Phantom Stallion

A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.

Will Penny, an aging cowpoke, takes a job on a ranch which requires him to ride the line of the property looking for trespassers or, worse, squatters. He finds that his cabin in the high mountains has been appropriated by a woman whose guide to Oregon has deserted her and her son. Too ashamed to kick mother and child out just as the bitter winter of the mountains sets in, he agrees to share the cabin until the spring thaw. But it isn't just the snow that slowly thaws; the lonely man and woman soon forget their mutual hostility and start developing a deep love for one another.

A drought is about to end the cattle business. The owner of a canning factory wants to buy all the remaining cattle cheap. He plans to ruin the cattlemen's plans to ship water by train and to seed the clouds for rain. Roy is sent by a packing house to investigate.

William Walker and his mercenary corps enter Nicaragua in the middle of the 19th century in order to install a new government by a coup d'etat.

Anna Sewell's classic 1877 novel beautifully comes to life in this family drama set in England. Told from the point of view of Black Beauty himself, the story sheds light on the details surrounding the colt's birth and his perception of humans (he has various owners throughout his life). While some owners are compassionate -- none more than Joe Evans (Mark Lester), the boy who first owns the colt.

Dan Ballard, a respected citizen in the western town of Silver Lode, has his wedding interrupted by four men led by Ned McCarty, an old acquaintance who, as a US Marshal, arrests Ballard for the murder of his brother and the theft of $20,000. Ballard seeks to stall McCarty while tracking down evidence that will prove his innocence.

In this radically reimagined American Western set towards the end of the Civil War, Southerner Augusta encounters two renegade, drunken soldiers who are on a mission of pillage and violence. After escaping an attempted assault, Augusta races back to the isolated farmhouse that she shares with her sister Louise and their female slave Mad. When the pair of soldiers track Augusta down intent on exacting revenge, the trio of women are forced to take up arms to fend off their assailants, finding ways to resourcefully defend their home––and themselves––as the escalating attacks become more unpredictable and relentless.

A veterinarian and a novelist compete for the heart of a lady rancher.

Released from a navy hospital following WW II, Lon Evans learns that he faces eventual blindness and returns to his Wyoming ranch. He sees a beautiful white stallion named Starlight and his cowhands Lem and Yancy say he is a killer and cannot be trained. Lon disproves this by training the stallion to act as his guide in preparation for his future blindness.

An ex-con returns to his rural Ontario roots and outwits a corrupt and wealthy thoroughbred owner trying to take over a slew of local farms. Ray Dokes, a charming ex-ballplayer, returns from jail to discover the rural landscape of his childhood transformed by urban development. Determined to stay out of trouble, Ray heads to the farm of his old friend Pete Culpepper, a crusty Texas cowboy who trains losing racehorses and whose debts are growing faster than his corn.

The Navajo Kid goes in search of the villains who murdered his foster-father and stole both ring and watch. The trail leads straight to Canyon City, Texas, and smooth cardsharp Honest John Grogan, who is in possession of both the stolen items. But Grogan has an ironclad alibi for the time of the murder, an alibi confirmed by none other than Sheriff Roy Landon.

This film was produced and released in 1944 by Film Enterprises for the 16mm school-and-institutional market, and was picked up and released in 1948 by Astor for theatrical 35mm showings. Both versions finds the citizens of Rockford upset over a series of murders and robberies. The Sundowners, Andy Clyde (Andy Clyde), Jay Kirby (Jay Kirby) and Russ Wade (Russell Wade), ride into Rockford and innocently takes jobs with Tug Wilson (Jack Ingram) and his tough crew of line riders, who are in cahoots with Yeager (Hal Price) in a big land swindle scheme.

In TV's pioneer days when kids idolized the Lone Ranger, the Texas Kid was a knight errant of the frontier leading the fight for law and order alongside his Mexican companion Pepe. In this rarely-seen TV pilot, the Kid and Pepe intercede on behalf of the murdered rancher's daughter, openly defying the landgrabbers in a cow town so lawless that rustlers operate in broad daylight! Shot at the Corrigan Ranch in 1950, TEXAS KID co-starred Mercury Records recording artist John Laurenz as Pepe and stuntman Hugh Hooker as the Kid. Hooker, a specialist in stunts involving horses and stagecoaches, often doubled Gene Autry and even produced a few movies, including the low-budget gem . That movie's star was Hugh's teenage son Buddy Joe Hooker, whose own subsequent, stellar stunt career inspired HOOPER (1978), Burt Reynolds' hit comedy tribute to movie stuntmen.

Fueled by stunning footage, this stirring documentary considers wild horses' role in the American psyche and their dwindling numbers in today's West. In an artful blend of exquisite nature documentary and character-driven narrative, the majestic wild horses of the American West are revealed in stereoscopic 3D as never before. The wonder in a girl’s eye pulls us into the drama that unfolds on hundreds of millions of acres of public land. The battle lines have long been carved into the landscape, and the players are deeply entrenched. Yet as the subtle choreography that has evolved over thousands of years begins, we are captivated. The intricate dance between a man and a wild horse presents lessons for us all, even the battle-hardened special interest groups fighting for the place of the AMERICAN MUSTANG.

Tom Cameron is searching for the outlaws who ambushed a wagon train, murdered his parents and stole the deed to their land. Though he was only a child at the time, he vividly remembers the scar on the ringleader's face -- and Tom will stop at nothing until he brings him to justice … and exacts vengeance.

On vacation at his ranch, western actor Roy quickly finds himself involved with a horse rustling operation and a boy ward of one of the rustlers, leading to the kidnapping of Roy's trick horse Trigger by the gang with a demand for ransom.

It took a lot of courage to set up a new production company devoted to "B" westerns in 1949, a year when the genre was showing signs of winding down. Filmed in Trucolor, Stallion Canyon was the maiden effort from Kanab Productions, a Utah-based organization. Former Sons of the Pioneers vocalist Ken Curtis made his starring debut in this one, playing a ranch foreman who does his best to track down a rogue stallion. The rest of the cast is comprised of unknowns, save for villains Ted Adams and Forrest Taylor. Cheaply produced, Stallion Canyon has the twin advantages of a relatively new leading man and excellent location photography.

Cowboy Jack Horton searches for the killer of his father and brother, both of whom were found with an ace of clubs pinned to their bodies.

"King of the Cowboys" Roy Rogers stars with his real-life wife, Dale Evans, in this Western about a hardworking farmer who helps a struggling rancher by transporting her prize horse to Mexico. A fortuitous meeting with a fortune-teller (Charlita) -- who specializes in dire predictions -- sets the tone for their adventures. Burlesque comic Pinky Lee co-stars, playing himself.

The romance of a rancher's niece and a rival rancher's son parallels that of a stallion and a mare.