo, based on songs by the acclaimed Norwegian singer-songwriters Jan Eggum and Halvdan Sivertsen.
In a time when girls were forbidden to study religious scriptures, a Jewish girl masquerades as a boy to enter religious training and unexpectedly finds love along the way.
A song publisher gets sued for stealing lyrics.
Two playwrights and a former burlesque queen travel to Louisiana to research a musical they're planning on a local Southern hero.
Failed actor-turned-worse-high-school-drama-teacher Dana Marschz rallies his Tucson students as he conceives and stages politically incorrect musical sequel to Shakespeare's Hamlet.
Steve, revue producer in Rio de Janeiro, is still in love with his ex-wife Vicki, his star Linda is in love with Steve and Tito is in love with Linda. Because of this they all get small problems.
Linda, an escort girl at the Bar 21 was an eye witness of a murder case committed by Thanong's brother. Thanong was the guy she was having a good feeling with him. She was then brought to a situation which she had to make the decision.