Carmen

It's 1961, two years after the original Grease gang graduated, and there's a new crop of seniors and new members of the coolest cliques on campus, the Pink Ladies and T-Birds. Michael Carrington is the new kid in school - but he's been branded a brainiac. Can he fix up an old motorcycle, don a leather jacket, avoid a rumble with the leader of the T-Birds, and win the heart of Pink Lady Stephanie?

Alfredo, a young man from the provinces, falls in love with Violetta, the stylish toast of Paris. But she’s not the marrying kind – at least not until now. However, their dreams are threatened by both a merciless society that condemns Violetta’s racy past and an equally merciless disease. Russian soprano Venera Gimadieva portrays the iconic role of Violetta, alongside American tenor Michael Fabiano as Alfredo. The visual beauty of Tom Cairns’s opulent production aptly echoes the irresistible allure of this beloved opera.

Period musical about a song plugger who vows to turn an opera composer's music into popular hits.

Biographical movie about the early 20th century broadway stars Nora Bayes and Jack Norworth.

Celebrated actor, political activist, songwriter, and multiple Grammy Award winning performer Rubén Blades returned to the stage with the live tour "Todos Vuelven". It has been seen by over one million people worldwide.

Celebrated actor, political activist, songwriter, and multiple Grammy Award winning performer Rubén Blades returned to the stage with the live tour "Todos Vuelven". It has been seen by over one million people worldwide.

Calle 13 - Residente o Visitante

Singer Joan Whitney, called the "Sweetheart of the Navy" by sailors, is struggling to re-open the Snug Harbor Cafe. After her partner, Richard, skips town with the money owed to their creditors, the club opens unceremoniously. Two of Joan's sailor friends, Andy and Pete, offer to help her raise money for the club by staging a fight with Bumper Martin, boxing champion of the fleet. At Andy's request, straight-laced yeoman Eddie Harris replaces him in the upcoming fight. Andy and Pete then intimidate or coerce the sailors into betting on the fight, promising to give Joan the profits. Navy Commander Lodge, who is grooming Eddie for the Naval Academy at Annapolis, is against the fight, however, and Joan decides to "vamp" Eddie to make him fight.

Upon first sight of a beautiful instructor, a bored and overworked estate lawyer signs up for ballroom dancing lessons.

Robbie Williams takes over the London Palladium for an evening of swing classics and new songs. Special guests joining Robbie and his big band on stage are Lily Allen, Rufus Wainwright and Muppets Miss Piggy, Kermit the Frog, and grumpy old men Statler and Waldorf.

A musical odyssey that takes place in an uncertain time, RAPTOR is a short film from writer/director Marc Dickerson, with songs composed by Owen Byrne. It is a surreal journey into a comedic tragedy brought on by delusions of grandeur; and a story about the passion to create something new without knowing how.

A film director, in bad standing with his studio, tries to turn a local carnival dancer into a "French" movie star and pass her off as his big new discovery.

When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.

Il Barbiere di Siviglia

Teatro Regio’s 2013 revival of their highly successful 2006 production of Verdi’s Don Carlo celebrates the 40th anniversary of the theatre’s reopening in 1973. With traditional staging and lavish costume design, the production garnered high acclaim in the national and international press, with GB Opera commending the ‘sumptuous’ setting and French online music magazine ResMusica praising director Hugo de Ana’s decision to revive the show ‘in all its splendour’. Shown here in the four-act version, Don Carlo is the fascinating tale of father-son power struggles, adultery and love that borders on incest. The cast – under the powerful baton of Gianandrea Noseda – is headed by renowned Mexican tenor Ramón Vargas, and also features Ludovic Tézier, who has been hailed as ‘one of the best Verdian singers of our time’

A man who loves an aspiring opera singer is prepared to sacrifice everything to help her with her career, even though he knows she doesn't love him.

Lewis and Clark blaze a trail to the western waters in this epic satire and spoof on American ego.

Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of Notre-Dame and of his impossible and tragic love for Esmeralda, a beautiful gypsy. A love condemned by injustice and hypocrisy. Quasimodo forced by his ugliness to look at the world from the top of a tower one day he falls madly in love with Esmeralda who sees dancing and singing on the square in front of the cathedral. But Esmeralda is in love with Febo, the handsome captain of the King's guards. Febo is fiancé of Fiordaliso, a young and rich bourgeois, but the exotic and sensual beauty of the gypsy does not leave indifferent the man who immediately falls in love with her. Even Frollo, the archdeacon of the cathedral, is attracted by the gypsy and spying on the moves of the two lovers in a raptus of jealousy and repressed carnal desire to get rid of the rival stabbing Febo behind.

Macbeth" was Giuseppe Verdi's first attempt at music drama and also the first manifestation of his profound love for Shakespeare's work. Verdi took great pains with this opera, displaying special enthusiasm for it as he concentrated on the main characters of Lady Macbeth, Macbeth and the witches. This recording of Luca Ronconi's production is conducted by Giuseppe Sinopoli, who brings fresh color to Verdi's score. The cast, headed by Renato Bruson and Mara Zampieri, are strongly supported by a fine-toned and adaptable chorus who ably meet the demands of Verdi's great "chorus opera.

A mother struggles with worsening bipolar disorder and the effects that managing her illness has on her family.