Boom

During a vacation, a young city girl learns to appreciate connecting with nature. Away from her concrete urban existence, her parents help her learn about her roots.

As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.

Shiva Kapoor (Jeetendra) is an assertive and honest young man and has the tendency to help people in need, which gets him to come to the rescue of a man who was being assaulted by hired goons. Frustrated by Shiva, the goons report this incident to their bosses, Iqbal Supariwala (Puneet Issar) & Nandu Solanki (Mohan Joshi), together they implicate Shiva in a web of lies and deceit and have him arrested and imprisoned. After serving his sentence, Shiva vows to avenge this humiliation, and assumes the guise of a bearded male and calls himself Karma. He gets to meet Dharma (Dharmendra), another young man, who has been the target of Supariwala and Solanki, and together they join forces to combat the gangsters. Unrelated to this saga of vengeance is the story of Dharma's brother, who is in love with the same woman as Kumar (Rahul Roy) is, and a heartbroken Kumar has sworn to kill Dharma's brother and anyone else who dares to stand in his way.

Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.

Three womanisers find a baby left at their doorstep. Chaos ensues as they try to contact their former girlfriends to determine who is the father amongst them.

Raavoyi Chandamama is a 1999 Telugu romance film produced by C. Ashwini Dutt under the Vyjayanthi Movies banner and directed by Jayanth C. Paranjee. It stars Nagarjuna Akkineni, Anjala Zhaveri, Keerthi Reddy and Jagapati Babu in the lead roles, with music composed by Mani Sharma.

Shivaay , a fearless Himalayan mountaineer covered in Lord Shiva tattoos, heads to Bulgaria to fulfill his nine-year-old daughter Gaura’s wish of seeing her mother Olga, who abandoned them years ago. But their plan goes for a toss when the little girl gets kidnapped in the foreign land. Rescuing her from the masked child-traffickers becomes his only reason for survival.

A policeman adopts the son of a bandit. A misunderstanding leads the officer's own biological son to believe he is the bandit's son and he takes up a secret life of crime; meanwhile, the adopted son becomes an officer of the law.

This is a dramatic chain of events in the most glamorous ,swinging era of Hindi films... the 1960s. It was a decade when film stars tasted success and carried their larger than life screen image on to real life with unbridled pomp and splendour. It was during this time that two ambitious films were made... Ujwal Nirmal Sheetal and Reena Mera Naam. The latter became a runaway hit while the former was struggling at the box office.

A troubled relationship with his younger half-brother and stepfather compels Chulbul Pandey to become a corrupt but fearless cop whose life changes when he locks horns with a corrupt political leader.

A wealthy man, suspected of murder, is killed before he can be arrested. Everyone in his household is under suspicion. A private investigator looks into the case and finds himself falling in love with one of the suspects.

Dr Samir is an absolute charmer when it comes to women, but he poses as a married man to keep them at bay. Love becomes a three-ring-circus for him after he ends up tangled in his web of lies with his girlfriend Sonia and pretend wife Naina.

Five friends struggle to find a place to play football in Mumbai.

'Page 3' takes a behind-the-scenes look at the lifestyles of the A-list celebrities in metro cities. It explores the networking and the power play between the air-kissing

A couple elopes to get married and set up home hoping that just love will do the trick - but that's just the beginning of their story.

Barah Aana is a comedy of real life set in today's Mumbai. The story revolves around three unlikely friends: a driver (Naseeruddin Shah), a watchman (Vijay Raaz) and a waiter (Arjun Mathur). The driver is an older man, stoic but dependable. The watchman, in his 30's, is a pushover at work but otherwise mischievous. The waiter is a young, swaggering chap, brimming with ambition. Living together, their different attitudes make for an interesting banter.At some point, misfortune befalls the watchman, and due to a series of chance events, he stumbles into a crime. Striking upon a seemingly low-risk way to make good money, and discovering a new sense of self-confidence, he tries to entice the others to join him in a series of such crimes. Cat and mouse games ensue between the three as personalities change, but events soon spiral out of control, leading them in a direction that none of them had ever wanted to take...

Three men pursue sunken treasure left by a ship wrecked in the shark infested Pacific.

In order to increase his monthly allowance, Veer lies to his stepbrother Dharm about being married. When Dharm unexpectedly arrives in Goa, he mistakes Prem's wife for Veer's. This case of mistaken identities leads to chaotic and hilarious situations.

Three people, each having different aspirations from life, are caught in a tangle of emotions and don’t know the way out. There’s a husband and wife with love eroding from their life. And there’s a single, happy-go-lucky dude who falls in love with the wife.

Salaam Namaste is about two Indians who have left their houses to make a life on their own, and how they meet and how they tackle their own relationships and problems and overcome them themselves without their families