Let's Sing Again

After years of hopeful struggle, waiter and aspiring singer-songwriter Al Stone is on his way. He gets his huge break on a magical night when his song wows big-time producer Louis Marcus and gold-digging showgirl Molly, whom Al fancies. Broadway success and marriage follow, but sure enough, hard times are on the way.

Foul-mouthed mother-from-hell Karen Matthews is fed up being a nobody, until she hatches a cunning plan for a shot at the big time. Henpecked common-law husband Craig Meehan has an unhealthy obsession with his laptop. Simple-minded uncle Michael Donovan just wants to fill the void left by his two daughters getting taken into care. Stereotypical Yorkshire copper D.I. Radgitt faces a race against time to unravel the web of lies and find the missing girl, little Shannon Matthews, aged 9.

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

A film of the life of the renowned musical composer, playwright, actor, dancer and singer George M. Cohan.

A movie star helps a young singer-actress find fame, even as age and alcoholism send his own career into a downward spiral.

Mozart's Marriage of Figaro is a comedy whose dark undertones explore the blurred boundaries between dying feudalism and emerging Enlightenment. Herman Prey's Figaro is admirably sung in a firm baritone and aptly characterized. So too, is his antagonist, Dietrich Fischer-Dieskau as the Count perpetually frustrated by the scheming wiles of Figaro and Susanna, here the perky Mirella Freni, who sings and acts like a dream. The Countess is creamy-voiced Kiri Te Kanawa, and the Cherubino, Maria Ewing, looks just like the horny, teenaged page she's supposed to be. The all-star leads are complemented by worthy supporting singers, the Vienna Philharmonic at the top of its form, and the experienced Mozartian, Karl Böhm conducting a stylishly fleet performance.

The story concerns the enlightenment of the Christian King Roger II by a young shepherd who represents pagan ideals. Kasper Holten’s production (The Royal Opera’s first) of Król Roger (King Roger) brought the opera back to the London stage after an absence of almost 40 years. Karol Szymanowski’s masterpiece powerfully presents the dilemmas of culture versus nature and man versus beast, and movingly depicts King Roger’s inner struggles as he moves from an impossible life of repressed desires to the other extreme, giving in to his own demons. Meanwhile, Roger’s people, seduced by the promises of the mysterious Shepherd, are drawn towards totalitarianism and repression. Antonio Pappano conducts Szymanowksi’s opulent and beautiful score, with a cast including Mariusz Kwiecień as Roger (one of the greatest interpreters of the role today), Saimir Pirgu as the Shepherd, and Georgia Jarman in her Royal Opera debut as Roger’s loving queen Roxana.

An eccentric musical family is kept in order by a talented daughter with modest ambitions.

A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.

Japan, early twentieth century. U.S. Navy Lieutenant B.F. Pinkerton inspects the house he has leased from a marriage broker. The broker, Goro, has procured him three servants and a geisha wife, Cio-Cio-San, known as Madama Butterfly. He is enchanted with the fragile Cio-Cio-San. Cio-Cio-San is heard in the distance joyously singing of her wedding. In a quiet moment, Cio-Cio-San shows her bridegroom her few earthly treasures and tells him of her intention to embrace his Christian faith. The Imperial Commissioner performs the wedding ceremony, and the guests toast the couple. The celebration is interrupted by Cio-Cio-San's uncle, a Buddhist priest, who bursts in, cursing the girl for having renounced her ancestors' religion. Alone with Cio-Cio-San in the moonlit garden, her husband dries her tears, and she joins him in singing of their love.

The making of the 1999 film 'Oklahoma!'

A talented tap dancer who can't get an audition uses his prowess at playing craps to gain ownership of a musical show, making himself the star.

Cleveland siblings rise with a rock band while coping with personal problems.

Young Tina has a big dream, she wants to become a successful pop singer. That's why she tries her luck in the music show 'Formel Eins'. There she meets all kinds of stars like Falco, Meat Loaf, Die Toten Hosen and Pia Zadora and of course the presenter Ingolf Lück. The result is a colorful mix-up and the question arises as to whether Tina can make her dream come true.

„White mouse“ Fritz controls the traffic on Dresden’s Körner Square. Helene, who crosses the junction on her motor scooter every day, has taken a shine to Fritz a long while ago. Although Fritz yields right-of-way to her remarkably often, the two have not spoken to each other. In order to finally get to know him better, Helene deliberately performs a traffic violation. Her plan is working: She is ordered to take road safety education lessons from Fritz and they get closer. New problems arise in the shape of Mrs. Messmer who must pay a monetary fine. She feels discriminated against by Fritz and complains about him to his supervisor.

Richy Guitar is actually called Richard, but is only called like this by his parents. The young man finds it difficult to find work in Berlin, and when he finally does, he is bullied by his boss. When he meets drummer Igor and bassist Hans, a new rock band is immediately formed. While the trio dreams of a gig at the Avus racetrack, Richy's relationship breaks down...

In this musical comedy, Valerie is dealing with her philandering fiancé, Ted, when she finds that a trio of aliens have crashed their spaceship into her swimming pool. Once the furry beings are shaved at her girlfriend's salon, the women discover three handsome men underneath. After absorbing the native culture via television, the spacemen are ready to hit the dating scene in 1980s Los Angeles.

One of the hottest R&B groups of all time, the legendary Earth, Wind & Fire in concert define excitement. Captured live on their remarkable 1994 sell-out tour of Japan, this performance showcases the band's distinctive style and raw energy and marks Maurice White's last taped appearance with the group in concert. Always dynamite on stage with their unmistakable sound and electrifying showmanship, Earth, Wind & Fire combine all the greatest elements of rock and soul! 1. September 2. Let Your Feelings Show 3. Let's Groove 4. Runnin' 5. Boogie Wonderland 6. Can't Hide Love 7. Fantasy 8. Kalimba Interlude 9. Evil 10. Shining Star 11. Keep Your Head To The Sky 12. Reasons 13. Sing A Song 14. That's The Way Of The World 15. Wouldn't Change A Thing About You 16. After The Love Is Gone 17. System Of Survival

A documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current-day Watts neighborhood.

Rossini's "Le Comte Ory" tells the story of a libidinous and cunning nobleman who disguises himself first as a hermit and then as a nun in order to gain access to the virtuous Countess Adele, whose brother is away at the Crusades. The 2011 Met production was directed by Tony Award winner Bartlett Sher, who presented the action as an opera within an opera, updating the action by a few centuries and giving the costume designer, Catherine Zuber, the opportunity to create some particularly extravagant headgear. Juan Diego Florez starred as the title role while Diana Damrau plays Countess Adele, and Joyce DiDonato was in breeches as his pageboy Isolier. Conducted with verve and finesse by Maurizio Benini, the production also features the stylish French baritone Stephane Degout as Ory's bibulous conspirator Raimbaud, charismatic Italian bass Michele Pertusi as the Count's long-suffering Tutor, and, formidable as Adele's housekeeper Ragonde, the Swedish dramatic mezzo Susanne Resmark.