The Peanut Vendor

It's the Krusty Krab's eleventy-seventh anniversary, and the nostalgia has SpongeBob, Squidward, Patrick, and Mr. Krabs looking back on key events in their lives. Right before the party begins, however, they all get locked in the freezer! With a hungry crowd and Plankton ready to steal the formula, they race through the air ducts to find a way out. Meanwhile, Patchy goes to Nickelodeon Studios to cast a star-studded 10th anniversary special. When the big event airs, however, he finds the guest of honor didn't show up...SpongeBob himself.

A young woman is pulled into a bizarre sub-world by a Chinese takeout box.

In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.

A man attending a funeral in his hometown comes face-to-face with his past when he is confronted with memories of mistrust, adultery, abuse, and a fantastical journey that couldn't possibly be real. It couldn't possibly be real, but the memory of a mysterious girl named Lettie Hempstock ties each bizarre childhood occurrence to the last.

The hero of the popular Czech animated series Pat and Mat, have come to us with their more or less successful, always comedy house repairs. In memory of the times of true cartoons, which marked the youth of many generations, the legendary home-based master comes to large screens with brand new adventures. Czechoslovakia's cartoon A je to (also known as Pat & Mat) is the work of Lubomír Beneš and Vladimír Jiránek, first reproduced in 1976. This year Pat and Mat celebrate their 40th birthday. However, this is nothing like that for such a large caliber. In the attic store boxes of full movies (and a projector under the stairs) and share stories with their fans. However, as often happens, they face many traps. This time you will meet a sneaky cactus and a dry tree. Meanwhile, they will naturally "improve" their home with some creative ideas. Just how?

Stop-motion film from Émile Cohl has a clown walk out in front of a group of people and do various tricks including standing on his head, riding a horse and falling face first off the horse.

The opening scene is in a tailor's shop, showing the four assistants more or less in love with their employer's daughter. After some time, the tailor says he will give his daughter to the one who shows himself to be the cleverest. Some very amusing incidents follow. The various feats accomplished during the contest are clever examples of trick photography. (Moving Picture World)

A troubled mortician embarks on an odyssey for truth about life and death.

Dug, along with his sidekick Hognob, unite a cavemen tribe to save their hidden valley from being spoiled and, all together as a team, to face the menace of a mysterious and mighty enemy, on the turf of an ancient and sacred sport.

A monkey comes home and uses a magic wand to make himself dinner. No sooner as he falls asleep, a hungry burglar enters his house. This short film was made by Segundo de Chomón in 1923 in his private studio with the help of his wife and son, outside of any studio structure, and has never had a regular distribution.

A short puppet animation movie by Tadahito Mochinaga.

A short animated film by Tadanaro Okamoto.

A snowman comes to life in this charming and playful stop motion short. In danger of melting once spring rolls around, the snowman eventually departs for an icier climate, perhaps to return next winter.

In 1955 Tadahito Mochinaga was asked to create commercials for Asahi beer, which he created using stop-motion, followed by the 1956 short film "Beer Mukashi Mukashi" (Beer, those were the days...), created specifically for theatres. With the help of Kikachiro Kawamoto and Noburo Ofuji, this is the first animated short/commercial in stop-motion made for Japanese cinemas!

There is a great deal of magic and enchantment in the glassworks. Motion capture with animation and real glass

Shaun's seasonal excitement turns to dismay when a farmhouse raid to get bigger stockings for the flock inadvertently leads to Timmy going missing. Can Shaun get Timmy back before he becomes someone else’s present?

New York City: the Wonderland that never sleeps and for Alice, the City offers an easy opportunity for a beautiful, wealthy, twenty-something girl with little responsibility or direction in life, to get lost in the endless nights of booze, drugs and parties with fabulous people. However, on this particular night, the city will show its dark side, filled with scoundrels and lunacy. On this particular night, Alice will see what she is likely to become if she continues this pattern of sleeping all day and partying all night.

This short film profiles the benevolent Mike Sullivan, who has been in the process of shooting a stop-motion robot sex film in his New York City apartment for the last ten years. Obsessed with the meticulous construction of the miniature robot porn stars, his apartment now overflows with thousands, leaving him only tiny paths to navigate and no place to film his epic.

While building a new picnic area at the beach, Bob and the machines tell Benny and Scrambler the story of how he got started as a builder. Bob then recounts he and his dad Robert constructed the building yard in Bobsville, and how the machine crew we all know and love got together. Once the picnic area is finished, Benny and Scrambler agree that it's brilliant to be part of Bob's team!

Mère Ubu