BU・SU

Kiriko is a beautiful woman working in a quiet hot spring town. The owner of the inn, Goro, is attracted to her beauty and asks her out, but she refuses. Meanwhile, Imai, a detective staying at the inn, recognizes Kiriko's face and investigates her past on his own.

A passionate telling of the story of Sada Abe, a woman whose affair with her master led to an obsessive and ultimately destructive sexual relationship.

Can a woman love two men at the same time? Set against the backdrop of Kyoto's rich history, this story depicts a woman's difficult choice for love. Ayako, played by Yukiyo Toake, is an international conference coordinator. Torn between her childhood sweetheart (played by Kenji Sawada) and her English professor (played by Noboru Nakaya), Ayako will seek answers to love, marriage, and choice.

Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.

In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.

With delicate, unobtrusive strokes, Naruse evokes both the humor and bitterness of his characters’ dilemmas, in this bleak, compelling poignant portrait of a quartet of aging geishas contemplating their troubles with men and money.

Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mother's trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.

Eiko seeks out Miyoharu, a geisha, and asks to be her apprentice. When she is ready to receive clients, both women want the right to refuse certain men.

Yokiro was the most successful Geisha house in Western Japan during the first half of the 20th century and remains open to this day. At its peak, it was home to over 200 geisha, however behind the fabulous facade, there were many battles - between family members, men and women, and with the Yakuza. Momokawa was sold to Yokiro at age 12, and despite being the top geisha, her many complicated relationships provide unending challenges throughout her glamorous but turbulent life.

Pinkerton marries Cho-Cho San in Japan, whilst on shore leave. When he leaves, she keeps his Japanese home as he left it. He returns three years later, having married again in America, and tells Cho-Cho that their affair is over. She has had a child in his absence, who is sent to her family, before she kills herself.

A modern geisha travels through Japan trying to find a job as entertainer, and ends up by finding love and a job as ama, a pearl diver.

Country bumpkin Haruko only ever wanted to become a maiko, an apprentice geisha. Initially rebuffed for lack of references, Haruko's strong accent intrigues a linguistics professor, who undertakes to coach her.

Based on the original work of Akutagawa Prize-winning writer Ashihei Hino, the film depicts the love of the proud geisha Nobukichi Hakata in the early Taisho era.

After her mother runs away from home, Tomoko is raised to be a geisha. One day Tomoko meets her mother in a red-light district in Tokyo and her life deeply gets in trouble.

The young and beautiful Sada Abe, the daughter of a rich merchant, is banished for losing her virginity after being raped by a college student. Sada wanders the city, becoming a geisha and eventually meeting Kichizo, a posh restaurateur who falls under her spell. Together, they embark on a week-long sexual escapade filled with dangerous obsessions. Their complete descent into each others desires culminates in a shocking crime of passion which captures the city's headlines. Based on a real event from 1936.

Set in the late 1950s, when geisha culture was threatened by moral crusades, it tells the story of Omocha (Miyamoto Maki), a young girl who sees the geisha life as a way to lift her poverty-stricken family from their hand-to-mouth existence. Through her eyes, we see the protocols and complex financial relationships which dictate the running of the geisha house. Fukasaku's film is a work of great delicacy with moments of hypnotic beauty, and his tender direction, often touched with a sense of wonder, fills the screen with lovingly constructed scenes. At its heart is the poignant situation of the women who must sacrifice their normal relationships to live an ambiguous life in which they are a key part of society while being kept, for the most part, on its periphery, like perpetual mistresses.

Japan nineteenth century. High demand for tattooed geisha generates an entire industry for their "production". Europeans pay more for tattooed beauties. Against this background, and considering the gorgeous tattooed women develop the history of confrontation between two highly skilled masters of tattoo.

Umekichi, a geisha in the Gion district of Kyoto, feels obliged to help her lover Furusawa when he asks to stay with her after becoming bankrupt and leaving his wife. However her younger sister Omocha tells her she is wasting her time and money on a loser. She thinks that they should both find wealthy patrons to support them. Omocha therefore tries various schemes to get rid of Furusawa, and set themselves up with better patrons.

Japanese gangster drama set in the exclusive Ginza district of Tokyo, following Haruka (Atsuko Sakuraba), a young geisha who is attacked by an influential businessman who plans to abduct her. When she is rescued by the members of a club called 'Utopia', Haruka joins them and becomes a hostess, rapidly establishing herself as one of the most sought-after geisha's in Ginza. At the same time, Haruka learns of a plan by a corrupt, gangster-owned club to set itself up as a rival to Utopia. Such is her loyalty to the club that first helped her, she is willing to do anything to protect it.

In a continuation of "Utopia: Midnight Story, White Flower Bud" Haruka Ichijou follows through in her vow to become the No1 Geisha. She develops intricate schemes and mindful manipulations in changing her "Papa-san's," or Sugar Daddies, on her way up the modern geisha ladder. After she pits one against the other, the men begin to compete for her in elaborate and very expensive ventures, and their fight to win her for their prize in all-consuming frenzy becomes the focus for the No1 Spot. A barrage of young geisha's karate fighting seals their fate at last!