Bells of Coronado

Two men, one woman and one horse get into trouble.

Young police officer Shane Cooper's first day on duty, after relocating to the small town of Red Hill, rapidly turns into a nightmare. News of a prison break, involving convicted murderer Jimmy Conway, sends the local law enforcement officers - led by the town's ruling presence, Old Bill - into a panic and leads to a terrifying and bloody confrontation.

An ex-con returns to his rural Ontario roots and outwits a corrupt and wealthy thoroughbred owner trying to take over a slew of local farms. Ray Dokes, a charming ex-ballplayer, returns from jail to discover the rural landscape of his childhood transformed by urban development. Determined to stay out of trouble, Ray heads to the farm of his old friend Pete Culpepper, a crusty Texas cowboy who trains losing racehorses and whose debts are growing faster than his corn.

A former champion rodeo rider is reduced to using his saddle skills to promote a breakfast cereal in a gaudy Las Vegas show. When he's asked to perform with a $12 million horse, he discovers it is being doped to remain docile. He flees into the desert astride the beast in an act of defiance. A story-hungry female reporter gives chase.

Lucky Luke becomes the Sheriff of Daisy Town and runs out all the criminals. Then the Dalton brothers arrive and try to get the Indians to break the peace treaty and attack the town.

It took a lot of courage to set up a new production company devoted to "B" westerns in 1949, a year when the genre was showing signs of winding down. Filmed in Trucolor, Stallion Canyon was the maiden effort from Kanab Productions, a Utah-based organization. Former Sons of the Pioneers vocalist Ken Curtis made his starring debut in this one, playing a ranch foreman who does his best to track down a rogue stallion. The rest of the cast is comprised of unknowns, save for villains Ted Adams and Forrest Taylor. Cheaply produced, Stallion Canyon has the twin advantages of a relatively new leading man and excellent location photography.

Family film about an elderly rancher, her young grandson, and the horse that the child raises from a colt.

Once a rising star of the rodeo circuit, and a gifted horse trainer, young cowboy Brady is warned that his riding days are over after a horse crushed his skull at a rodeo. In an attempt to regain control of his own fate, Brady undertakes a search for a new identity and what it means to be a man in the heartland of the United States.

On vacation at his ranch, western actor Roy quickly finds himself involved with a horse rustling operation and a boy ward of one of the rustlers, leading to the kidnapping of Roy's trick horse Trigger by the gang with a demand for ransom.

The romance of a rancher's niece and a rival rancher's son parallels that of a stallion and a mare.

Ken McLaughlin is a precocious 10-year-old who lives with his family on a remote Wyoming ranch. When Ken returns home from school with failing grades, his father, Rob, blames the boy's lack of personal responsibility. At the suggestion of his wife, Nell, Rob allows Ken to choose a single colt from the herd to raise as his own. Much to his father's dismay, Ken chooses a fiery mustang filly -- but the two soon become fast friends.

Jesse W. Haywood (Don Knotts) graduates from dental school in Philadelphia in 1870 and goes west to become a frontier dentist. Penelope "Bad Penny" Cushing (Barbara Rhoades) is offered a pardon if she will track down a ring of gun smugglers. She tricks Haywood into a sham marriage as a disguise. Haywood inadvertently becomes the legendary "Doc the Haywood" after he guns down "Arnold the Kid".

A melancholic gunfighter is drawn into a vengeful and tragic kidnapping plot by his widowed ex-lover.

Fueled by stunning footage, this stirring documentary considers wild horses' role in the American psyche and their dwindling numbers in today's West. In an artful blend of exquisite nature documentary and character-driven narrative, the majestic wild horses of the American West are revealed in stereoscopic 3D as never before. The wonder in a girl’s eye pulls us into the drama that unfolds on hundreds of millions of acres of public land. The battle lines have long been carved into the landscape, and the players are deeply entrenched. Yet as the subtle choreography that has evolved over thousands of years begins, we are captivated. The intricate dance between a man and a wild horse presents lessons for us all, even the battle-hardened special interest groups fighting for the place of the AMERICAN MUSTANG.

Black Eagle is based on The Passing of Black Eagle, a short story by O. Henry. William Bishop stars as Jason Bond, who stays out of trouble by the simple expedient of avoiding other people. Unfortunately, the plot dictates that Bond must come into contact with several characters, all of whom end up fleecing our hero in one way or another. Even so, Jason manages to enjoy a brief romance with pretty Ginny Long (Virginia Patton) before returning to his life of carefree vagabondage. A very minor film, The Black Eagle makes the most of its excellent supporting cast, including Gordon Jones, Trevor Bardette, Will Wright and stuntman extraordinaire Richard Talmadge.

Brown arrives in the town of, yes, Gunsight, in the company of saddle pal Raymond Hatton. Like a new broom, Brown sweeps clean, going after the town's corrupt element.

Rigby, Larribee, and Grant each have one third of Bill Joyce's map locating his gold mine. The three plus Joyce's sister Helen head for the mine. An accident with a runaway horse carrying supplies leaves them stranded in the desert with very little water.

An independent former ranch foreman and an heiress are kidnapped by a trio of ruthless outlaws.

Law officer tracks and recaptures escaped convict.

A fiercely independent cowboy arranges to have himself locked up in jail in order to then escape with an old friend who has been sentenced to the penitentiary.