Jon Stewart: Unleavened

One for all, all for one! That's the motto in the tranquil village of Heiterstorf just outside Hamburg. In order to be accepted again in his hometown, which Gabriel Panski once arrogantly left behind, the family man runs the gauntlet. After a depressing movie night at the rowing club, the heart of Heiterstorf, he is suddenly the "man of the hour". The village wants to help ensure that Panski doesn't have to pay for a public-spirited heroic deed: the murder of the Hamburg real estate shark Butz, who tried to rip everyone off. Although the moneyed dynast Erna Gutdorf herself scrubbed the crime scene at the rowing club, the clues lead to Panski. Inspector Winter is always one step ahead of the hungover suspect. However, she has to realize that her perfect puzzle of clues leads to a manipulated picture. When the inspector and the suspect pull together, they stumble upon a perfidious conspiracy...

Ex-con Konrad Kühn smells a quick buck with the sale of a seemingly uninhabited house on the Baltic Sea. He claims to be the sole heir, but someone is living in the supposedly uninhabited house: Clara Mensen. Together with her friend Valeska, she tries everything to prevent the sale. Also because Mayor Flasskamp wants to close the deal with Kühn very quickly. He already owns the neighboring property and could finally implement his plans for a large hotel. But the two have made their plan without Clara Mensen. She discovers Kühn's true identity. And Kühn learns a secret about Clara Mensen. The two rivals suddenly have to work together to save their own skins.

Retired teacher Ulla is celebrating her golden wedding anniversary with her husband Paul. Unfortunately, Ulla's romantic idea of renewing their vows backfires, as her husband has fallen in love with Ulla's best friend.

Bella enjoys her life in Berlin after separating from her husband Martin. She buys her daughter Lena a dress for their Abifeier and proposes a joint trip around the world. However, Lena has her own plans. Why else would she drop a meeting at the mall with the handsome cop Sebastian Berg, who still raves about bubbly Bella? But Bella's mind is not on men - she has Lena, that's enough for her.

Disa's husband has found himself a new love and a new future, while Disa has found herself in an unsatisfactory life. But one day a chatty father with seven children appearance, an uncommunicative patient at Disa's hostipal has begun to open up, and a new martial arts teacher has begun teaching in this small town in Dalarna.

Imma falls in love with a fireman.

A somewhat impressionist, at times even slightly surreal miniature about a student (Werner Stocker in a splendid performance) who, out of financial difficulties, starts out as pool attendant at an open air swimming pool in Berlin's district of Neukölln. Escaping from his unpleasant landlord and his lover Patrizia (a very young Martina Gedeck), he soon starts to live at the baths, and as swimmers disappear and the baths are closed for the winter, he turns the grounds into his own, perfect refuge from civilisation and social pressure, becoming increasingly detached from reality. What may sound like an annoyingly gimmicky premise is executed here playfully, yet with admirable simplicity and a subtle, unpretentious poetic sensibility that one would wish for more often in contemporary German cinema.

The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.

"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

The late 1950s. Every night, Soviet tractors comb the coast of Latvia looking for signs of anyone who could have infiltrated the Soviet border from the sea. One morning, three Soviet patrolmen discover a woman’s shoe in the sand and footsteps leading to the quaint little village of Liepaja.

At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.

China's top drama academy stages the American musical "Fame," China's first official collaboration with Broadway, as the graduation showcase for its senior class. During the eight-month rehearsal, five students compete for roles, struggle with pressure from family and authority, and prepare to graduate into China's corrupt entertainment industry.

Two religious maniacs, Judas and Corned Beef, are visited by two aliens, Madeline Virbasius and Dion. Virbasius, dressed as the Virgin Mary, tells the two to kill people for Jesus and to drain the puss from their heads and bring it back to them. Fleming and Hammer set out to bring "the Virgin Mary" back as much puss as possible in a bucket.

A stressed father, a bride-to-be with a secret, a smitten event planner, and relatives from around the world create much ado about the preparations for an arranged marriage in India.

Ted Morgan has been treading water for most of his life. After his wife leaves him, Ted realizes he has nothing left to live for. Summoning the courage for one last act, Ted decides to go home and face the people he feels are responsible for creating the shell of a person he has become. But life is tricky. The more determined Ted is to confront his demons, to get closure, and to withdraw from his family, the more Ted is yanked into the chaos of their lives. So, when Ted Morgan decides to kill himself, he finds a reason to live.

India. Smita is an untouchable. She dreams of seeing her daughter escape her miserable condition and enter school. Italy. Giulia works in her father’s workshop. When he has an accident, she discovers that the family business is ruined. Canada. Sarah, a successful lawyer, is about to be promoted to the head of her firm when she learns that she is ill. Three lives, three women, three continents. Three battles to fight. Although they don’t know each other, Smita, Giulia and Sarah are unknowingly linked by their most intimate and singular bond.

In 1971, inmates at Attica State Prison seized control of D-yard and took 35 hostages after peaceful efforts for reforms failed. Attica investigates the rebellion and its bloody suppression, revealing institutionalized injustices, sanctioned dishonesty, and abuses of power.

Bokolo and Mamadou, sweepers in the city of Paris, are looking for a way to pay for the return home of one of their sick comrades. When they find an old book of recipes in the trash, they discover a passion for French cuisine and decide to participate in a televised cooking competition.

Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....

The film is a commemoration of the lost livelihood of the earth, the lost lives of the War and to the work of two of the cinema’s greatest artists.