National Theatre Live: The Audience

A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.

Grieving the loss of the family shop and their dreams destroyed, Denise and daughter-in-law Carly are left to pick up the pieces of their relatives' mistakes. Will all be forgiven? This thought-provoking drama explores family dynamics, race, colonialism and cancel culture.

A monarch ordained by God to lead his people. But he is also a man of very human weakness. A man whose vanity threatens to divide the great houses of England and drag his people into a dynastic civil war that will last 100 years.

An immersive film installation by Cally Spooner. In this work, a musical for six continuously rolling cameras, a black box soundstage and its inhabitants, are recorded in a single take. The mechanics of the shoot (cameras, microphones, mixing boards, chromakey screens and crew) remain as present as the performers they capture. Cast and crew become a constant-motion human backdrop, pragmatically recomposing scene-changes through lighting cues, voice, body movement, or continuous shifts of filmic apparatus and props. The semblance of a post-production edit arrives through the organisation and orchestration of bodies on set. Delivered by a chorus line of women, the film gossips about various celebrities, athletes and politicians who have outsourced their performances to different technologies.

One family, the heart of the American dream. When wartime delivers profits for Joe Heller, it comes at a price when his partner is charged with criminal manufacturing deals, and his eldest son goes missing in action. Will peacetime bring peace of mind, or will he be confronted by the consequence of his actions?

Graduate student Myrrha, upset that her professor refers to Ovid's Metamorphoses as "being about love", pushes him and suddenly he transforms into a mirror version of herself. As she recollects her relationship with music, sex, and sexual violence, he is transported into Ovid's stories to come to a new understanding.

In 1968 America, as two men fight to become the next president, all eyes are on the battle between two others: the cunningly conservative William F. Buckley Jr., and the unruly liberal Gore Vidal. During a new nightly television format, they debate the moral landscape of a shattered nation.

The Tony Award-winning play, based on the story of a Broadway acting troupe arrested for indecency for performing Sholem Asch's "God of Vengeance" and their fight against censorship.

John Copley's enduring production of one of the most famously melodious and popular of all operas is a classic of the Royal Opera repertory. With historically accurate designs by Julia Trevelyan Oman and an excellent cast headed by Hibla Gerzmava and Teodor Ilincai, this 2009 revival, in which conductor Andris Nelsons makes a distinguished Royal Opera House debut, does full justice to Puccini's masterpiece. Recorded 2009.

Soon after inheriting her family's stately home, eccentric artist Fenella Harford discovers a stash of hidden diaries and enlists a young academic, Marva, to confirm their authenticity. Joined by Marva’s brilliant but overlooked mentor, Abi, the three women come together to seek the truth, soon realising that secrets at the heart of Harford Hall were darker than they could have imagined. A gripping gothic psychological thriller, The Authenticator reunites writer Winsome Pinnock with director Miranda Cromwell, following their acclaimed production, "Rockets and Blue Lights". Stage play performed at the Dorfman Theatre, National Theatre, in London, UK.

Richard Armitage stars in Yael Farber's powerful production of Arthur Miller's timeless witch hunt parable.

In 1959 Hawkins, Indiana, Henry Creel hopes for a fresh start. His romance with outsider Patty Newby brings newfound hope, until local crimes force him to question if he's connected to the town's unfolding horrors. Filmed live from the Marquis Theatre in New York City between February 10–14, 2026.

A stage play by John Murrell, adapted by Eric-Emmanuel Schmitt, performed to perfection by Fanny Ardant and Robert Hirsch about the last days of Sarah Bernhardt. The play concentrates on an uneasy relationship between Sarah and her servant to whom she dictates her memoir, as well as a fragile relationship between her memories, actual history and reality.

Set in modern upper-crust Manhattan, an exploration of love and commitment is seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.

In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession. (Filmed live at the Lincoln Center with the New York Philharmonic from March 5–8, 2014.)

Jessica Parks is a smart Crown Court Judge at the top of her career. Behind the robe, she is a karaoke fiend, loving wife and a supportive parent. When an event threatens to throw her life completely off balance, can she hold her family upright?

A powerful portrait of the American spirit and a heartbreaking testament to the bonds of friendship.

In County Durham, England, 1984, a talented young dancer, Billy Elliot, stumbles out of the boxing ring and onto the ballet floor. He faces many trials and triumphs as he strives to conquer his family’s set ways, inner conflict, and standing on his toes in a musical that questions masculinity, gender norms and conformity.

Every woman wants him, every man wants to be him: Mozart’s version of the irresistible rogue who brings excitement with him and leaves destruction it his wake has always attracted top singing actors, as in this performance brilliantly led by James Levine. Samuel Ramey is Don Giovanni, pursued by the incandescent Karita Mattila (Donna Elvira) in her Met debut season and role, and by the white-hot avenging fury of Carol Vaness (Donna Anna.) Ferruccio Furlanetto delivers a masterful comic turn as the Don’s servant, Leporello.

Fifty years after Richard Wesley's original production of Black Terror, Richard Lawson directs a bi-coastal cast of revolutionaries on a daunting mission to free their people. As the Black Comrades Keusi, M'Balia, Geronimo, and Ahmed fight on the edge of life and death, the divide between them intensifies and widens.