Tea Time

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Like many Japanese Americans released from WWII internment camps, the young Omori sisters did their best to erase the memories and scars of life under confinement. Fifty years later acclaimed filmmaker Emiko Omori asks her older sister and other detainees to reflect on the personal and political consequences of internment. From the exuberant recollections of a typical teenager, to the simmering rage of citizens forced to sign loyalty oaths, Omori renders a poetic and illuminating picture of a deeply troubling chapter in American history.

Circus Without Borders tells the inspiring story of two youth circuses from remote corners of the world – an Inuit village in Canada, and Guinea in West Africa. The film traces their intersecting journeys as troupe members confront heartrending challenges and become internationally-known performers who return home to transform their communities. We record the troupes’ triumphs and struggles, many of which are the enduring legacy of a history of colonization.

A portrait of poet Hugh MacDiarmid.

In the early-morning hours of July 23, 2007, in Cheshire, Conn., ex-convicts Steven Hayes and Joshua Komisarjevsky broke into the family home of William Petit, his wife, Jennifer, and their daughters, Michaela, 11, and Hayley, 17. Dr. Petit was beaten and tied to a pole in the basement. The three women were bound in their bedrooms while the men ransacked the house. The brutal ordeal continued throughout the morning, ending with rape, arson and a horrific triple homicide.

An age-obsessed daughter of a plastic surgeon takes a journey through America's $60 Billion a year anti-aging world. In this Alice-in Wonderland tale, McCabe spends 2 years traveling across America visiting doctors, experts and lives with a cross-section of characters from Minnesota to Texas who've gone to varying lengths to "beat the clock", to paint a funny but troubling portrait of a country that desperately needs to stay young.

One woman and her family trek the broken mental health system in an effort to save her brother as he descends into madness. Beginning as a testimony of his sanity, his iPhone video diary ultimately becomes an unfiltered look at the mind of an untreated schizophrenic.

When Bill Babbitt realizes his brother Manny has committed a crime he agonizes over his decision to call the police.

Chronicles the largest rape tribunal in Congo's history, offering an unprecedented glimpse into the lives of its women and the unshakable strength of the human spirit.

God's Girls describes life in a Sisters of Mercy convent in country New South Wales from the 1940's to present day. This courageous and clever film investigates the subtle complexities of change within a society that has been surrounded by mystery for hundreds of years. The stories from the women in the film reflect the often intricate paths of social, political and religious history, not only in Australia but also in the rest of the world.

Supermensch documents the astounding career of Hollywood insider, the loveable Shep Gordon, who fell into music management by chance after moving to LA straight out of college, and befriending Janis Joplin, Jim Morrison and Jimi Hendrix. Shep managed rock stars such as Pink Floyd, Luther Vandross, Teddy Pendergrass and Alice Cooper, and later went on to manage chefs such as Emeril Lagasse, ushering in the era of celebrity chefs on television.

The film examines the ways that women directors have contributed to this genre and emphasizes the role that the media play in representation of sexuality and gender, underscoring the power that film has to shape our perceptions of one another. Visually, this documentary comes to life on screen through compelling and intimate original interviews, intercut with emotionally-charged archival footage, photographs, ephemera, inspired music, and film clips.

strolling (2014-2016) twenty seven episodes, various lengths, colour, digital, uk/usa/jamaica/netherlands/italy/france/belguim strolling is a documentary series that follows the dialectical ruminations of people of the black african diaspora whilst walking within their locality. the series began in london and expanded to paris, amsterdam, brussels, milan, new york and kingston, covering various subjects. the series also explores the physical manifestations of these intimate yet global discussions. emeke, who was the cinematographer and editor on this project, takes a deliberately subjective approach, lingering the lens on fleeting and subtle secondary processes that emerge manifest through hands, feet, gesture and positionality to the space in which each interviewee occupies, perhaps made possible by emeke’s decision to film subjects alone, or with only one other person present.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Lonely. It could be you. It could be me. There are millions of us out there. The headlines call this 'The Age of Loneliness'. They say it's a major public health issue. A silent epidemic that's starting to kill us. But we don't want to talk about it. No-one really wants to admit they are lonely. Award-winning film-maker Sue Bourne believes loneliness has to be talked about. It affects so many of us in so many different ways and at so many different stages of our lives. So she went out to find people brave enough to go on camera and talk about their loneliness. The Age of Loneliness has people of all ages in it, from Isobel the 19-year-old student to Olive the feisty 100-year-old, Ben the divorcee, Jaye the 40-year-old singleton, Richard the 72-year-old internet-dating widower, to Martin, Iain and Christine talking about their mental health problems. Everyone talks with such remarkable honesty and bravery that you can't help but be touched by their stories.

As artists and visual architects, husband and wife Massimo and Lella Vignelli have been producing unique and groundbreaking work as brand designers. This up-close documentary reveals their major influence in reshaping our visual environment.

InRealLife takes us on a journey from the bedrooms of British teenagers to the world of Silicon Valley, to find out what exactly the internet is doing to our children.

A film that captures the portraits and stories of extraordinary women around the world who are coming together to heal the injustices against the earth, weaves together poetry, music, art, and stunning scenery to create a hopeful and collective story that inspires us to work for the earth. The list of impassioned, indefatigable female environmental activists featured in this film includes Winona LaDuke, a Native American who has championed the use of solar and wind power on reservations; Theo Colborn, head of The Endocrine Disruption Exchange, who fights against toxic chemicals in our water supplies; Beverly Grant, who’s created a vibrant farmer’s market in a black neighborhood of Denver, Colo.; Dana Miller, who spearheads an “urban agriculture movement” in the same city; and Vandana Shiva, who champions organic farming in India.

The monks were 5 American GIs in cold war Germany who billed themselves as the anti-Beatles; they were heavy on feedback, nihilism and electrical banjo. They had strange haircuts, dressed in black, mocked the military and rocked harder than any of their mid-sixties counterparts while managing to basically invent industrial, kraut rock, heavy metal, punk and techno music.