Egypt: Secrets of the Pharaohs

A debate rages over the credibility of the Bible. Most archaeologists today have concluded that there's no evidence that the Exodus of Israelite slaves from Egypt ever happened. Filmmaker Timothy Mahoney faces a crisis of faith: "Is this foundation event of the Bible really just a myth?" He embarks on a 12-year journey around the world to search for answers. The Exodus unlocks the mystery of this ancient saga, combining a scientific investigation with a retelling of the Exodus story to reveal an amazing pattern of evidence matching the biblical account that may challenge our understanding of history.

It is perhaps the most intriguing story to emerge from ancient Egypt – the mystery surrounding Tutankhamun. Why did he die so young Was he murdered Is there an explanation for the legendary curse said to follow those who found his tomb centuries later Now a team of scientists is using CT-scan technology to unveil the truth of what happened. It’s an unprecedented look into Tut’s life revealing what happened to the boy king.

La película de Eduardo

Egypt Decoded

1440°

Pharaoh's Revenge: Egypt's Lost Treasure

Caballero Sol

Forged

This film cross-cut the "Odessa Steps" chapter from the famous war movie "Battleship Potemkin" (1925) and the actual footage of the Russo-Ukrainian conflict in 2022. It uses a 21st-century "Montage d'Attraction" to explore The circle of history, the contradictions of civilization, and the crisis of life.

The documentary "The Garden" focuses on the "old city renovation" project of BaDaHu Residential area in Qingdao. After the film was released online, the renovation project of this residential area became the only illegal demolition activity that was stopped in China in 2010. A special report by China Central Television revealed that this project was demolished and built without government approval by impostor, fictitious official letter.

Blending home movies and original footage shot in the US with archival audio recorded in Jamaica, this documentary explores the filmmaker’s relationship with his children, family, and love of basketball.

Cassoulet is a local story, a success story from the South-West, which has conquered the whole of France: it is the second most consumed prepared dish in France. Today on the menu of star chefs, in cans or in vacuum-packed trays, it can be enjoyed in all its forms. However, of the 85,000 tonnes of cassoulet produced each year in France by the food industry, only 22,000 tonnes are qualified as "high-end". The rest often has nothing to do with local products. From the high-end productions of Castelnaudary defended by the Cassoulet brotherhood to the industrial products which flood the shelves of mass distribution, from the recognized virtues of the "lingot" bean, to ready meals full of additives,

In the Chinese New Year of 2017, Solar and I went together to visit David Zhang who was practicing kung fu on Wudang Mountain. As the three of us interacted, we observed and looked after each other. We also filmed each other to document and reconstruct this experience of listening to each other and growing up.

Elite Rocket League teams from around the world face off in the high-pressure 2025 World Championship Play-Ins, battling for their final chance to reach the main event.

三防知识教学系列片

O Teatro Político

An on the ground view of the LAX protest against the proposed "Muslim ban" made by the 2016 presidential administration.

This is the year when the Vietnam War ends and terrorists take over the West German embassy in Stockholm. On TV, Staffan Westerberg's "Vilse i Pannkakan" coincides with Ingmar Bergman's "The Magic Flute". Despite the cold war, the USA and the Soviet Union take the opportunity to meet - in space! And Davis Cup tennis is played in Båstad. Sweden meets Chile and the police fear riots. This and much more in "The year was 1975" by Jonas Fohlin and Eva Tillberg.

In "Self-Portrait", Federica Foglia (re)constructs her dislocated immigrant identity through the home movies of others, enacting a search for the self and creating a work of striking filmic autopoiesis.

"Orbital Squares", by the media art collective Moojin Brothers, points to deeper understandings of a cultural and political moment unfolding despite and because of human intervention. As elusive as it is utterly gripping, the film juxtaposes and intersperses three scenes. A snail’s movements – tentative, curious – on a grooved mound of clay are contrasted against the powerful rhythms of a horserace shot at 240 frames per second; both of these are bookended by a shadowy display of a living, sculptural humanoid seemingly tormented by a web-like concoction of thread and nails fully enveloping its head, as a soundscape of terror and flickering embers unfolds.