A Pakistani Briton renovates a rundown laundrette with his male lover while dealing with drama within his family, the local Pakistani community, and a persistent mob of skinheads.
A beautiful young gold-digger mistakes a lowly hotel clerk as a rich and therefore worthwhile catch.
Chaudhary Karnail Singh is a 1960 Indian Punjabi movie based in the pre-partition times of India. The film was one of the earliest works of Prem Chopra. The film won a National Award. In a village circa post British rule in India, a noble Sarpanch, Karnail Singh, is forced to chose sides between his son, Buta, and a Muslim couple, Shera and Naji, who want to get married amidst violent clashes between Hindus, Sikhs and Muslims before the formation of Pakistan; as well as deal with suspicious Indian Government officials.
Elation in Neustadt: by the means of a little witching, Bibi Blocksberg saved two kids from burning to death. While her mother Barbara, a witch of flesh and blood herself, is very proud of her daughter, father Bernhard, overworked and stressed, disapproves greatly of her supernatural antics. Then Bibi gets a message from Walpurgia, the senior witch: she is going to receive her crystel ball, that will make a "real" witch of her, early. Proudly, Bibi jumps up her broom to fly to the Blocksberg, the witches' headquarters. But Rabia, one of the few evil witches, aging in misery and with a secret, begrudges her all the glory...and her youth. And so Rabia sets off events that will soon make Bibi's life fall into pieces.
The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.
In a spoof on the contemporary sacred cons, two yuppy couples get entangled with warring smugglers of dope that include fake priests and nuns as well as Japanese and Chinese agents.
An everyday man goes on an unexpected journey when he finds out he has the thing everyone wants.
In despair after breaking up with his girlfriend, a man hires a thug he has never seen to kill him. However, he changes his mind when he falls in love with another woman--but he can't stop the man trying to kill him because he doesn't know who he is.
A family (mother, daughter and son) tries to survive their loneliness and obsessions by going through different sexual experiences and relationships with a new neighbour, a prostitute.
The story of a small-town man who comes to make it big in the city, where he is almost instantly relieved of all his possessions. Homeless and penniless, he is taken in by a woman who looks after him.
Three disillusioned outcasts meet in a laundromat. A punk who's lost his pills, a freshly-kicked-out-of-home youth, and a girl obsessed with vampires. What could go wrong?
A televised pantomime of Aladdin with characters played by well-known celebrities.
Prince, a dog trainer, faces an awkward situation when his pet dog Diana acts in a film alongside his ex-lover, an actress who shares the same name as the dog.
With a rubber bone as a lure, Donald Duck tries to entice Pluto to try his mechanical dog washer. When the bone gives Pluto trouble, Donald tries a toy cat as a lure only to unexpectedly fall into the washer himself, get scrubbed and then hung out on the line to dry.
A young man finds out where all of his missing socks have ended up.
A 1995 Opera Australia performance of Gilbert and Sullivan's classic operetta, recorded at the Sydney Opera House. Bunthorne, a poet worshiped by every lady he meets, loves only one woman: Patience. But Patience does not share the other women's fascination with Bunthorne. She loves Archibald, her childhood friend who is now also a poet.
Little Johnny Jones is a jockey who is in love with his all-American sweetheart, Mary Baker, and also his career as the rider of thoroughbred horses. But he almost loses both when he is tricked by a showgirl, Vivian Dale. His story of vindication swings from the racetracks of America to England and the historical National Derby, with plenty of red-white-and-blue bunting waving behind the little patriot.
Amanda Afflick is a lovesick laundress who daydreams about customer Horace Greensmith and cherishes the shirt he brought in for washing eight months and sixteen days ago. She tells her fellow workers that the garment belongs to her fiancé, a lord. Just wait, Amanda boasts, one day his lordship will return for his wash — and for her.
In a poor neighborhood of Athens, next to the coffee shop of Spyros (Mimis Fotopoulos) is a coffee shop that has gained a great reputation and is preparing to move to Kolonaki as it has made a lot of money by telling the cup. In the same neighborhood is a laundress, Kalliopi (Georgia Vassiliadou), who makes a living by force. One day, after an incident in which a customer (Kostas Mentis) humiliates Kalliopi and Spyros intervenes, he comes up with an idea: for Kalliopi to run the coffee shop, since the other one has left.
A look at 24 hours in the life of a happy gay couple.