Papusza

The story of real life Costa Rican goalkeeper Keylor Navas, from his humble beginnings in his home town to his rise to greatness as an elite soccer player.

In 1970, a few days before Christmas, Elvis Presley showed up on the White House lawn seeking to be deputized into the Bureau of Narcotics and Dangerous Drugs by the President himself.

Smadar (Smadar Sayar) and Mirit (Naama Schendar), both 18 years old, are assigned to patrol the streets of Jerusalem together as part of their military service. Worlds apart in their personality their initial frosty relationship changes to friendship as they deal with their own emotional issues, the crushes and break-ups in their love lives, as well as the political realities.

After their father abruptly sells the beloved family-owned restaurant that has employed them for years, the charismatic McDermott boys - hot-tempered Brian (Quill), lovelorn Kit (Mulroney) and jokester Duncan (Astin) - find themselves at odds with their parents and each other.

Uncle Daniel Ponder moves to give away his fortune, while his niece, Edna Earle, tries to tighten the reins on Daniel's generosity. After Daniel marries teenager Bonnie Dee Peacock, her death leads to Daniel's trial for murder

Tara and Maya are inseparable, with the same tastes, habits, and hobbies. Years later, the two have matured but have maintained their friendship. Tara marries local prince Raj Singh, who succeeds the throne as the sole heir. After the marriage, Raj seeks another female to satisfy his sexual desires, with his sights settling on Maya, putting a perhaps unforgivable strain on a longtime friendship.

Melissa is a 15-year-old girl who loves to dance. Her parents think she is taking classes in classical ballet, but once at the dance school she devotes herself to the hip-hop dance classes. Melissa is good friends with Jordi and he is very happy for Melissa when she is asked to dance in the music video of the famous rapper Brainpower. But because of bad influences, her life becomes a nightmare. Until her real friends decide to get her out of there.

The stories of three lesbian couples -- who live in the same house at different periods of time -- who are at a crossroads in their lives. In 1961, Edith loses her lover, Abby, to a stroke. Linda and Amy struggle with feminist issues in 1972. And, in 2000, Kal and Fran try to have a baby with the help of sperm donor.

When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.

Fisher Willow is the disliked Memphis débutante daughter of a plantation owner with a distaste for narrow-minded people and a penchant for shocking and insulting those around her. After returning from studies overseas, Fisher falls in love with Jimmy, the down-and-out son of an alcoholic father and an insane mother who works at a store on her family's plantation.

A girl loses her parents and husband and is left driving a limo trying to get by raising her young son. An interesting but strange rich man hires her limo on Christmas eve and has her drive him to various ice rinks where he gives out $100 bills to the people there. The news media catches on and starts following him.

Sayid wants to keep his status as a father and the family patriarch in a new linguistic and cultural setting, despite his sons progress in assimilating into the danish language culture.

Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?

Simon has to leave the island on which he lives to go to boarding school. One day he plays with his sister and finds a beached little wooden boat. Through his attempts to repair it he will accept, or not, to cast off.

A Jamaican man of the community battles depression and disillusionment.

Hannah is only six years old but her mom calls her a big girl. Sometimes big girls don't go to school. Sometimes they have to tell the truth and other times they should tell lies. Being a big girl means Hannah has to do things even when she doesn't want to.

In a rural western town in 1890 a woman has a mute old daughter after relations with her step father, which in his need of money, wants to sell them off to a rich skin tradesman. While resisting this, the woman turns lame.

Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.

The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.

New York-set comedy about a group of immigrants who have become hostage to their life choices.