Gagarin

The daring convict no. 23, known as The Eel, escapes from prison and, after mocking his inept persecutors, saves the lives of three people in peril: a beautiful girl, her mother and an annoying suitor, only to get exhausted and almost drowned. Once he regains his strength at Judge Brown's home, he participates on an upper-class social party where he competes with the suitor for the favors of the charming Miss Brown. But prison guards are still after him…

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

Judas is the hero and Jesus is the villain in this lewd retelling of the classic Bible story. Depicted through anthropomorphic animals, we see a unique alternative perspective. Judas (an unscrupulous black goat) has been at odds with Jesus (a self-righteous white sheep) ever since childhood. However, when an opportunity arises to sell Jesus out for the 30 Euros he needs to get into Maria Magdalena's sex show, things finally seem to start going Judas' way. But what will Jesus' adoring fans have to say about it?

Charlie is a clumsy waiter in a cheap cabaret, suffering the strict orders from his boss. He meets a pretty girl in the park and tries to impress her by pretending to be an ambassador. Unfortunately she has a jealous fiancé.

At Thanksgiving, a tramp arrives in a homeless-hostile town.

As a practical joke, an actor impersonates the screen monster he made famous. A lost film.

In Don Hertzfeldt's second student film, a hapless cartoon character is dragged through a spectrum of cinematic situations by his frustrated animator.

Evolution on Earth over the course of a billion years.

After literally swimming across the Atlantic Ocean, an Englishman takes a country trip across Canada on a railcar.

On a dark and stormy night, four bored ghosts decide to have some fun by calling the Ajax Ghost Exterminators.

In this clever satire of toxic men, a cartoon pickup artist is violently torn apart by the women he targets, seen only through his own one-sided, ridiculously misogynistic point of view. Don Hertzfeldt's first student film, he plays the part of a mentally unwell animator who's losing his grip within his own movie; an idea he'd later revisit in other early "meta" shorts "Genre" and "Rejected". Despite being produced at the age of 18 and not intended for exhibition, HBO named it "The World's Funniest Cartoon" in 1998.

Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.

A deliciously scary story about a boy who outsmarts an old witch-woman before she can have him and his brothers for dinner.

The Foodimals join Earl's scouting program but are very competitive.

Manny saves an adorable kitty with his many skills.

The boozy mercenary of the title, based on the actual historical figure of Naoyuki Ban (1567-1615), attempts to rid a haunted castle of spooks.

Wallace Carlson walks viewers through the production of an animated short at Bray Studios.

Flint must quickly alter his plans for a romantic date with Sam after his monkey-cleaning invention goes awry.

Flint's mischievous gummy bear grows to 50-feet by using his new food-modifying invention.

Down-on-his-luck race car driver Jim Douglas teams up with a little VW Bug that has a mind of its own, not realizing Herbie's worth until a sneaky rival plots to steal him.