Short tourist film set on a tropical island where a sailor falls in love with a native girl.
A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.
It depicts apocalypse concentrating on the last days of a family's catastrophic life in a prevalent winter (nuclear winter) in Iran in 2012. The notions of void and terror are dominant in the film. (The nuclear catastrophe or winter is not specifically mentioned in the short film because of the hard political situation in Iran. However, its implications exist throughout the film like their imprisonment in their claustrophobic place.) Basically, the figures are indifferent in their hard circumstances and are not able to communicate with each other.
A man with arachnophobia buys a poisonous bird spider and sets it free in his apartment.
A man comes home with his date to find that her dog, Wilfred, can speak to him.
After a violent episode in biology class, the outsider Lykke begins to change. There is something very wrong and soon a big showdown with the outside world awaits. The beast in her has been awakened.
In "Falling. Desert. Syn" there is the body of repetition—not of tautology but of smooth resurrection; a body dying and being resurrected in a dance without suffering. A body of the desert, which is not deserted, but instead possessed by a force of attraction towards the sky, a force as strong as the one towards the earth. A body for the stars, the same one which plunges into the underworlds.
A cartoonist. His wife. His characters.
A boy puppet falls in love with a girl puppet. In a cruel twist of fate,they are separated when they are purchased by different people. When they chance upon each other again, the boy puppet does everything in his power to return to her side.
Nearing the end of their four-year quest, a fellowship of heroes realizes a crucial communication error.
A husband and father starts to dig a hole in his backyard, for no apparent reason.
While filming a Teddy Bear in stop-motion, a man accidentally unleashes supernatural dark forces. A short horror film by Robert Morgan
The Trolls, Princesses, Glooms, and Engineers must join forces to defeat Silence.
Andy Gump is a clueless yokel that decides that he can run for President.
When Tom travels across the country to locate the Daughter he never knew, undeniable questions of consequence rise to the surface when he offers a ride to stranded young woman.
The comforts of home are sacred, sweet and beloved. Mark had all of that... a beautiful wife, an angelic daughter, a purpose. His role was simple: To provide and protect. There was just one problem. Mark never learned how to stand up for himself. He lacked self-confidence and avoided confrontation for his entire life. For the most part, his fears went unnoticed and he was able to cloak his nervousness, until the day that everything around him changed. Mark finds himself in the middle of a very dark and terrifying predicament and is left with only one choice. He can stand up and fight, or lay down and die.
On July 6, 2012, three friends went missing. They were last seen at the Disneyland Resort in Anaheim, California. A Cast Member working in Lost & Found discovered a camera that belonged to them containing the following footage. It has not been altered in any way.
What has four legs, five arms and three heads? The Gimp Monkeys. Craig DeMartino lost his leg after a 100-foot climbing fall. Pete Davis with born without an arm. Bone cancer claimed Jarem Frye's left leg at the age of 14. While the three are linked by what they are missing, it is their shared passion for climbing that pushed them towards an improbable goal - the first all-disabled ascent of Yosemite's iconic El Capitan.
The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.
A group of middle-class friends driving around São Paulo choose one of the women as a bait to attract a victim, object of their alienation and moral aggressiveness.