Automania 2000

An animator finds himself trying to explain his (lack of) artistic vision to his creations, who just aren't impressed.

In 2257, a taxi driver is unintentionally given the task of saving a young girl who is part of the key that will ensure the survival of humanity.

Tubby is a fat cat who has lived in the adoption centre since forever. Tubby is desperate to get out of there. One day, he saw a tv ad that skinny cats are in trend and getting many demands from humans. Tubby is determined to lose weight as it is the only way to attract humans to get him the ticket out of the adoption centre. Will Tubby finally get the adopted if he gets skinny and escape the jail-like adoption centre?

Short discussion between two friends about a strange man they used to know.

A kid and his teacher learn an important lesson: a grammatical mistake can create big trouble, but even a correction done the wrong way can cause senseless fears.

A blackbird takes care of all forgotten things. One 17′ long story in just one drawing. An animated film where the animation is imagined. An experimental film for all audiences.

A young man is invited to a famed CEO's home for dinner, hatching a desperate and sinister scheme that does not go as planned.

"Minus" is a fiction and at the same time experimental movie, which doesn't enjoy any distinct geography, language and time. The events occur in a razor producing company, in which a young and simple retainer is working, who has special capabilities. He knows telepathy and he can read the minds of all people and even things. Most of the time, his predictions increase his ability of presentiment.

The Boy with a Camera for a Face is satirical fairy tale about a boy born with a camera instead of a head, whose every moment is transformed by the fact he is recording it. Accompanied by a voice over narration read by Steven Berkoff, the film tells an epic story in fifteen minutes about the way we live today.

A short sketchbook-style animated film that takes a look at people at a 'La Fete Nationale' celebration in Montreal, Quebec.

A silent black-and-white comedy inspired by the fizzing rollercoaster of Largo al factotum - the familiar aria from Rossini's The Barber of Seville - featuring the young apprentice hero and a recalcitrant, increasingly monstrous hairball.

Director and co-writer Romano Vanderbes attempts to satirize middle America's standard news broadcasts with as many jokes about sex as possible. The featured station is KSEX and Doug Ballard and Lydia Mahan play the anchors in a broadcast where blue does not mean melancholy

A couple send their young daughter to be raised by a pack of wolves.

Two rival martial artists meet up after years apart.

When strange accidents happen at the factory where Mr. Monroe works, and vegetables are drained of their juices, the neighbors as well as Harold the dog and Chester the cat suspect that the new-found family bunny is really a vampire.

Rupert, a ten year old boy, falls hopelessly in love for the first time. When it all goes terribly wrong, he wishes never to experience heartache again. Turning to a book of magic, he invokes a spell to shield him from emotion forever.

The story of a tiny Egg-girl who is forced to serve the evil Boar-like witch Baba Yaga. But after a blob of Dough comes to life, she befriends him and both escape from the witch's home at a Water mill on a cliff and set off to see the world. The soundtrack is Joe Hisaishi's arrangement of Vivaldi's La Folia

This Spanish-language short was made using stop-motion animation and features very simple sets and characters. However, despite the relatively low budget, the film turns out to be a very effective way to teach kids about the dangers of unprotected sex. The film begins with three teenage girl dolls sitting on a bench. Without using actual words but sort of a Sims-type speech ("Bla, bla, bla"), the first girl describes her perfect man. Then, suddenly, he appears---as does a bed...

Superman's pal Jimmy Olsen gets his own story. Boy meets girl. Boy loses girl. Boy meets boy!

Rhythm and repetition plays an important role in the animated film Allahu Akbar by Usama Alshaibi. With this film, Alshaibi questions the confrontation between tradition and modernity by drawing inspiration from geometric motives of Islamic art. The artist offers a re-interpretation of these motifs through computer animation. By turning the shapes in different direction, new images are generated, freeing them from their fixed state. Traditional spiritual values feed the present and open up to a modern perspective.