Children of Nagasaki

The story centers on an elderly hibakusha, whose husband was one of 80,000 human beings killed in the 1945 atomic bombing of Nagasaki, caring for her four grandchildren over the summer. She learns of a long-lost brother, Suzujiro, living in Hawaii who wants her to visit him before he dies.

Totsuko is a high school student with the ability to see the 'colors' of others. Colors of bliss, excitement, and serenity, plus a color she treasures as her favorite. Kimi, a classmate at her school, gives off the most beautiful color of all. Although she doesn't play an instrument, Totsuko forms a band with Kimi and Rui, a quiet music enthusiast they meet at a used bookstore in a far corner of town. As they practice at an old church on a remote island, music brings them together, forming friendships and stirring affections.

When Keiji Takama returns to Nagasaki, he finds many changes. The rights of the entertainment field that had been held by his family have been taken over by the Matsui Group, a new gangster setup. So he becomes head of the Takama Group to regain lost territory. With the cooperation of all the Bosses from Tokyo to Nagasaki, who had known his father, Keiji recovers the rights to put on shows at the City Hall. As he had feared, however, Matsui begins to interfere with his plans. Keiji's men are furious, but he knows better than to take up the cudgels with Matsui at this important time. Whatever Matsui does, Keiji goes one better. Frustrated and bitter, Matsui calls in the help of Koiwa, a killer. Now, having tried his best to oust Keiji but finding that he is made of sterner stuff than he had counted on, he decides to have Koiwa do away with him for good.

Nobuko works in Nagasaki, Japan as a midwife. Her son died 3 years earlier from the atomic bomb. On August 9, 1948, her son appears in front of her again. Since that time, Koji appears in front of her and they reminiscence about pleasant times. These happy, but bizarre moments seem eternal.

A young leader of the Yamazaki family of Nagasaki, Takida (Ken Takakura) is an A-bomb survivor. He fiercely battles violent elements in southern Japan like there is no tomorrow.

A young boy and his family set off on a sailing trip of a lifetime until a violent storm erupts, sweeping Michael and his dog overboard. After washing up on a remote island, terrified, they struggle to survive and adjust to life alone, One day, Michael discovers he is not alone when he is confronted by a mysterious Japanese man who has lived there secretly since World War II, angry that Michael has arrived. However, as dangerous invaders threaten their fragile island paradise, Michael and the old man, Kensuke, join forces to save their secret world.

Tsutomu Yamaguchi is a hibakusha. A survivor of both atomic bomb blasts in 1945. First at Hiroshima, then again at Nagasaki. Now nearing 90, Yamaguchi finally speaks out. Breaking taboos of shame and sorrow, he responds to a call to fight for a world without nuclear weapons by telling his story, so that no one else will ever have to tell one like it again. Twice reconstructs Yamaguchi’s experiences in 1945 Japan, interviews him on the after-effects of exposure and documents the last five years of the late-blooming activist’s life.

In 150 years, twice marked by total destruction —a terrible earthquake in 1923 and incendiary bombings in 1945— followed by a spectacular rebirth, Tokyo, the old city of Edo, has become the largest and most futuristic capital in the world in a transformation process fueled by the exceptional resilience of its inhabitants, and nourished by a unique phenomenon of cultural hybridization.

Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsule-hotels tell their own intimate, dreamlike stories, interspersed with journeys through the archipelago's landscapes. Soon, these personal stories resonate with a collective history: that of Gunkanjima, the abandoned ghost island of Nagasaki, and then that of Japan as a whole.

An Irish doctor survived the atomic bomb attack on Nagasaki and was given a Samurai sword for the lives he saved. 70 years later his family searches for the origin of their father's sword.

A baby, John, who was abandoned in the church with a horse-headed koto on his side. His grandfather was once a Morin Khuur player and died in the atomic bombing of Nagasaki. The brilliantly colored images have an avant-garde charm while hiding the sadness of the war, and will grab the viewer's heart.

Like many other young men of his generation, after Pearl Harbor was attacked, Aldo Giannini joined the Marines with little idea of what lay ahead. After training, he was quickly deployed overseas and fought in the bloody Battle of Tarawa, surviving with a shrapnel injury and the haunting memory of witnessing the loss of 3,250 U.S. lives. He went on to fight in other battles and returned home after 3 intense years of service. Nearly eight decades later, he still questions if winning the island was worth the price.

On August 6 1945, one plane dropped one bomb on the Japanese city of Hiroshima. In an instant, the city was destroyed and 80,000 people were dead. But the dropping of the Atomic bomb also launched the Nuclear age, shaping all of our lives and changing the world for ever. For this film we have tracked down people who made the bomb, people who dropped the bomb, and people who were in Hiroshima – some less than half a mile from ground zero -when the bomb fell on their city. Many of the witnesses are in their 90s and this will be the last time they will be able to tell their extraordinary stories. The Day They Dropped The Bomb is told through witness recollections, rare archive film and photographs shot at the time. The documentary will be broadcast for the 70th anniversary of Hiroshima next year by ITV and in America by the Smithsonian Channel.

Explore how one man's relentless drive and invention of the atomic bomb changed the nature of war forever, led to the deaths of hundreds of thousands of people and unleashed mass hysteria.

October 1945. A young Japanese boy in the devastated city of Nagasaki, two months after the atomic bomb, carries on his back the lifeless body of his younger brother. An American military photographer, Joe O'Donnell, took a picture of the boy standing stoically near a cremation pit. No one knows the subject's name, but the photo has become an iconic image of the human tragedy of nuclear war. This documentary follows the continuing efforts to deepen understanding of the photograph, while exploring the fate of thousands of atomic-bomb orphans and their struggles to survive the aftermath of World War II.

An anti-war exploration of the filmmaker's experience with recurring nightmares about a potential nuclear apocalypse, through the lens of the bombings of Hiroshima and Nagasaki.

A personal documentary that tracks the construction of America's collective memory (or lack of one) of the bombings of Hiroshima and Nagasaki. It follows the obscure histories of specific photos and photographers, both Japanese and American, who visited Nagasaki and Hiroshima in the aftermath of the bombings, counterposing this visual legacy with the stories of survivors, whose practice of speaking to small groups of students offers a modest but powerful counter-history to the official record.

The year is 1946. Under the strict orders of their father, Adam drags his younger brother Ali to witness their grandfather's corpse get washed before burial. Their cousin Iman, their constant playmate, is excluded from the ritual because she is a girl. The sight of the corpse has a profound effect on Adam; he announces that he doesn’t want to grow up and, from that moment on, he stops aging. As the years pass, the villagers come to believe Adam is cursed, while his brother, grappling with his own aging, feels Adam should be institutionalized. Only Iman and Anki, a shepherd and Adam’s lifelong best friend, see his condition as a blessing, preserving in him the pure, innocent goodness of a child. A haunting and beautiful story set against the oases and dust storms of Iraq.