What I Know About Her

Obviously, Missiepoo16 is not her real name. She is called Rosan, is fourteen years old and a master at manipulating her environment. She livens up her outpourings to the ever-filming webcam with colourful texts and crazy pictures. One of her favourite activities is to comfort people. She is very good at it too, especially when her mother is sad, for instance about her boyfriend Ernest. Rosan cannot stand him and decides to sue him. Part of Kort!.

Sandy is a stressed-out, single mom who learns that her ex-husband is marrying a younger woman. Her friend Jesse's parents don't know that she has a family or that her sister, Gabi is married to a woman. Jesse's friend, Kristin, is juggling motherhood of a toddler, a patient boyfriend who keeps proposing, and searching for her biological mother. Bradley is a widower who's trying to raise two daughters on his own, while Miranda is too busy with her career to worry about children. When their respective problems intersect and start coming to a head, the Mother's Day holiday takes on a special meaning for all.

In the arid landscape of Rajasthan, four women navigate their way through personal and cultural difficulties.

Coaxed by a much more mature, not very sympathetic friend, Machteld discovers on her first night out to discotheque The Palace that this is no place for a fourteen-year-old girl. She wanders around a little lost, and the high-priced piña coladas do not go down well. Fortunately, she is picked up by her dad, with whom she can just be who she is: a young girl with sore feet from the borrowed shoes.

Two friends loiter on a square, with their mopeds. Loitering youngsters, moped girls: in any case, there is no sign of parents or school. The girls laugh, are silent and quarrel, joke about `nice tits', flirt with a Moroccan boy (and call him a fucking fundamentalist when he walks off with another girl). In between, they ride their mopeds. A loosely acted draft of two young lives.

Filmmaker Tegan Pearce combines autobiographical spoken word and expressive visual direction to present a cinematic interpretation of autism.

Spain, early 20th century. Hildegart is raised and educated by his mother Aurora as the subject of a social experiment, to be the first truly free woman in the world, the one who will lead humanity into a new era; and, in order to achieve this goal, is insanely loved… until the moment when she becomes a young and gifted woman and actually tries to fly freely, away from the oppressive nest of her creator and guardian.

Two high school girls are best friends until one dates the other's older brother, who is totally his sister's nemesis.

Tiina decides to reconnect with his aged and bohemian father living alone. With her reluctant daughter and new husband, they move in and start to renovate the old house. However, neither the renovation nor facing the past is effortless.

In 2016, French writer and photographer Carole Achache took her own life. After Carole's death, her daughter Mona Achache, a film director, discovers thousands of photos, letters and recordings that Carole left behind, but these buried secrets make her disappearance even more of an enigma. Through the power of filmmaking and the beauty of incarnation with the help of actress Marion Cotillard, the director brings her mother back to life to retrace her journey and find out who she really was.

A drifter comes between an aging Southern beauty and her teenaged daughter.

Madre tells the story of 16-year old Andrea who leaves a poor neighbourhood in Colombian Medellin to take part in the casting for a porno movie.

Leila, a 28 year old Syrian American woman, anxiously awaits the outcome of her mother’s immigration interview in a hotel room that is meant to be their meeting place if her mother is approved to enter the US

Luana Lepou (Salina Vai) is a brilliant 15-year-old. The recent death of her father left her in the care of her mother, Susana (Frances Talataiga) and older sister, Sina (Auau Faleafine). Sina seems to have found the love of her life in her sweet, loving boyfriend, Limu Lualua (Joseph Iosua) who proposes marriage to Sina. After exchanging vows, Limu moves into the Lepou household with Sina, in bliss, until Sina notices a change in her newly wedded husband's behavior. Limu begins to come home late and drunk, fighting and arguing. Sina complains to her mother, who tries to patch things up. Unfortunately for young Luana, Limu turns his drunken attention on her, making suggestive gestures, and threatening her if she tells anyone. She struggles with the shame of her sister's husband's attention. Luana cries out for help, but to her dismay and frustration, the family does not believe her. With no help, Luana is forced to keep this a secret. Inspired by a true story.

After Phyllis discovers that her daughter Cecilia can read, she’s torn between abiding to her slave owner’s commands or encouraging her daughter that reading is a pathway to their freedom.

After her ship is irreparably damaged on its way to Mars, an astronaut uses her final moments to call her daughter and say goodbye.

In Barcelona, Queralt, a painter, tries to talk by phone with her daughter Gemma, also a painter, who lives and works in a small studio in Athens.

Ervin, an ex con man, is released from prison to find his old pal Micky waiting for him. The 75 year olds seem to hit it off as they drive around town, with a few pit stops along the way, but the cracks in their friendship begin to show after 15 years of neglect.

Cecília, a successful young model, returns to Recife, her hometown, to spend Christmas with her mother. One night, a neighbour she hadn’t seen for a long time, João, shows her a bottle with a mysterious and intoxicating green substance. Cecília begins to fall in love with João, but also discovers he is involved in a secret cult around the figure of Salomé, the luxurious biblical princess.

After the sudden death of her older sister, a successful singer-songwriter finds herself facing their family's darkest memories as she fights to win custody over her adolescent niece from the girl's lawful but long-absent father.