Trip on the Danube

Set in Bratislava in the 1930s, about a clerk at a humanitarian foundation who is unjustly accused of embezzling a large sum of money.

Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.

A depressed half-robot man's behavior begins to vex his roommates.

To test its top-secret Human Hibernation Project, the Pentagon picks the most average Americans it can find - an Army private and a prostitute - and sends them to the year 2505 after a series of freak events. But when they arrive, they find a civilization so dumbed-down that they're the smartest people around.

Filiberto Aguirre abandons his career as captain of the merchant navy because he has well-founded hopes of receiving a great inheritance. But time goes by, the inheritance does not arrive and his family's economic situation worsens every day.

Planet Earth, 9177. The remains of humankind live in a post-apocalyptic environment divided into only two social classes: the ruling king and the oligarchs who inhabit the Representative Building and the poor of the world who hardly survive in the slums built around it.

O Homem que Matou Deus

Recorded at Hammersmith Apollo, London 9th – 10th March 2018.

After his mistress runs over a black teen, a Wall Street hotshot sees his life unravel in the spotlight; A down-and-out reporter breaks the story and opportunists clamber to use it to their advantage.

Will Plunkett and Captain James Macleane, two men from different ends of the social spectrum in 18th-century England, enter a gentlemen's agreement: They decide to rid the aristocrats of their belongings. With Plunkett's criminal know-how and Macleane's social connections, they team up to be soon known as "The Gentlemen Highwaymen". But when one day these gentlemen hold up Lord Chief Justice Gibson's coach, Macleane instantly falls in love with his beautiful and cunning niece, Lady Rebecca Gibson. Unfortunately, Thief Taker General Chance, who also is quite fond of Rebecca, is getting closer and closer to getting both.

Newly arrived in Hollywood from England, Dennis Barlow finds he has to arrange his uncle's interment at the highly-organised and very profitable Whispering Glades funeral parlour. His fancy is caught by one of their cosmeticians, Aimee Thanatogenos. But he has three problems - the strict rules of owner Blessed Reverand Glenworthy, the rivalry of embalmer Mr Joyboy, and the shame of now working himself at The Happy Hunting Ground pets' memorial home.

A man trying to put his life back on track gets some advice from an unexpected benefactor -- the ex-footballer Eric Cantona.

This is the tale of industrial strife at WC Boggs' Lavatory factory. Vic Spanner is the union representative who calls a strike at the drop of a hat; eventually everyone has to get fed up with him. This is also the ideal opportunity for lots of lavatorial jokes...

Imagine what it would be like if black settlers arrived to settle a continent inhabited by white natives? In 1788, the first white settlers arrived in Botany Bay to begin the process of white colonisation of Australia. But in Babakiueria, the roles are reversed in a delightful and light-hearted look at colonisation of a different kind. This satirical examination of black-white relations in Australia first screened on ABC TV in 1986 to widespread acclaim with both critics and audiences alike. This is the story of the fictitious land of Babakiueria, where white people are the minority and must obey black laws. Aboriginal actors Michelle Torres and Bob Maza (Heartland) and supported by a number of familiar faces from the time, including Cecily Polson (E-Street) and Tony Barry, who starred in major ABC-TV hits such as I Can Jump Puddles and his Penguin award-winning Scales of Justice. Babakiueria was awarded the United Nations Media Peace Prize in 1987.

The 1975 film by Georgi Daneliya "Afonya" was an unexpected commercial hit in USSR. The main character "Afonya" Borshev is a plumber, who spends his life partying with "buddies", many of whom he doesn't even remember after nights of heavy drinking. His wife leaves him, his boss places him on probation, his whole life is falling apart, but he doesn't realize it. Afonya met Katya at a dance club, yet didn't pay her much attention. But she is the one, who can save him... In this movie Daneliya achieves a perfect balance of satire and drama. Quotes from the movie gained a cult status in USSR.

For Beary Barrington, The Country Bears' young #1 fan, fitting in with his all-too-human family is proving im-paws-ible. When he runs away to find Country Bear Hall and his heroes, he discovers the venue that made them famous is near foreclosure. Beary hightails it over the river and through the woods to get the Bears in the Band back together for an all-out reunion concert to save Country Bear Hall.

Flamboyantly gay Austrian television reporter Bruno stirs up trouble with unsuspecting guests and large crowds through brutally frank interviews and painfully hilarious public displays of homosexuality.

A 15-year-old Somalian boy meets a 40-year-old Iranian man in a refugee camp in Skåne, in the south of Sweden. With the threat of deportation hanging over them, they decide to take their faiths in their own hands and together they go on a journey in the Swedish summer.

A woman accidentally discovers the Plaque of Kolob which leads her to discover an insidous alien plot for world domination documented by a disreputable early Mormon prophet. 'Plan 10 from Outer Space' is an eccentric comedy involving a bizarre relationship between Mormons, bees and extra terrestrials, hot on an obviously miniscule budget with a largely unknown cast, save for b-movie queen Karen Black.

A satire of modern society or perhaps just a funny tale for children, depending on your age, mood or liking. Recounting the adventures of the last in a line of Supermen, the film pokes fun at the processes that lie behind advertising, politics and our consumer society.