Diablo

The 1967 story of young rising actress Maggie De La Riva's abduction and rape, and the trial against her 4 abductors.

A young woman who has been emboldened by the tragedies and traumas she had to endure, such as rape and the death of her loved ones.

When her boyfriend leaves for Japan on a singing contract, a dancer is so distraught she does not see the car that hits her. The driver pretends to be a helpful passer-by; they fall in love and gets married. Only bringing her to a more complicated life.

Powerful but ill-stricken business woman, Vilma Santos navigates her complicated relationship with her caregiver, Angel Locsin and her estranged son, Xian Lim in this story about acceptance, love and forgiveness.

It is the time of El Niño, a season ruled by superstition and fear. The rain is long in coming, the ground has cracked up dry. The ricestalks are thin and sickly. Villagers go hungry. And a boy dies from a snakebite. The adults splinter. Some pray. Others join a cult to appease earth spirits and wait for the ada, the ricefield spirit goddess of bountiful harvest who dances naked on moonlit nights and signals the need for a virgin’s sacrifice. There are fence sitters, equally pro-church and pro-cult. A landlord’s steward enforces his master’s usury on hapless farmers. A self-righteous priest says rain must first be deserved. Two young women fight for the right to do with their bodies as they please. A bastard boy and a blind girl come of age. Yesterday, they were children.

It's the story of a young woman, whose husband, is arrested by the soldiers of a Japanese garrison, on the suspicion that he is a guerilla. Dizon pleads her case to the garrison's commander, who sympathizes and lets Yllana go; when the commander's wife dies and leaves their son motherless, Dizon, is hired to feed the baby from her own breast.

Ahmad belongs to the Bangsamoro people. While many of his kind are bent on fighting, thinking that Mindanao is only for the Muslims, Ahmad prefers to live a simple and peaceful life. He works as a doctor in Manila while his wife, Fatima, and his only son, Ibrahim, stay in Mindanao with his mother, Farida. Ahmad is shocked and devastated when Fatima breaks the confounding news. Ibrahim was killed by a stray bullet when vigilantes indiscriminately fire at their village. Ahmad goes back to where he came from Mindanao. Ibrahim’s death did not cause Ahmad to stop striving to live a peaceful life, much to the consternation of his brother, Musa. His brother takes an exactly opposite stand. Musa believes in waging a war against all the Kaafir (unbelievers) who may impede the Moro’s goal of independence. He even trains his young son, Rashid to a Muslim warrior’s life.

Set during the terrifying reign of Filipino despot, Marcos, two upper caste but very different strangers team up to try and survive the physical and mental torture they undergo after they are suddenly jailed. Geny is the conservative businessman while Serge is more sensitive and outgoing. Both of the young men's parents give all of their money, but the government refuses to free them. Even a mutual hunger strike fails to move their jailers. In desperation, Geny and Serge begin plotting their escape.

Ramon failed to get his inheritance just as his mother died. The last will testament asked that he be able to have a son. He and his girlfriend embarked on a quest to find the perfect pair to give them a baby.

Leo is engaged to Anita out of convenience since her father and her parents are long time friends. It was never an issue until Leo meets Gigi during his stay in the family farm. Leo loves Anita but he cannot get enough of Gigi's seduction. He later finds himself craving for more. Little does he know that Gigi's tempting invitations are more than that Gigi has other selfish plans and she is adamant to get him not afraid to cause havoc over Leo and Anita's solid relationship.

A mother and her daughter—who are both victims of incest-rape perpetrated by the same man now languishing in jail—are approached by a couple of filmmakers with an offer to produce a movie based on the two women’s true story. They hesitate on the idea at first but agree eventually for the sum of money they will be paid in exchange for selling the rights to the material. When the finished film is finally shown in theaters, they proceed to the city all the way from their hometown to catch the screening. They are elated at the prospect of seeing the larger-than-life versions of themselves. But as the motion picture gradually unfolds before their very eyes, they instead go through another harrowing experience of a lifetime.

Crime does not pay, so the adage goes. But feisty and outspoken Rosa (Rosanna Roces)--however sharp-witted--does not know any better. Doggedly out for bigger money, she is quick to rebuff even her lover Dado's (Diether Ocampo) pitch for a new life. What will they risk to succeed? What will they give to taste the sweet pleasure of living peacefully and not running away from law and the syndicate anymore? Will their love for each other endure in the end?

It picks up where the series left off in its final episode as the relationship of Joee and Joey moves on to the next level. Joee is about to give birth while Joey remains in love with her and tries to become a responsible foster father.

Jerry is a wide-awake tourist guide in Cebu who knows all the angles, and who has supported his divorced mother and younger brother and sister since their musician father deserted the family for a younger woman. Jerry guides tour buses, taking the mostly Japanese tourists boating, golfing and to strip shows. Jerry also acts as a pimp, and even prostitutes himself. As the breadwinner he makes sacrifices for his family but wields control over his siblings and mother in return

Opon + Pasil + Tres + Echavez + Naval + Ormoc + Valencia. It’s Saturday and it’s black.

A erotic drama chronicles the amorous exploits of a winsome young bride. When her affluent but crippled spouse fails to fulfill her physical desires, she seeks sexual satisfaction outside her marriage by taking a lover. Sunshine Cruz delivers a standout performance in a supporting role.

The movie features varied forms of love: family love, sibling love, puppy love, unrequited love, ruined love, prospering love, in denial love, jaded love, and true love, among others. After all, what the world needs now is love.

The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.

Intoy has had the hots for Doray since they were kids in Kalye Marino, Cavite City, formerly the American Naval Base in Sangley Point. Both marginalized as the long-lasting effect of American abandonment of the said base, Intoy has become Kalye Marino’s best “tahong” caretaker-with-no-angst-about-poverty, while Doray a cheap prostitute-with-no-guilt, tending to her siblings’ needs. Intoy strives to have his own cages of “tahong” so he can have Doray, not for just a night of quickie sex, but forever. But what will he do to when she offers to drop by his hovel-on-stilts to quench his passion, but before it happens Nature has chosen to play a joke on his tahong cage? Will it be goodbye to his tahong business or to his damsel-in-distress and ultimately to Kalye Marino? From Eros S. Atalia’s 2001 Palanca Grand Prize-winning Short Story, Intoy Syokoy ng Kalye Marino is a love tale minus the obligatory romantic sentiments.

Guam, U.S.A. Thursday, November 24, Thanksgiving Day. Alex, a local newspaper photographer, gets into a “green card marriage” with her good friend James, a Guam-born Filipino. Miriam, a former member of the Philippine press and now an established Guam journalist, longs to repair a damaged relationship with her American husband. Ella, a hotel housekeeper for almost 20 years, finds means of sending her 88-year old mother to the Philippines with the uncertainty of coming back. As the island of Guam celebrates this classic American holiday when people count their blessings and give thanks, the lives of the three Filipina immigrants intersect and find themselves at a tug-o-war of sacrifice and significance where they must find their home or must they find it somewhere else.