Victory

Advocate Jai Saxena lives in a small flat with his mom. One day his mom hires a maidservant named Imarsi, but later they find out that she is an impostor, and fire her. A few days later she comes knocking on their door in the dead of night, claiming that she is the sole heiress of Rai Bahadur Tulsinath's estate, and that someone is out to kill her. Jai wants to believe her, but his mother disbelieves her and wants her out of their lives, as she feels that this is nothing but another trick on her part to fool them. When the police are notified, the Saxenas are told that this woman's real name is Ragini, a homicidal killer, wanted by the police. Will Jai be convinced that he was offering to shelter a fugitive from the law?

A real estate baron Kehri Singh manages 'Preet Real Estate' which he runs in his daughter's name whom he consider's to be his lucky mascot. A sidelined and insulted Nikki Singh is ignored by his father and is considered to be insolent, useless and unlucky. In order to pay off a huge debt to a local criminal, Nikki sets off a chilling event that forces his father to revisit his dark past and confront a brutal truth.

Vishal and Jyoti come from different backgrounds, but fall in love, and in spite of oppositions from both the couples' sides, are married. After marriage, they settle down to some wedded bliss, but misunderstandings create problems. These problems persist even when Jyoti gives birth to healthy baby boy, Lucky (Master Lucky). Jyoti and Vishal also own a former winning racehorse, and Vishal is a jockey, who used to ride him. Due to failing health, Vishal has been advised by his doctor not to ride anymore. Lucky grows up and his parents separate, and Lucky lives with his dad. He is brought up to think that his mom has passed away. So when Jyoti re-enters his life, she is introduced to him as "aunty". Will Lucky ever come to know of his real mother? Will Vishal ever to able to ride again? Will Jyoti and Vishal patch up their differences in the interest of their son?

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.

Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.

A young boy. A quaint hilly town. Everything that can go wrong will go wrong. Perhaps, that is what metamorphosis needs. Syaahi is a coming of age story of a young boy, portraying seemingly simple events of childhood.

Veer Vs Heer

After a Cop tries to change the rules in a village he gets killed by the village goons. His spirit then starts to haunt them. He also helps his fellow cop to fight against his killers.

The film is about the journey of a person and is narrated in three parts from the lens of the protagonist: when he is a teenager, when he is 28 years old, and finally when he is 38. The three periods are synchronized to take place during pivotal movements: first, in 1999, when the first-ever gay pride parade took place in Calcutta, followed in 2009, when the Delhi HC decriminalized homosexuality, and in 2019, a year after the Supreme Court struck down the law that criminalized gay sex throughout India.

It's love at first sight for Anjali and Jai Walia. However, after Anjali gets an anonymous tip-off about Jai's alleged infidelity, cracks begin to appear in their once happy marriage.

Ravi, a former safe-cracker, turns over a new leaf, taking a job managing a timber buisness and falling in love with Reena, the owner's daughter. His past catches up with him when his old partner, Robert, and Robert's girlfriend, Julie, demand his help with a recently robbed safe, refusing to take no for an answer.

Rani is a child who is being brought up by her mother, Kamla (Asha Parekh) as her dad Rajendra (Rajendra Kumar) has gone out of town on business. Both mother and daughter live with their cruel and selfish relatives (Satyendra Kapoor and Lalita Kumari). They live with her abusive uncle. One day, Kamla gets the news that her husband is returning, and she is overjoyed. This joy turns to sorrow when she finds out that he has died in an accident. Shortly thereafter, she too passes away, leaving poor Rani at the hands of the cruel relatives. Her best friend Pappu (Master Abbas) tells her about Lalpari (Reena Roy). She succeeds to reach heaven with the help of Lalpari and manages to trick Yamraj (God of truth and death). However, Rani's father was only injured in the plane crash. Rani lives happily ever after with her parents. This movie also features the story of Cinderella and Gulliver's Travels in two songs.

A man gets stuck in an empty high rise without food, water or electricity.

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

The adventures of Kishore, a "James Bond 777" CBI agent, as he and heroine Sopa battle criminal mastermind "Boss" and his gang which includes whip-cracking Jamilla and a trio of highly trained dogs.

A naive bullock-cart driver falls for a traveling dancer.

At midnight on his 10th birthday, a boy scours the lesser-known Kolkata streets in search of a father he’s never met, carrying a letter he can’t read.

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

Shahjehan (a raw Rehman in one of his first releases) is approached by a Rajput chieftain, Jwala Singh, narrating the plight of his foster daughter, Ruhi (Ragini), who is blessed with unheard of beauty. This gives rise to an army of suitors, who indulge in violence to prevent her from getting married by scaring her to-be grooms. Her beauty, confined to four walls of Jwala's haveli becomes part of folklore, and street gossip, through the poetry of Sohail (Saigal) who accidentally catches her glimpse, and falls in love with her.